Showing posts with label Tyne and Wear. Show all posts
Showing posts with label Tyne and Wear. Show all posts

Tuesday, 12 May 2026

Skulferatu #150 - Curry's Point, Whitley Bay, Tyne and Wear


While out walking along the coast from Whitley Bay heading towards Hartley, I came to a pleasant spot on the headland that looked out towards the causeway leading to St Mary’s Island and the lighthouse there.  This little promontory is known as Curry’s Point and is named after a rather gruesome landmark that once stood there – a gibbet, from which hung in chains, the rotting corpse of a man called Michael Curry.  Back in the good old days this sort of thing was seen as being a way to deter crime, get up to no good and you too could be executed and then hung up for all to see while the crows pecked the flesh from your bones.

 

A photo of a large curved piece of rock with a blue plaque on it.  In the distance behind can be seen a lighthouse.  Photo by Kevin Nosferatu for the Skulferatu Project. 
Memorial to Michael Curry at Curry’s Point

 

A blue plaque on a rock that states - North Tyneside Council, Curry's Point.  On 4th September 1739 Michael Curry was executed for the murder of the Three Horseshoes Inn, Hartley.  His body was afterwards hung in chains from a gibbet at this spot, within sight of the scene of his crime.  Ever since that gruesome event this headland has been known as Curry's Point.  Erected 4th September 1989 to mark the 250th anniversary.  Photo by Kevin Nosferatu for the Skulferatu Project. 
Memorial plaque to Michael Curry

 

So, you may wonder who was Michael Curry and what was the crime he committed that merited this horrible treatment?  Well Michael, in his own words, was a ‘laborious, honest man’ who ‘had the grace to keep the Sabbath Day holy’, though he did admit to enjoying a drink and having a bit of a potty mouth.  Michael worked in a physically demanding job digging some of the numerous bell pits around the North East of England.  These pits were a way of mining coal from seams near the surface.  A shaft was sunk down to reach the coal, and as it was dug out and removed the pit formed a bell shape.  These bell pits tended to collapse after a while, so when they did another one would usually be dug nearby and mined until it too collapsed, and so on and so on…. This job probably meant that Michael would travel where the work took him and then take up lodgings nearby.

 

Sometime before December 1738, Michael took up lodgings in Hartley at the Three Horseshoes Inn, an establishment run by Robert Shevill and his wife Isabel.  Not long after arriving there, Michael and Isabel began a hot, steamy affair with Michael sneaking into Isabel’s bedroom while her husband Robert slept soundly in his.  This bonk fest didn’t go unnoticed for long though, as one night Robert woke to some strange noises and upon investigating found Michael naked in Isabel’s room.  Demanding an explanation, he was told by Michael that he had just been looking for a drink of water.  Robert pointed out that the water was downstairs, and Michael mumbled some apologies and left the room.  The next morning Robert, who had a deep suspicion of what had been going on between Michael and Isabel, demanded that Michael leave the Inn immediately.  And that is where it could have all ended, but it didn’t.  Isabel was having none of this and told Michael he could stay, and so he did.  It seems that Robert then just had to accept this, which suggests he was either frightened of his wife or Michael, or maybe even both.  Days went by and Michael was still at the Inn.  Robert became increasingly worried by this and when Michael’s father came to visit, Robert told him that he wanted his son to leave.  This appeared to have some effect, as shortly after the visit Michael left and presumably took up lodgings elsewhere.

 

All was well for a few days, but then on Thursday, 11 January 1739, Michael returned to the Inn for one last time.  The Three Horseshoes was locked up for the night and all were supposedly asleep in bed when someone unlocked the door and let Michael in.  Probably Isabel sneaking him in for a bit of rumpy pumpy.  Michael however was not in the mood for a bonk, he had murder on his mind and taking a razor from a cupboard he made his way up to Robert’s room.  There he woke him up with a few punches and kicks before slashing his throat with the razor.  Robert, bleeding heavily managed to escape and made his way to a neighbour’s house.  There, virtually unable to speak, he wrote on a piece of paper what had happened and who had attacked him.  Later that morning, Michael was found sleeping at his father’s home and blood-stained clothing belonging to him was found drying by the fire in the house.  He was then taken to the Three Horseshoes Inn where a bedbound Robert, who in the presence of all gathered there, pointed at Michael and declared that he had cut his throat.  Michael denied this but was carted away and locked up.  A few days later Robert died from his injuries.

 

In August 1739, the trial of Michael took place.  Originally Isabel had also been indicted for aiding and abetting Michael in the murder, but these charges were dropped before the trial began.  Michael was found guilty of the charge of murder and sentenced to be hanged at Newcastle with his body to be then taken and hung in chains near Hartley.  Shortly before his execution Michael admitted that he had indeed murdered Robert but said that Isabel played no part and had not helped or encouraged him in attacking her husband.  Whether this was true or he was just being a gentleman and getting her off the hook, who knows?

 

On Tuesday 4th September 1739, Michael Curry was executed by the West Gate in Newcastle and was said to have ‘behaved well under his unhappy circumstances.’  His body was then cut down and transported to the coast by Hartley where it was hung in chains from a gibbet.  And just in case any of his friends or family were tempted to remove his corpse and give it a decent burial the local paper gave the following warning –

 

Newspaper cutting that reads - Whereas it is reported that some audacious persons are combining to cut down the Gibbet whereon Michael Curry is hung in chains, for the murder of Robert Shevell; these are to give notice that that if such person or persons shall attempt to cut down the same, or take the body of the said Michael Curry from thence, he or they, so offending, shall be prosecuted with the utmost severity, as the law directs : and for the encouragement of the person or persons, who shall discover such offender, or offenders, a reward of Five Guineas shall be paid him, or them, upon the conviction of such offender, or offenders. 
Newcastle Courant – Saturday 8th September 1739

 

That then was the end of Michael Curry, but not the end of my wanderings.  Just across from Curry’s Point is the causeway that leads to St Mary’s Lighthouse, and that was where I headed off to next.

 

A photo of rocks leading out to a small island on which sits a tall, white lighthouse.  Photo by Kevin Nosferatu for the Skulferatu Project. 
View from Curry’s Point to St Mary’s Lighthouse

 

A view showing a causeway leading over rocks to a small island on which sits a tall white lighthouse and several other buildings, one of which has a red roof.  Photo by Kevin Nosferatu for the Skulferatu Project. 
Causeway to St Mary’s Lighthouse

 

A view of a path around a whitewashed wall.  Above sits St Mary's Lighthouse.  Photo by Kevin Nosferatu for the Skulferatu Project. 
St Mary’s Lighthouse

 

A view showing a large white house with a tall white lighthouse standing behind it.  Photo by Kevin Nosferatu for the Skulferatu Project. 
View of St Mary’s Lighthouse

 

I’ve always liked lighthouses and have harboured a fantasy of being a lighthouse keeper, even though I don’t think there is such a thing anymore.  And anyway, with my dodgy knees and dicky heart, the constant climb up and down the stairs would probably cripple or kill me.  Thankfully I managed the ascent up with no mishaps and was rewarded with a view out over the coast and the sea.

 

A photo of the bannisters of a spiral staircase swirling up.  Photo by Kevin Nosferatu for the Skulferatu Project. 
Stairwell up the lighthouse

 

A photo of a large glass lantern with a green base - the lantern of St Mary's Lighthouse.  Photo by Kevin Nosferatu for the Skulferatu Project. 
Lighthouse lantern

 

St Mary’s Lighthouse was built in 1998 by the John Miller Company of Tynemouth and replaced an earlier lighthouse that had stood there.  Its light warned ships of the dangers of the nearby rocks right up until 1984 when it was decommissioned.

 

 
 360 view inside the Lantern Room of the Lighthouse

 

After taking in the views from the lighthouse and watching the colony of seals sunbathing on the rocks, I made my way back over the causeway.  Cutting back over Curry’s Point, I left the Skulferatu that had accompanied me on a small ledge on the memorial stone.

 

A small ceramic skull (Skulferatu #150) being held up with the memorial to Michael Curry and St Mary's Lighthouse in the background.  Photo by Kevin Nosferatu for the Skulferatu Project. 
Skulferatu #150

 

A small ceramic skull (Skulferatu #150) sitting on a ledge on a rock.  Photo by Kevin Nosferatu for the Skulferatu Project. 
Skulferatu #150 on ledge of memorial stone

 

TomTom Map showing location of Skulferatu #150 
Map showing location of Skulferatu #150

 

The coordinates for the location of the Skulferatu are -

 

Latitude 55.069467

Longitude -1.452236

 

what3words: meant.slower.drums

 

I used the following sources for information on Curry’s Point –

 
Newcastle Courant
Saturday 13th January 1739
 
Newcastle Courant
Saturday 8th September 1739
 
The Gallows Tree
Crime and Punishment in the Eighteenth Century
Northumberland and Berwick-upon-Tweed
Barry Redfern
2013
 
Tourist Info at St Mary’s Lighthouse

 

Tuesday, 28 April 2026

Skulferatu #149 - Sewer Lamps, Whitley Bay, Tyne and Wear


Arriving in Whitley Bay for a few days away, I made my way down to the sea front and the hotel I was staying in.  After booking in, having a quick cup of tea and spending a few minutes staring out from the window of my room at a rough and booming winter sea, I went for a wander.

 

Outside, I admired the large bronze sandcastles while the wind licked my face with salt and the waves crashed against the shore.  From the promenade railings Seagulls stared out forlornly to sea while a flock of starlings swirled in the sky like a little hyperactive cloud.  A hungry little cloud that every so often swept down to crowd around anyone who sat down on one of the benches or who stopped to look out to the sea.  Once in a while they got lucky and scraps of a sandwich or a burger bun were tossed to them and would bounce up between a hundred squawking hungry beaks before being downed in a crumble of crumbs.

 

A ophoto of a grey and dark looking sea frothing over the sand of a beach.  Above is a cloudy and dark blue sky.  Photo by Kevin Nosferatu for the Skulferatu Project. 
Winter sea

 

A photo showing four bronze statues of sand castles siting on a tiled area of the promenande.  Two of the sandcastles have bronze flags on them.  Behind the sandcastles can be seen the sea.  Photo by Kevin Nosferatu for the Skulferatu Project. 
Bronze sandcastles

 

Cutting up from the promenade and onto Marine Avenue I came to one of the objects I had been wanting to have a look at – an old iron, late Victorian lamppost.  Nothing that special you may think, just a rather ancient and ornate bit of street lighting, but there you would be wrong.  This was no ordinary lamppost, but rather an old sewer lamp. This, and the other two surviving sewer lamps in Whitley Bay are part of the sewer system from the days of old when raw sewage went straight out into the sea.  The days when after arriving at your seaside holiday destination you could pop to the toilet and empty your travel weary bowels in the evening, then go for a bracing swim in the sea in the morning and watch your turds float past you. Ah, those good old days when men were men and Typhoid was rife.

 

A photo of a bright green lampost standing on a paved street with shops running along the left side of it and a road on the right.  Photo by Kevin Nosferatu for the Skulferatu Project. 
Sewer lamp on Marine Avenue

 

Heading down from this lamp I found the next of the three sewer lamps just off the Links, standing proud next to a large street sign.

 

A photo of a bright green lampost standing next to a large street sign that points left to St Mary's Island and right to Tynemouth.  Photo by Kevin Nosferatu for the Skulferatu Project. 
Sewer lamp by the Links

 

A bit further along and I came to the last of the lamps by the Promenade where it stood with a great view out to sea.  These lamps were once part of a group of seventeen that stood in the Whitley Bay and Monkseaton areas.  These, and lamps like them, were designed by Joseph Webb in the 1890s as ‘sewer gas destructor lamps’ and at one time were installed all over England.  They were a vital part of the old sewer systems, which were poorly vented allowing the build-up of explosive gases such as methane.  However, these lamps didn’t just vent the sewer system, they also burned off the sewer gases.  They were lit from the local gas supply and had three mantles that created an intense heat within the hood of the lamp, this then drew off the gas from the sewer so that it was harmlessly burned away rather than building up.  Clever stuff.

 

A photo of a bright green lampost standing by a low wall with railings running along it.  Behind it can be seen the sea.  Photo by Kevin Nosferatu for the Skulferatu Project. 
Sewer lamp at the Promenade

 

Now the remaining lamps are redundant and really just not much more than street ornaments, historical curiosities and roosting places for starlings.

 

A photo of a bright green lampost standing by a low wall with railings running along it. On top of it sits a starling.  Photo by Kevin Nosferatu for the Skulferatu Project. 
Starlings on the sewer lamp

 

A photo of several starlings sitting on and around the lantern area of the lampost.  Photo by Kevin Nosferatu for the Skulferatu Project. 
A place to rest and watch the world go by

 

A photo of several more starlings sitting on and around the lantern area of the lampost.  Photo by Kevin Nosferatu for the Skulferatu Project. 
A murmuration of starlings

 

In the railings by the Promenade sewer lamp, I left a Skulferatu as a thousand hungry starlings gathered around and gabbled noisily at me. Then, just as quickly as they had gathered, they flew off and zoomed over and around an old man who had sat down on one of the nearby benches.

 

A photo of a small ceramic skull (Skulferatu #149) being held up with the sewer lamp on the promenande in the backround along with a few dozen starlings sweeping down around it.  Photo by Kevin Nosferatu for the Skulferatu Project. 
Skulferatu #149

 

A photo of a small ceramic skull (Skulferatu #149) sitting in a gap in the railings.  The sea can be seen behind in. Photo by Kevin Nosferatu for the Skulferatu Project. 
Skulferatu #149 in the railings by the sewer lamp

 

TomTom Map showing location of Skulferatu #149 
Map showing location of Skulferatu #149

 

The coordinates for the location of the Skulferatu are –

 

Latitude 55.048014

Longitude -1.446351

 

what3words: nature.nature.feared

 

I used the following sources for information on the Sewer Lamps –

 

Historic England – Sewer Gas Lamp, Whitley Bay

 

 

 

 

Tuesday, 10 December 2024

Skulferatu #130 - Tynemouth Priory, Tynemouth, Tyne and Wear

 

A few years ago, I was on holiday in the Netherlands and came back home on the Amsterdam to Newcastle Ferry.  In the morning, as we approached our home port, we passed the rather impressive ruins of Tynemouth Priory sitting high on the cliffs overlooking the sea.  At the time I said to myself that I’d have to come down and have a wander around them, and several years later I did just that. 

 

A photo showing the sea and a pier with a hill above on which sits the stone ruins of Tynemouth Priory and the modern looking building which is the Coastguard Station.  Photo by Kevin Nosferatu for the Skulferatu Project.
Tynemouth Priory, as seen from the sea

 

A photo of some tall stone ruins sitting on top of a cliff.  Photo by Kevin Nosferatu for the Skulferatu Project.
Tynemouth Priory, as seen from the sea

 

So, on a rain soaked and foggy morning I left Newcastle and took the Metro down to Tynemouth. A quick walk from the station and through the town took me to the craggy headland on which the ruins of the priory sit.  There, I roamed around the medieval gatehouse building, the historic ruins of the priory, through the weather worn gravestones of the graveyard and over to the Second World war gun emplacements.  Every so often the fog and mist would roll in, then I’d be lashed by rain, and then dried and scorched by the sun.  Basically, I had a day out in good old Northern weather, and yes, before anyone asks, like anyone who is from Britain I am obsessed by the weather.  But moving on …

 

A photo of an old stone castle like building sitting on a hill.  Photo by Kevin Nosferatu for the Skulferatu Project.
The Gatehouse

 

The headland on which Tynemouth Priory sits has been inhabited on and off for a couple of thousand years.  This probably being down to the fact that it is a bit of land that was almost impregnable from attack given that it is connected to the mainland only by a narrow strip of rock, with steep cliffs on all other sides.  So, up until canon and big guns came along it was a relatively safe place to live, if not the most hospitable.  Remains of a settlement pre-dating the Roman occupation, probably from the Iron Age, have been discovered there, along with another from around the 2nd Century.  The land, however, does not appear in the written record until the 8th Century, when a monastic community was established there.  Their original wooden buildings were destroyed during the 9th and 10th Centuries, in the Viking invasions, which shows that even the safest places weren’t that safe back in the good old days. 

 

The stone ruins of Tynemouth Priory that stand there today date from the late 11th Century and on being built were dedicated to St Oswine, with his remains kept in a shrine within the building.

 

A view of the ruins of Tynemouth Abbey with a more modern concrete building in the background with a large metal pylon type structure jutting out from it.  Photo by Kevin Nosferatu for the Skulferatu Project.
Tynemouth Priory with Coastguard Station in background

 

A view of the ruins of Tynemouth Priory showing an arched doorway and a stone tower behind.  Photo by Kevin Nosferatu for the Skulferatu Project.
Tynemouth Priory

 

A view through an arched stone doorway to a building that looks like a castle.  Photo by Kevin Nosferatu for the Skulferatu Project.
View from the Priory to Gatehouse

 

A view of the ruins of Tynemouth Priory showing walls with arched gaps where many windows would have once been.  Photo by Kevin Nosferatu for the Skulferatu Project.
Tynemouth Priory

 

Who was St Oswine you may wonder, I certainly did.  Well, in 644, on the death of King Oswald of Northumbria, the land was basically split into two with Oswine succeeding as King to an area called Deira, while a bloke called Oswiu became King of the other bit, Bernicia.  For a few years all was fine, but then Oswiu decided he wanted to rule over the whole of Northumbria so declared war on Oswine.  Oswine, being a good man who did not want any bloodshed, refused to do battle with Oswiu.  He then sought refuge with his trusted friend Humwald.  Unfortunately for Oswine, Humwald was a bit of a shit friend and betrayed him to Oswiu, who promptly had him murdered. After having Oswine killed, Oswiu was obliged by Ango Saxon tradition, being one of Oswine’s nearest relatives, to seek some sort of justice for his death.  This made things all a bit awkward, what with Oswiu being the one guilty of the murder, so, in order to even things out he splashed some cash and founded an abbey at Gilling in North Yorkshire.  There monks offered up prayers for Oswin’s soul and a cult gradually grew up around the slain king.  It was said that after his death he had carried out various miracles, and at some point he became venerated as a saint.  He is now the patron saint of those who have been betrayed, so if your girlfriend/boyfriend/non-binary other half has ever done the dirty on you, he’s the one to pray to.  Not sure what he’d do, maybe get a seagull to poo on their head or something like that.

 

 A black and white photo of gravestones stretching off to the ruins of Tynemouth Abbey. Photo by Kevin Nosferatu for the Skulferatu Project.
The Priory graveyard

 

A photo of gravestones stretching off to the ruins of Tynemouth Abbey.  Photo by Kevin Nosferatu for the Skulferatu Project.
The Priory graveyard

 

A photo of a weather worn gravestone in which the patterns have been worn into the stone that look like some strange and ancient writings.  Photo by Kevin Nosferatu for the Skulferatu Project.
Weather worn

 

A black and white photo showing a view of a weather worn gravestone with a hole worn through it.  In the background stands the ruin of the priory.   Photo by Kevin Nosferatu for the Skulferatu Project.
A weather worn gravestone by the Priory
 

Tynemouth Priory thrived up until the Reformation in the 16th Century, though appears not to have been the most popular posting for monks with the abbots of St Albans sending misbehaving monks there as a punishment.  One monk sent there in the 14th Century wrote a letter complaining of the relentless noise of the sea and the seabirds, the rough sea sending many ships onto the rocks below, that the monastery was a ‘comfortless place’ and that though food was plentiful it was mainly just fish.  He did however find that the church there was of ‘wonderous beauty’.

 

Talk of food leads me on to another story, in the grounds of Tynemouth Priory stands a stone known as the Monks Stone.  It originally stood in the village of Monkseaton, but was moved to the priory in 1935.  The tale behind this stone is that long, long ago a monk from Tynemouth was paying a visit to the home of one of the noble families in the area, the Delavals.  On arriving there, he found that dinner was being prepared for the master of the house who was out hunting.  One of the dishes was a roast pig, and on seeing this the monk’s mouth began to water.  Oh, what he’d give for some delicious pork, so much tastier than the boring fish dishes he was used to at the monastery.  The monk was offered some food, but told that the pig had been specially prepared for Mr Delaval, and should therefore not be touched.  The monk didn’t listen though, and when no one was around he cut off the head of the pig, which was considered to be the tastiest part of the animal in those days, stuck it in his bag and snuck off back towards the priory.  Mr Delaval, on returning home, saw that the pig’s head was missing and flew into a rage.  He demanded to know who had taken it and on being told about the monk, he ran out of the house to chase after him.  He soon caught up with him, as the monk had only gone a short distance before he’d sat down to gobble up his ill-gotten gains.  Delaval then beat the monk up so badly that he could not even walk and had to crawl his way back to the priory.  There he was nursed back to health, but then died the following year.  It was said that his beating had not been the cause of his death, but the monks at the priory, spotting a way to get some cash out of this, charged Delaval with murder.  He was then absolved of this on the condition that he gave them a hefty chunk of the land that he owned and also that he erect a stone at the spot where he had ‘murdered’ the monk.  The stone was erected and on it was inscribed – ‘O Horor to Kill a man For a Piges head’.    

 

In 1539, stooges acting for King Henry VIII forced the Prior to surrender Tynemouth Priory and all its possessions to the king.  All the valuables were seized, and the shrine of St Oswine was broken up with his bones being removed and scattered.  However, one small part of the priory survived pretty much intact, a small chapel called the Percy Chantry.  A place I found gave welcome shelter every time the rain came in.

 

A  view of the ruins showing pillars and arches where the windows would have once been.  Below there is an entrance door into a small vestibule.  Photo by Kevin Nosferatu for the Skulferatu Project.
Presbytery wall & entrance into Percy Chantry

 

A view looking up at arched stone pillars where windows would have once been.  Photo by Kevin Nosferatu for the Skulferatu Project.
Once there were windows

 

A photo of an ornate looking chamber with stone roof arches and stained glass windows.  Photo by Kevin Nosferatu for the Skulferatu Project.
Interior of the Percy Chantry

 

A photo showing a stone roof arch with a carved face of a man with a beard looking down from it.  Photo by Kevin Nosferatu for the Skulferatu Project.
Detail of the Chantry roof

 

A photo showing a stained glass window that depicts the figures of a man and woman standing in a pious pose.  Photo by Kevin Nosferatu for the Skulferatu Project.
Stained glass windows in the Chantry

 

A photo showing an ornate door hinge on an old wooden door.  Photo by Kevin Nosferatu for the Skulferatu Project.
Chantry door hinge

 

The headland on which Tynemouth Priory stands was, up until the 1950s, seen as having strategic importance in guarding over the mouth of the Tyne.  It was quite heavily fortified with various buildings added for its defence.  Of these all that now remain are the Gatehouse, which was built in the 14th Century, and various gun emplacements built up from the 19th Century through to World War II. 

 

In the 17th Century a lighthouse was built on the headland to guide ships into the Tyne and away from nearby rocks.  By all accounts a spectacular building, it sat there until 1898, when having become obsolete due to the construction of the piers at the entrance to the Tyne, it was demolished.

 

A print showing the ruins of Tynemouth Priory with the old lighthouse behind in the distance.
Illustration of Tynemouth Priory from the Antiquities of England & Wales

 

A print showing cliffs rising up from the sea with the ruins of Tynemouth Priory sitting atop them with a lighthouse at the far end.
Illustration showing Tynemouth Priory and the lighthouse

 

A black and white photograph of the ruins of Tynemouth Abbey.  Photo by Kevin Nosferatu for the Skulferatu Project.
The ruins of Tynemouth Priory

 

A photo of a stone wall that is weathered into creases and crevices by the wind and the rain.  Photo by Kevin Nosferatu for the Skulferatu Project.
Weather worn wall

 

A photo of a lighthouse on the end of a long pier with grey seas below and a grey sky above.  Photo by Kevin Nosferatu for the Skulferatu Project.
Tynemouth Lighthouse

 

At the end of my soggy trip to Tynemouth, I left the Skulferatu that accompanied me in one of the pockmarked and weathered stones in the priory wall.

 

A photo of a hand holding up a small ceramic skull (Skulferatu 130) with the ruins of Tynemouth Priory in the background.  Photo by Kevin Nosferatu for the Skulferatu Project.
Skulferatu #130


A small ceramic skull (Skulferatu 130) sitting in the hollow of a weather worn stone in a wall.  Photo by Kevin Nosferatu for the Skulferatu Project.
Skulferatu #130 in a weathered & pockmarked stone

 

A small ceramic skull (Skulferatu 130) sitting in the hollow of a weather worn stone in a wall.  Photo by Kevin Nosferatu for the Skulferatu Project.
Skulferatu #130 in a weathered & pockmarked stone

 

TomTom Map showing location of Skulferatu #130
Map showing location of Skulferatu #130

 

The coordinates for the location of the Skulferatu are -

 
Latitude 55.017694
Longitude -1.417866
 
what3words: trials.erase.punchy

 

I used the following sources for information on Tynemouth Priory –


The Antiquities of England and Wales, Volume 4
Francis Grose
1783
 
History of Tynemouth, its Priory & Castle, and Strangers Guide by railway or turnpike to places of interest in the vicinity of this justly celebrated bathing place
1869
 
Tynemouth Priory and Castle
Grace McCombie
2008