Showing posts with label Gravestones. Show all posts
Showing posts with label Gravestones. Show all posts

Tuesday, September 16, 2025

Skulferatu #140 - South Leith Parish Church Graveyard, Leith


In my wanderings around Leith, I often end up in the rather picturesque kirkyard of South Leith Parish Church.  The area around the church is a little blast of greenery and trees, the grounds being hemmed in by a shopping centre, blocks of flats and the new tramline running down from Edinburgh.  It is a little oasis to lots of birds, small creatures, and insects, who utilise everything from the plants and trees to the gravestones.  Of course, though I enjoy it, I don’t really go there for the nature, like any good graveyard ghoul, I go there for the gravestones and the stories they tell.

 

The graveyard used to be much larger, but part of it is now under Constitution Street, the road that runs past it and on which the trams run.  When they were constructing the tram lines, they had to dig up the road, and while it was an open pit, a group of archaeologists worked there to remove all the bones of those buried there.  You could quite often walk past and see several rather well preserved skeletons lying there as the work was carried out.  They were quite a talking point and on social media there were many comments about how many of these skeletons seemed to have a full set of lovely white teeth.  Something many of those living nearby do not have.  It was soon pointed out though that the skeletons dated from around the 16th Century, a time when sugar was not in such abundance and that anyway most of the skeletons were from people who were probably in their early to mid-twenties when they died.  The skeletons were also quite popular with local children, and I remember passing by a young woman with a screaming toddler who calmed down when she told him that if he behaved, they would walk home past the skeletons, and she’d lift him up so he could see them.

 

A photo showing a grey stone church with a rectangular tower.  Two people stand outside the gates to the church grounds.  Photo by Kevin Nosferatu for the Skulferatu Project
South Leith Parish Church

 

A view over gravestones in a graveyard to a block of 1960s flats. Photo by Kevin Nosferatu for the Skulferatu Project.
View over the graveyard

 

A view of over the graveyard to the back of the church which has a large arched window in it. Photo by Kevin Nosferatu for the Skulferatu Project.
View over the graveyard to South Leith Parish Church

 

A black and white photo of an old gravestone with a skull and crossbones carved on it. Photo by Kevin Nosferatu for the Skulferatu Project.
Skull and crossbones

 

A black and white photo of an old gravestone with the date 1774 carved into it with a skull and crossbones carved beneath. Photo by Kevin Nosferatu for the Skulferatu Project.
1774

 

A view over the gravestones in the graveyard to trees along a back wall and tall tenement houses behind. Photo by Kevin Nosferatu for the Skulferatu Project.
View over the graveyard

 

Being an old maritime town many of those buried in the graveyard worked on the ships, were ship builders, sailors or merchants utilising the shipping for their businesses.  One of the gravestones there carries on it a memorial to one of the sons of James Kinghorn and Agnes Anderson.  This being William Anderson Kinghorn, the Chief Engineer on the SS Esparto, who was drowned in the English Channel on 28 November 1897.

 

A photo of a tall grey gravestone engraved with the names of several members of the same family including William Anderson Kinghorn. Photo by Kevin Nosferatu for the Skulferatu Project.
Memorial to William Anderson Kinghorn

 

The SS Esparto was a cargo steamship built by S H Morton and Co at Victoria Dock in Leith for the London and Edinburgh Shipping Company.  It was launched on the 20 September 1880.  On Thursday 25 November 1897 it set off from Bo’ness to sail to Barcelona with a cargo of coal.  On the night of Sunday 28 November, the ship was passing through the English Channel, by the Royal Sovereign Lightship near to Hastings, when it was involved in a collision with the French steamship, the Noel.  It would appear that in heavy seas the two ships came across each other and through errors in signalling they embarked on a course that led them directly into each other’s path.  The Esparto was hit midship by the Noel and was almost cut in two.  Water flooded into the ship, but most of those below decks managed to scramble up and some made it onto the deck of the Noel.  However, just as the First Mate shouted over to the crew of the Noel to try and hold their ship so the rest of his crew could get aboard, the rough seas pulled it out and away from the Esparto.  The Esparto then capsized and within five minutes had sunk.   Two of the Esparto’s crew who had made it on to the Noel, took out one of the lifeboats from that ship and rescued several of their crew members who had been thrown into the sea.  Meanwhile the Captain, William Kinghorn and another member of the crew managed to get into a lifeboat from the Esparto and for a short while thought they were all saved.  But then the rough seas overturned the boat, and all three were cast into the churning waters.  The Captain managed to grab onto some wreckage from the Esparto and was saved by a passing ship.  Unfortunately, Kinghorn and the other crew member were not so lucky, and both drowned in the freezing and stormy sea.  Of the nineteen people onboard the ship, fourteen were rescued but five drowned. Their bodies were never recovered.

 

A sketch of an old-fashioned steamship.
A sketch of ‘The Lost Ship Esparto’ from the Edinburgh Evening News

 

An enquiry was held into the sinking of the ship, and it concluded that the accident had been caused due to errors made by the mate of the Esparto in signalling and pulling astern from the Noel when this was not necessary and by the fact that ‘neither of the vessels kept on her course’.

 

There are also some tragic tales to be had amongst the surviving gravestones.  There is the grieving wail from the past that is the inscription for James Paton, a merchant in London who died in Leith in 1787.  On his headstone is carved a lament from his grieving widow to a man who was a loving father to his young children and who had brought much happiness to her.

 

A photo of a large gravestone on which a carved hand at the top points to the inscription below. Photo by Kevin Nosferatu for the Skulferatu Project.
Gravestone for James Paton

 

One of the gravestones that intrigued me was that of Martha Watt, who died on 2 May 1901 and whose inscription states that she was accidentally drowned.  I found the word ‘accidentally’ somewhat strange as it almost implied that it may not have been an accident.  Why the emphasis?  Well, it turns out that poor Martha threw herself into Dunsapie Loch in Holyrood Park and drowned herself despite a passer-by trying to save her.  However, the Procurator Fiscal’s Office ruled her death accidental, which suggests that they found that she was ‘not of sound mind’ when she did this.  Given the stigma surrounding suicide at that time the ‘accidentally’ on her gravestone serves to hit this home to all the gossips that it was not a deliberate act by her.

 

A photo of two gravestones - the one in the foreground has the appearance of two wooden logs made into a cross. Photo by Kevin Nosferatu for the Skulferatu Project.
Grave of Martha Watt

 

Many of those buried here lie in unmarked graves and their tales and stories and now lost to us.  However, somewhere within the grounds of the graveyard lie the bodies of three men and their story is well documented.  Their tale is one of revenge, bigotry, hate and ultimately of judicial murder and it all started with a Scottish company.

 

In 1695 The Company of Scotland was created and granted a monopoly of Scottish trade to India, Africa, and the Americas.  The company played a large role in the ill-fated Darien scheme, in which an attempt was made to establish a colony in Panama.  This all went wrong and failed due to poor planning, the death of most of the colonists from tropical diseases, a trade blockade carried out by England and an aggressive military response by the Spanish. The failure of this scheme and the fact that it had almost bankrupted Scotland, led to huge resentment and anger with England, who many believed had been responsible for causing the failure.  Something the Secretary of the Company of Scotland, Roderick MacKenzie, was only too happy to have people believe, as it took any responsibility for the failure away from him and his colleagues. 

 

In 1704, the Annandale, a ship chartered by The Company of Scotland was impounded in the Thames by the English authorities. The captain of the ship was accused of trying to hire English sailors in London, which was a breach of the East India Company’s monopoly.  The ship was eventually seized along with all the goods on board and the ship’s crew were pressed into the service of the English Navy.  This didn’t go down well back in Scotland and really annoyed many of the merchants and politicians, as it was basically the final nail in the coffin of The Company of Scotland.  Around six months later an English merchant ship, the Worcester, was returning from the East Indies loaded up with a full cargo.  In order to avoid a storm, it put in at the Firth of Forth.  There, it was seized in an act of reprisal by the Scottish authorities at the behest of Roderick MacKenzie. 

 

At around the same time the Worcester was seized, concern was growing in Edinburgh over another Scottish ship, the Speedy Return, which, not living up to its name, had not returned to port and was assumed to be lost.  Rumours soon spread that the captain and crew of the Worcester were responsible for the loss of the Speedy Return. Given these rumours Captain Thomas Green of the Worcester, and his crew, were all detained and imprisoned. 

 

The ship’s cook, Antonio Ferdinando, who is described as coming from Malabar in India, though may have actually been an enslaved African, then made a statement against Captain Green and the crew, stating that off the coast of Calicut in India, they had attacked a ship of English speaking men and had killed them, stolen the goods from the ship, and then sold the ship.  However, it would appear that Ferdinando had not actually joined the ship until after it had sailed past Calicut, so he could not have witnessed any of this.  His statement against the crew may therefore have been due to an understandable grudge against them.

 

However, that aside, in March 1705 Captain Green and his crew went on trial at an Admiralty Court in Edinburgh on charges of piracy, robbery and murder.  The indictment against them was kept vague and did not specify which ship it was that they were supposed to have attacked or the date they were supposed to have attacked it.  None of the owners of the Speedy return or family members of the crew were asked to give evidence.  The crew of the Worcester were not allowed to give evidence in their defence, though Ferdinando was allowed to give evidence against them, and vital evidence that would have shown that they did not carry out an attack on the Speedy Return was not considered by the court.  This evidence being that two members of the crew of the Speedy Return had made it back to England where they had signed statements to the fact that their ship had been seized off the Madagascar Coast by a gang of pirates led by a Captain John Bowen.  It would appear the Captain of the Speedy Return had been negotiating the purchase of a group of slaves from Bowen but had been double crossed by him.  Realising he had been duped and lost his ship, the Captain had gone to seek his fortune elsewhere rather than returning to Scotland to face the wrath of the ship owners.  He had left his crew stranded in a foreign land from which they had to find their own way home.  And why was this evidence not considered?  Well, it was because the indictment against them didn’t actually mention the Speedy Return, as its vagueness was really just a ploy to ensure a guilty verdict, such was the anti-English sentiment at the time.  As the historian George M Trevelyan put it, the court was ‘drunk with patriotic prejudice.’

 

So, as expected, Captain Green and sixteen members of his crew were found guilty and sentenced to death.  Captain Green, his Chief Mate, John Madder, and the ship’s gunner, James Simpson, were all sentenced to hang on the 4th of April 1705, while the rest of the crew were to be executed in two groups on the 11th and 18th of April.

 

There was much consternation in England about the trial and the sentence imposed upon Green and his crew.  Queen Ann intervened and asked for a stay of execution so the matter could be considered properly by her ministers.  This was granted until the 11th of April, but then on the 11th a huge and angry crowd gathered in Edinburgh demanding that justice be carried out for the murdered crew of the Speedy Return.  The Lord Chancellor was spotted by the mob and dragged out of his coach, only escaping the angry crowd by promising that the executions would go ahead.  So later that day Green, Madder and Simpson were put in a cart and transported through a baying mob to Leith Sands.  There, all three made final speeches declaring their innocence, before being hanged.  Unusually though, rather than being left to hang in chains like the bodies of most convicted pirates, all three were quickly cut down and taken to South Leith Parish Church and buried in the graveyard there.  Not long after this the rest of the crew were discreetly released, the anger of the mob having been abated by a blood sacrifice.

 

An extract from a register reading - Capt. Tho. Greens Commander, Capt. John Maither, Mate, James Simpson, Gunner, of one English East India ship called the Worcester of London, being sentenced to death for pyrazzy & robbery, were hanged (the first in the thirtieth and third year of his age, the second in fortieth and fourth year of his age, the third in his thirtieth and nynth year of his age) within the sea mark near to the saw miln, on the eleventh day and were buried on the said day.

 

Only a few years later, in 1707, the Act of Union and the joining of England and Scotland resulted in closure of The Company of Scotland and compensation being given to the merchants and nobles who had lost so much of their cash.  The deaths of Green and his two other crew members were quickly forgotten, as was the Speedy Return.    

 

***

 

Wandering around the graveyard I bumped into several groups of tourists taking in the sites of Leith.  As they admired the many ornate and ancient gravestones I walked around to the crypts.  There amongst the capering squirrels and fat pigeons I came across a small group of men that you often find in inner city graveyards, scruffy looking and very drunk.  Empty cans of cheap cider were scattered around them as they shouted and laughed noisily at each other.  Walking past them through the crypts I found another group sitting quietly in the grass looking completely out of it.  Around them lay the detritus of their addiction, bloody tissues, swabs and syringes.  One of the guys looked up at me vacantly and managed a smile.  I smiled back, said hello, and headed away out into the warmth of the summer sun.   

 

A photo of an old garvestone with a very cheery looking skull carved on it with some crossbones beneath. Photo by Kevin Nosferatu for the Skulferatu Project.
Gravestone in the graveyard

 

A photo of a row of small gravestones against a wall with several others on top in a second row.  Photo by Kevin Nosferatu for the Skulferatu Project.
Gravestones

 

An old gravestone with various symbols carved at the top. Photo by Kevin Nosferatu for the Skulferatu Project.
Gravestone of James Robertson

 

A black and white photo of an old gravestone with a scary looking cherub face and wings carved at the top. Photo by Kevin Nosferatu for the Skulferatu Project.
Old gravestone

 

An old and very neat looking gravestone with a carving of a face and wings at the top. Photo by Kevin Nosferatu for the Skulferatu Project.
Gravestone of Alison Lisle

 

An old gravestone that has become green with the damp.  Photo by Kevin Nosferatu for the Skulferatu Project.
Memorial to Thomas Davidson and family

 

A stone wall with arches doorways leading into an area with gravestones on the wall behind. Photo by Kevin Nosferatu for the Skulferatu Project.
The graveyard crypts

 

A black and white photo of an ornate iron gate in an arched doorway.  Photo by Kevin Nosferatu for the Skulferatu Project.
Ornate gate

 

A photo of a very old gravestone with a skull and crossbones carved into it.  The skull has a very large forehead and looks slightly alien.  Photo by Kevin Nosferatu for the Skulferatu Project.
Very old gravestone

 

As I walked through the graveyard, I found a bit of wall that at one time must have been part of something but now was just a lone piece of wall with some gravestones attached to it.  There, in a gap, I left the Skulferatu that had accompanied me.

 

A photo of a small, ceramic skull (Skulferatu 140) being held up with South Leith Parish Church in the background. Photo by Kevin Nosferatu for the Skulferatu Project.
Skulferatu #140

 

A photo of a stone wall in the middle of the graveyard with various gravestones on it.  Photo by Kevin Nosferatu for the Skulferatu Project.
Gravestone wall

 

A photo of a small, ceramic skull (Skulferatu 140) in a gap in the graveyard wall.  Photo by Kevin Nosferatu for the Skulferatu Project.
Skulferatu #140 in a hole in the gravestone wall

 

A close-up photo of a small, ceramic skull (Skulferatu 140) in a gap in the graveyard wall. Photo by Kevin Nosferatu for the Skulferatu Project.
Skulferatu #140 in a hole in the gravestone wall

 

TomTom Map showing location of Skulferatu #140
Map showing location of Skulferatu #140

 

The coordinates for the location of the Skulferatu are –

 

Latitude 55.971795
Longitude -3.170935
 
what3words: oval.speech.ashes

 

I used the following sources for information on those buried within the graveyard at South Leith Parish Church –

 

Edinburgh Evening News – Tuesday 30 November 1897, Wednesday 1 December 1897, Thursday 2 December 1897
 
Dundee Courier – Wednesday 22 December 1897, Thursday 30 December 1897
 
Scotsman - Friday 3 May 1901 & Wednesday 3 July 1901
 
The Tryal of Captain Thomas Green and his Crew pursued before the Judge of the High Court of Admiralty of Scotland, and the Assessors appointed by the Lords of Privy Council
1705
 
Tales of a Grandfather, Vol IV
Sir Walter Scott
1847
 
A Complete Collection of State Trials and Proceedings for High Treason and Other Crimes and Misdemeanours from the Earliest Period to the Year 1783, with Notes and Other Illustrations
Volume 14
1816
 
The Worcester Affair
By Thomas Kelly
2000
 
Extract from South Leith Parish Registers 1705 from - Scotland's People
 
Wikipedia

 

 

Tuesday, August 8, 2023

Skulferatu #102 - Duddingston Kirkyard, Duddingston, Edinburgh

 

One of my favourite walks around Edinburgh is down the Innocent Railway path, round to Duddingston and then back up Duddingston Low Road and into Holyrood Park.  When I do that walk, I usually have a rest and a sit down in the Kirkyard of Duddingston Kirk.  It is a place oozing with history and usually a quiet place to sit and contemplate whatever one feels like contemplating.

 

At the entrance to the Kirkyard is the tower like structure of the gatehouse, which was built in the age of the body snatchers for the guards who protected the corpses of the newly buried from being stolen.

 

A photo of a stone, two storey rectangular building with ornamental battlements on the top.  It has arched windows and sits in front of a cobbled lane that leads through an iron gated wall.  This is the gatehouse - used by those guarding the kirkyard against body snatchers.  Photo by Kevin Nosferatu for the Skulferatu Project.
The Gatehouse

 

On the opposite wall from the gatehouse is a rather insidious instrument used by the church to control and punish its flock, the jougs.  The jougs are an iron collar that could be padlocked and are fixed to a chain on the wall.  These were used for minor offences; you know the type of thing, drinking, dancing, enjoying yourself, wearing clothes that were a bit revealing, as in showing a bit of ankle, gossiping, farting on a Sunday, and the like.  The offender would be chained up during the hour before the morning service so that they would face the humiliation of the congregation passing them on their way into the church.

 

A photo of a black, iron collar attached to a stone wall - these are the jougs.   Photo by Kevin Nosferatu for the Skulferatu Project.
The Jougs

 

In the kirkyard itself, there are many interesting looking and rather gothic gravestones, and those buried beneath no doubt had many interesting stories to tell of their lives and adventures, all of which are now in the main forgotten. 

 

A photo of Duddingston Kirk, a small church that looks a bit like a 16th Century house, it is standing in the kirkyard with grass and gravestones around it.  Photo by Kevin Nosferatu for the Skulferatu Project.
Duddingston Kirk

 

A photo of an old gravestone in Duddingston Kirkyard.  At the top of it there is a face with wings around it and at the bottom is carved a skull.  The engraved name of the person who's grave it was has faded away to nearly nothing.  Photo by Kevin Nosferatu for the Skulferatu Project.
Gravestone in Duddingston Kirkyard

 

A photo of the carved skull at the bottom of one of the old gravestones in Duddingston Kirkyard.  The carving is quite primitive and shows only the skull with no lower jawbone.  Photo by Kevin Nosferatu for the Skulferatu Project.
Detail of gravestone

 

An ornate looking memorial on the wall of Duddingston Kirkyard.  On it are various emblems such as the skull and crossbones and the face with wings at the side of it.  Photo by Kevin Nosferatu for the Skulferatu Project.
Memorial to David Scot and Margaret Gourlay

 

Another memorial of the wall of Duddingston Kirk.  This one has not aged well and the memorial has all but disappeared.  On it are carved skulls and decorations.  Photo by Kevin Nosferatu for the Skulferatu Project.
Memorial on church wall

 

A photo of skull and crossbones with a memento mori banner above.  Photo by Kevin Nosferatu for the Skulferatu Project.
Detail of memorial on church wall

 

A photo of a fallen gravestone that is covered in moss.  The details on it have all but disappeared under the moss, however a skull and crossbones can be made out and also at the top a face with a wing at each side. Photo by Kevin Nosferatu for the Skulferatu Project.
Moss covered gravestone

 

A photo of the moss covered skull and crossbones from the gravestone.  Photo by Kevin Nosferatu for the Skulferatu Project.
Detail of moss covered gravestone

 

A photo showing several very old gravestones in Duddingston Kirkyard, with the watchtower in the background.  The foremost gravestone is ornate and low in the ground.  At the top of it is a rather creepy skull.  Photo by Kevin Nosferatu for the Skulferatu Project.
Gravestones in Duddingston Kirkyard

 

There is though, one that discreetly commemorates a scandalous tragedy that was reported widely in the newspapers of the time.  This memorial stone was originally commissioned by Captain John Haldane in honour of his grandfather Patrick Haldane, the 16th Laird of Gleneagles, who served as the Solicitor General for Scotland and as the MP for Perth. He had died in Duddingston in 1769.  On the stone there is also the depiction of a ship going down in a stormy sea.  This was added later by the executors of Captain John Haldane’s estate to commemorate the events surrounding his death.

 

A photo of a rather shabby looking memorial stone that is tall with a long triangular stone atop it.  Behind it is a wall and a white house.   Photo by Kevin Nosferatu for the Skulferatu Project.
Memorial to Patrick Haldane

 

A carving on the shabby memorial stone that shows a ship floundering in rough seas and a small boat with several people in it rowing away into the huge waves.  This is the memorial to John Haldane and Ann Cargill.  Photo by Kevin Nosferatu for the Skulferatu Project.
Memorial for Captain John Haldane

 

John Haldane was born in 1748 and was one of the two illegitimate sons of George Haldane.  John worked his way up through the East India Company and was eventually promoted to Captain on several of their ships.  He was not very successful in his role as Captain and suffered a series of misfortunes.  The first ship he captained was seized shortly after leaving port, by French and Spanish forces.  John Haldane and his crew were taken as prisoners and they and the ship were taken to the port of Cadiz.  There they languished for several months before being released.  On his return, the Company gave him a second ship to captain, which caught fire on its arrival in Bombay and was completely destroyed.  After this disaster Haldane no doubt felt quite low, but things in India soon picked up for him, as he met and became the lover of the glamorous and beautiful actress and singer, Ann Cargill.

 

Ann Cargill, born Ann Brown, was known as much for her love affairs as she was for her acting and was a pretty big celebrity in her day.  In 1771, when she was around twelve years old, she had made her debut at Covent Garden, and such was her popularity that she was soon commanding high fees for her appearances.  Later she gained much fame for her roles as Clara in The Duenna by Sheridan and Polly Peachum in The Beggars Opera by John Gay.  She also played MacHeath in The Beggars Opera, in a version in which all the male characters were played by women and all the female characters by men. 

 

When details of Ann’s many love affairs began to appear in the press, her father saw this as an embarrassment to him and her family, and having never approved of her career in the theatre, decided to end it and take control over her and her life.  In order to do this, he obtained a court order to detain her, but on learning of what he had done, she hid from him.  He made various attempts to get hold of her and take her into his custody, but she always managed to avoid him or escape from him.  On one occasion he took hold of her as she left her carriage to go into the theatre she was performing in.  However, she and her companion raised such a fuss that onlookers and eventually the other performers in the theatre crowded around, took her from her father and carried her into the theatre.

 

A portrait of a pretty young woman who is attired in old fashioned dress and appears to be leaning against a large boulder while holding what appears to be a metal pen like tool with which she is engraving something into the stone running up from the boulder.  The portrait is a detail of Ann Brown (Cargill) painted by Johann Zoffany.
Detail of portrait of Ann Brown (Cargill) in the role of Miranda. 
Painted by Johann Zoffany

 

In 1780, Ann eloped with a Mr R Cargill and married him in Edinburgh before returning to London and then touring England in various theatre productions.  The marriage to Cargill did not last long and in 1782 Ann took up with a Mr Rumbold and left for India with him. In India she found great success and another new lover, one dashing young captain from an aristocratic family, yup you guessed it, John Haldane. Things were lovely and rosy for both of them, and it seems that Ann became pregnant with, and gave birth to, their child.  The proud parents’ happiness in India was not to last long though.  In December 1783, the directors of the East India Company, being a bunch of old fuddy duddies, decided that they didn’t want the scandalous Ann Cargill around, and at a meeting agreed that ‘the pure shores of India should not be invaded by an actress.’  Ann was then ordered to leave the country. This she did, aboard the ship that Haldane was now captain of, the Nancy

 

The voyage home on the Nancy was quite uneventful until the ship was just off the coast from the Scilly Isles, where it hit a terrible storm.  The ship was forced into some rocks and began to sink.  Captain Haldane, along with Ann Cargill and a few passengers and crew, managed to get into one of the lifeboats on the ship and tried to row to safety.  The storm was too strong for them though and their boat was thrown against rocks at the small island of Rosevear and smashed.  Those on board were cast into the raging sea, where they all drowned. 

 

A few days later many of the bodies were recovered when they washed up on the shore at Rosevear.  These included the bodies of John Haldane and Ann Cargill.  Held tightly in Ann’s arms was the body of her and Haldane’s young child.  Ann, John Haldane, and their child were all buried at the Old Town Church on St Mary's, in the Scilly Isles.

 

In the early nineteenth century, during construction of the lighthouse that now stands on Bishop Rock the workmen were stationed on Rosevear.  It is said that while there, they were haunted by the ghostly voices of those who had died when their ships were sunk on the nearby rocks.  One of the voices they often heard was that of Ann Cargill gently singing lullabies, as if holding a sleeping child in her arms.

 

I left the Skulferatu that accompanied me on my walk, in a hole in the monument that commemorates Patrick Haldane, John Haldane and Ann Cargill.

 

A photo of a hand holding up a small ceramic skull (Skulferatu 102).  In the background is the rather shabby memorial stone.  Photo by Kevin Nosferatu for the Skulferatu Project.
Skulferatu #102

 

A photo showing a small ceramic skull (Skulferatu 102) in a hole in the stone of the monument to Patrick Haldane, John Haldane and Ann Cargill.  Photo by Kevin Nosferatu for the Skulferatu Project.
Skulferatu #102 in a hole in the monument

 

A photo showing a small ceramic skull (Skulferatu 102) in a hole in the stone of the monument to Patrick Haldane, John Haldane and Ann Cargill.  Photo by Kevin Nosferatu for the Skulferatu Project.
Skulferatu #102 in a hole in the monument

 

Google Map showing location of Skulferatu #102
Google Map showing location of Skulferatu #102

 

The coordinates for the location of the Skulferatu are –

 

Latitude 55.94126

Longitude -3.149253

 

what3words: regime.limit.inform

 

I used the following sources for information on Duddingston Kirkyard, John Haldane and Ann Cargill

 

Bygone Church Life in Scotland 

William Andrews

1899

 

Patrick Haldane

Patrick Haldane - Wikipedia

 

A Biographical Dictionary of Actors, Actresses, Musicians, Dancers, Managers & Other Stage Personnel in London, 1660-1800 

by Philip H. Highfill, Jr., Kalman A. Burnim, Edward A. Langhans

1975

 

Oxford Journal - Saturday 13 March 1784

 

Reading Mercury - Monday 15 March 1784

 

Wreck of the East India Company Packet NANCY Isles of Scilly in 1784

Ed Cumming

2019

Tuesday, July 19, 2022

Skulferatu #76 - Dean Cemetery, Edinburgh

If you like old graveyards, then Edinburgh has old graveyards aplenty.  If you like old graveyards with lots of ostentatious and over the top tombstones, then Dean Cemetery is the place to go.  It is Edinburgh’s Père Lachaise where the crème de la crème of Victorian society had their mortal remains interred.  Walking down the rows and rows of graves is like walking through a who’s who of Nineteenth Century Edinburgh Society…and it’s even got a pyramid!

 

A photo of a Pink Pyramid in Dean Cemetery, this is the tomb of Andrew Rutherfurd, Lord Rutherfurd.  Photograph by Kevin Nosferatu for the Skulferatu Project.
The Pink Pyramid - Tomb of Andrew Rutherfurd, Lord Rutherfurd

 

Dean Cemetery sits in the grounds that were once part of Dean House.  The cemetery was laid out in 1845 to a design by David Cousin.  It opened in 1846 and soon established itself as the most fashionable cemetery in Edinburgh. 

 

A photo showing various gravestones in Dean Cemetery.  it is taken from a distance and  gives the impression of a group of gravestones all clustered close together with a carving of a woman on one of the graves looking towards the camera. Photograph by Kevin Nosferatu for the Skulferatu Project.
View over cemetery from the grounds of Dean Gallery

 

The cemetery was planted out like a garden with many different types of trees.  The idea being that the trees would provide an everchanging vista with light and dark foliage contrasting against each other.  There were also many weeping type trees planted that now in their maturity hang over and seem to mourn the tombstones beneath them.

 

If you fancy spending eternity here, the cemetery still has plots available that can be purchased from the Dean Cemetery Trust, the private company that owns the grounds.

 

A photo of a row of gravestones in Dean Cemetery with trees in the background, one being covered in pink blossom. Photograph by Kevin Nosferatu for the Skulferatu Project.
Row of gravestones in the cemetery

 

A photo showing a large tomb that looks like a temple standing in the grounds of Dean Cemetery.  The tomb is that of James Buchanan, businessman & philanthropist.  Photograph by Kevin Nosferatu for the Skulferatu Project.
The tomb of James Buchanan, businessman & philanthropist

 

A photo showing two gravestones.  The one in front is a drab, grey pillar of a stone, while the one behind is white and very ornate with carvings of winged lions, rams heads and flamingos on it.   Photograph by Kevin Nosferatu for the Skulferatu Project.
The rather ornate gravestone of John Leishman

 

A photo of several gravestones in the cemetery with a very angular tree in the background.  Photograph by Kevin Nosferatu for the Skulferatu Project.
Gravestones and trees

 

As I wandered around the cemetery today, and after I’d made my way past rows and rows of tombs for vicars, lawyers, and huge monuments to those who died in various conflicts while protecting the Empire, the sort of conflicts we now prefer to forget, I found quite a few interesting characters.  There were various academics, actors, artists, architects, designers, engineers, explorers, philosophers, physicians, and politicians.  There was the grave of Sir Thomas Bouch, the man who designed the Tay Bridge.  You know, the one that fell down.  The memorial to James Naysmith, the inventor of the steam hammer. Then there were the graves of the artists Samuel Bough, Francis Cadell and more recently that of John Bellany. There was the effigy, smiling wistfully from the gravestone of the theatre director and owner Frederick Wyndham, and there was the grave of Lieutenant John Irving, one of the few whose bodies was recovered and brought back from the ill-fated Franklin Expedition which set out to look for the fabled Northwest Passage in the Artic. Then of course there was the pink pyramid – the tomb of Andrew Rutherfurd, one time Lord Advocate and MP for Leith Burghs.  He was actually born Andrew Greenfield, but the family changed their name to his mother’s maiden name after his father, the Reverend William Greenfield, was disgraced in a sex scandal.  It was discovered that William had been having an affair with another man and this being seen as a heinous crime at that time led to the poor man being excommunicated from the church, forced to resign his posts, and expelled from polite society.  He fled from Edinburgh to a small village in the North of England and spent the rest of his days there.

 

A photo of a very green looking tree lined pathway through the cemetery. Photograph by Kevin Nosferatu for the Skulferatu Project.
A tree lined pathway through the cemetery

 

A photo of two gravestones with effigies on them of the faces of the occupants lying beneath in their graves.  Photograph by Kevin Nosferatu for the Skulferatu Project.
Gravestones with effigies of the occupants beneath

 

A photo of an ornate gravestone in three parts with a sleeping lion at the base of it.  Photograph by Kevin Nosferatu for the Skulferatu Project.
Gravestone for John Watherston and Elizabeth Millar

 

A photo of a couple of rather grand looking gravestones in the cemetery.  Photograph by Kevin Nosferatu for the Skulferatu Project.
A couple of rather grand looking gravestones

 

A photo of a carved stone lions head on one of the memorials in the cemetery.  Photograph by Kevin Nosferatu for the Skulferatu Project.
Lions head on one of the memorials

 

A photo of a detail of one of the gravestones that shows a carved dove flying with lines behind which maybe represent the rays of the sun.  Photograph by Kevin Nosferatu for the Skulferatu Project.
Flying dove detail from one of the gravestones

 

A photo of a junction of paths in the cemetery with a large gravestone in the middle and rows of gravestones going down beside the pathways.  The large gravestone is a memorial stone to John Wilson, the Scottish Vocalist.  Photograph by Kevin Nosferatu for the Skulferatu Project.
Memorial stone to John Wilson, the Scottish Vocalist

 

A photo of a gravestone with two large angels on it who are standing in front of a cross.  Photograph by Kevin Nosferatu for the Skulferatu Project.
Angels – the gravestone of Isabella Christie

 

A photo of the branches of a weeping tree reaching down over a row of gravestones in the cemetery.  Photograph by Kevin Nosferatu for the Skulferatu Project.
Weeping tree over gravestones

 

A photo of a large Celtic type cross standing in the pathway, this being a memorial to James Naysmith – inventor of the steam hammer.  Photograph by Kevin Nosferatu for the Skulferatu Project.
Memorial to James Naysmith – inventor of the steam hammer

 

A photo of a tall, thin and very ornate gravestone with an effigy near the top of a handsome, but sullen looking young man.  Photograph by Kevin Nosferatu for the Skulferatu Project.
Gravestone of the artist David Scott

 

Another of those buried in the cemetery is the artist and photographic pioneer, David Octavius Hill.  Hill was born in Perth in 1802 and originally trained as a painter and lithographer.  In 1843 he decided to paint a picture of various clergymen who had been involved in in the disruption of the Church of Scotland to form the Free Church of Scotland.  To secure portraits of all those who had been involved, all four hundred and seventy of them, he decided to use photography.  To this end he asked Robert Adamson to help him and the two set up a photographic studio.  Hill brought his artistic sensibilities to photography and produced prints that had the qualities of the great Eighteenth Century portrait painters.  Prints that soon had the Edinburgh elite flocking to his studios to have their photographs taken.  Hill and Adamson also photographed the surrounding landscape and working people, such as the fishwives of Newhaven.  Hill died in 1870 and the bust on his grave was sculpted by his wife, Amelia.  Today Hill is seen as one of the first people to transform photography into an art form. 

 

A photo of a red marble type gravestone with the bust on it of a distinguished and handsome looking man with a large flowing beard, this being David Octavius Hill the artist and photographic pioneer.   Photograph by Kevin Nosferatu for the Skulferatu Project.
The grave of David Octavius Hill – artist & photographic pioneer

 

A photo of the bust of a distinguished and handsome looking man with a large flowing beard, this being David Octavius Hill the artist and photographic pioneer.   Photograph by Kevin Nosferatu for the Skulferatu Project.
Bust of David Octavius Hill

 

Within the cemetery there are many gravestones that carry the facial effigies of those long dead and lying in the ground below.  There is something almost surreal about coming face to face with a three dimensional image of the graves occupier, usually sculpted with a knowing smile or quizzical look on their face.  One of these effigies is of the artist George Paul Chalmers.  The way the sculpture of his face has weathered has given it an almost death mask look.  Rather than looking out at us in that knowing way, he just looks dead.  His hair flows back as if he’s lying on his death bed, his cheeks are sunken and his eyes, though open, have no life or joy in them.  He basically looks a bit miserable, which is maybe not surprising as it seems the poor chap was murdered during a violent robbery…maybe. 

 

A photo of a stone carved effigy of a man's head.  The carving is worn and has taken on the look of corpse face.  It is of George Paul Chalmers, the artist who died in suspicious circumstances.  Photograph by Kevin Nosferatu for the Skulferatu Project.
Effigy of George Paul Chalmers

 

Chalmers was born in 1833 in Montrose and showed promise as an artist from a very young age.  When he was twenty, he went to study in Edinburgh and soon became renowned as a portrait artist.  Later he turned his hand to landscapes and in 1871 became a member of the Royal Scottish Academy.

 

On the evening of Friday 15th February 1878 Chalmers had attended a banquet at the Royal Scottish Academy.  On leaving he made his way to a nearby pub for a few more drinks.  Being a man with a fiery temper when he had a drink in him, Chalmers got into a silly and trivial argument with some fellow artists, took umbrage that they disagreed with him and stormed out in a drunken huff.

 

In the early hours of Saturday morning Chalmers was found lying seriously injured on a stair in South Charlotte Street. His wallet, watch and hat were all found to be missing leading the police to believe that he had been the victim of a violent mugging.  He died of his injuries in the Edinburgh Royal Infirmary a few days later.  Despite various people coming forward and naming those they suspected of carrying out the assault and robbery no one was ever prosecuted or convicted of Chalmers’ murder.  Some suspected that being quite drunk he may have actually fallen down what was described as a dangerous stair to passers-by and that an opportunist thief on seeing him lying there had stolen his possessions.  Nothing was ever proved either way, so he may have been murdered or he may have fallen, unfortunately we will never know.

 

Out of all the memorials in the cemetery there is one to a man who just has to be mentioned.  A man still relevant to our times, especially to all biscuit lovers out there.  He is of course Robert McVitie, the man who transformed his family bakery into the biscuit kingdom that is McVitie’s.  Rich Tea anyone?

 

A photo of a rectangular memorial stone dedicated to Robert McVitie - it reads - In loving memory of Robert Mcvitie born in Edinburgh 29th March 1854 Died at Berkamsted 15th July 1910 A workman that needeth not to be ashamed.  Also of Louisa Elizabeth McVitie his wife died 30th October 1928.  Photograph by Kevin Nosferatu for the Skulferatu Project.
Memorial to Robert McVitie

 

I left the Skulferatu that accompanied me on today’s jaunt, in the central hollow of a one of the many large trees in the graveyard.

 

A photo of some gravestones with a nice plump and green leaved tree standing behind them.  Photograph by Kevin Nosferatu for the Skulferatu Project.
Gravestones and trees


A photo of a small ceramic skull (Skulferatu 76) being held up in front of a row of gravestones in Dean Cemetery.  Photograph by Kevin Nosferatu for the Skulferatu Project.
Skulferatu #76

 

A photo of a small ceramic skull (Skulferatu 76) sitting in the hollow of a tree.  Photograph by Kevin Nosferatu for the Skulferatu Project.
Skulferatu #76 in a tree hollow

 

A close up photo of a small ceramic skull (Skulferatu 76) sitting in the hollow of a tree.  Photograph by Kevin Nosferatu for the Skulferatu Project.
Close up of Skulferatu #76 in a tree hollow

 

Google Map showing location of Skulferatu #76
Map showing location of Skulferatu #76

 

The coordinates for the location of the Skulferatu are –

 

Latitude 55.952310

Longitude -3.223194

 

I used the following sources for information on Dean Cemetery and those interred within –

 

Dean Cemetery Official Website

Welcome to Dean Cemetery, Edinburgh

 

Dean Cemetery - Wikipedia

 

National Galleries of Scotland

David Octavius Hill | National Galleries of Scotland

 

David Octavius Hill - Wikipedia

 

Edinburgh Evening News - Wednesday 30 April 1930

 

Dundee Courier – 21 February 1878

 

Oban Times, and Argyllshire Advertiser – 23 February 1878

 

Montrose, Arbroath and Brechin review; and Forfar and Kincardineshire advertiser – 14 October 1887

 

Article and photographs are copyright of © Kevin Nosferatu, unless otherwise specified.