Tuesday, 24 May 2022

Skulferatu #71 - St Leonard's Crag, Holyrood Park, Edinburgh

There are many stories around the hills and paths of Holyrood Park and of the hills and paths leading into the park.  Today, while out on a walk around Edinburgh I cut through the St Leonard’s area of town, onto St Leonard’s Hill and over to St Leonard’s Crag which runs alongside Holyrood Park.  On the flat area of the crag there stands the old James Clark School, which has now been converted into flats. Long before the building was there, this was the site of a rather notorious event in the history of old Edinburgh.

 

A photo showing the tower and part of the building of the old James Clark School building that sits on the site of St Leonard's Crag in Edinburgh.  Photo by Kevin Nosferatu for the Skulferatu Project.
View down St Leonard’s Bank to the old James Clark School building

 

An old style photo showing the St Leonard’s Crag street sign. Photo by Kevin Nosferatu for the Skulferatu Project.
St Leonard’s Crag street sign

 

A photo showing part of the building of the old James Clark School with a dirt path running along the side of it at St Leonard's Crag in Edinburgh.  Photo by Kevin Nosferatu for the Skulferatu Project.
View of James Clark School from St Leonard’s Crag

 

An old style photograph showing a view through a gap in the trees on St Leonard’s Crag out over to Arthur’s seat in Holyrood Park in Edinburgh. Photo by Kevin Nosferatu for the Skulferatu Project.
View through trees from St Leonard’s Crag to Arthur’s Seat in Holyrood Park

 

The story goes that on a warm spring day many years ago, Sunday 2 April 1600 to be precise, St Leonard’s Crag was the site of a duel with tragic consequences for both parties.  The night before, Robert Auchmowtie, a barber surgeon from Edinburgh, had been drinking with friends in one of the local taverns.  Also out drinking that night with a group of friends, was James Wauchope, the son of a wealthy local merchant.  At some point during the night Auchmowtie and Wauchope got into an argument with each other.  The reason for the argument is not recorded, but I would guess that too much alcohol and surging testosterone played quite a big part in it.   The result of the argument and the harsh words they exchanged with each other was that Auchmowtie and Wauchope decided to settle things the next morning with a duel at St Leonard’s Crag.

 

At five the next morning Auchmowtie and Wauchope both met on St Leonard’s Crag, each arriving with two companions to ensure fair play.  The duel then commenced with swords being the weapon of choice.  The fight appears to have quickly gone Auchmowtie’s way and within minutes he had struck Wauchope several times to his face and head.  Bleeding heavily and mortally wounded Wauchope fell to the ground.  The duel over and honour restored, Auchmowtie and his companions left while Wauchope’s companions comforted him during his final moments.  They then carried his body home.

 

The matter did not end after the duel.  Wauchope’s father on hearing of his son’s death was understandably upset but was also enraged, and he informed the authorities that his son had been murdered by Auchmowtie and two accomplices.

 

After some hesitation on the part of the authorities, a warrant was issued for Auchmowtie’s arrest, and on the 23 April 1600 the City Guard arrested him for murder.  At first the court was favourable towards Auchmowtie and his version of events.  They accepted that Wauchope had been killed fairly in a duel that he had consented to take part in.  There were various postponements of proceedings and it looked very much like the matter would be dismissed with no trial taking place.  However, Wauchope’s relatives had friends in high places and after petitioning King James they submitted several letters to the court from him.  Firstly the king asked the court to look at the case again, but when they didn’t move on this he wrote and ordered that Auchmowtie be put on trial for murder and taking part in a duel without having been granted a licence to do so (odd as it may sound now, the King, or Queen, could grant a licence for a duel to take place, as it was seen as sometimes being a way to end a feud and avoid a lot of unnecessary bloodshed).  Auchmowtie was then tried for murder, and probably due to the king getting involved, was found guilty.  He was sentenced to death and sent to the Tolbooth Prison to await execution.

 

While imprisoned Auchmowtie, feeling hard done by and not particularly relishing the prospect of being put to death, came up with a plan to escape.  He hung a cloak outside the window of his cell and a cloak on the inside.  He told the prison guards that he was ill and could not bear daylight.  The guards accepted this without question, though unbeknownst to them Auchmowtie had acquired some aqua fortis (nitric acid) and was applying this to the iron bars of his cell window.  Within a few days the acid had done its work and eaten through the bars.

 

Auchmowtie then put his plan to escape into action.  He summoned his apprentice and showed him the dissolved and broken bars at the window and asked if he would go out and signal to him when the guard stationed outside the prison had left.  The boy then willingly agreed to help him and went to wait outside and keep watch, while Auchmowtie pulled the cloaks back slightly from the window and peered down at him…waiting…waiting…

 

The guard eventually wandered off and on seeing this the boy pulled a white handkerchief from his pocket and waved it up to Auchmowtie, as the agreed signal.  Auchmowtie pulled the cloaks back and lowered out a rope he had crudely constructed from his bedsheets.  He then clambered through the window and began to scramble down to freedom.  However, the guard had noticed the boy earlier and having become suspicious had actually hidden himself so he could observe what he was up to.  On seeing Auchmowtie come out through the prison window the guard ran back and grabbed him as he lowered himself to the ground.  He then struck him on the head with his cudgel to subdue him and summoned other guards from inside the prison.  Auchmowtie was bound and placed in another cell where a watch was kept over him.

 

Auchmowtie languished there in despair until the day of execution arrived, when he was taken from his cell and marched through the streets by the Town Guard to the Market Cross (the current Mercat Cross, near to St Giles’ Cathedral, stands close to the location of the original Market Cross).  There a platform had been constructed on which stood the Maiden (an early form of the guillotine).  In front of a huge crowd of excited spectators, Auchmowtie was led up onto the platform where he prayed briefly with a local minister.  He was made to kneel in front of the Maiden and place his head on the block.  An iron bar was then pulled down over the back of his neck to stop him from pulling away or lifting his head.  Seconds later the executioner was given a signal, the blade of the Maiden was released and RUMBLE, THUD, SPLAT, Auchmowtie was beheaded, and the crowd let out a cheer.

 

Illustration of the Maiden from Cassells Old and New Edinburgh, Volume 1.  This shows a tall wooden structure that looks a lot like a guillotine and was used in Edinburgh to behead those convicted of various crimes.
Illustration of the Maiden from Cassells Old and New Edinburgh, Volume 1

 

And so, my dear friends, that is the end of Auchmowtie and his story. No last minute escapes and no happy Hollywood endings here I’m afraid. 

 

Today, on my walk I left a Skulferatu in the bark of an old tree at St Leonard’s Crag, where it can watch over any more drunken duellers who stumble there to sort their differences out with a bit of violence.

 

An old style photo of an old, gnarly tree at St Leonard’s Crag.  Its branches are bare of leaves. Photo by Kevin Nosferatu for the Skulferatu Project.
Old, gnarly tree at St Leonard’s Crag

 

A photo of a hand holding up a small, ceramic skull (Skulferatu 71).  In the background is a gnarly old tree on St Leonard's Crag. Photo by Kevin Nosferatu for the Skulferatu Project.
Skulferatu #71

 

A photo of a small, ceramic skull (Skulferatu 71) sitting in the bark of a tree. Photo by Kevin Nosferatu for the Skulferatu Project.
Skulferatu #71 in bark of old tree at St Leonard’s Crag

 

A photo of a small, ceramic skull (Skulferatu 71) sitting in the bark of a tree. Photo by Kevin Nosferatu for the Skulferatu Project.
Skulferatu #71 in bark of old tree at St Leonard’s Crag

 

TomTom Map showing location of Skulferatu #71
Map showing location of Skulferatu #71

 

The coordinates for the location of the Skulferatu are:

 

Latitude 55.943685

Longitude -3.1772880

 

I used the following sources for the tale of Robert Auchmowtie –

 

Cassels Old and New Edinburgh – Volume 1

(pages 383-384)

By James Grant

 

Criminal Trials in Scotland – Volume Second

(pages 112 to 124)

By Robert Pitcairn

1833

Digital version available from National Library of Scotland

 

History of Scottish Medicine to 1860 – Volume 1

(pages 190 to 191)

By John D Comrie

1927

Available at https://electricscotland.com

 

The National Museums of Scotland Website

The Maiden (nms.ac.uk)


Article and photographs are copyright of © Kevin Nosferatu, unless otherwise specified.

Tuesday, 10 May 2022

Skulferatu #70 - Site of Caldwell's Paper Mill, Inverkeithing, Fife

 

Sometimes when I’m out walking, I end up wandering through the desolate, post demolition sites of old factories and industrial complexes.  These places always have a sort of apocalyptical feel about them with the traces of what was once there being consumed by nature.  In a way I suppose they are like the landscapes in some sci-fi drama set after a devastating nuclear conflict or alien invasion.  There is a sort of eerie emptiness to them.  They feel slightly lawless and forgotten.  The site of Caldwell’s Paper Mill in Inverkeithing is a bit like that with the scrub growing through the remains of concrete floors that seem to stretch on for miles.  Crumbling concrete that is being swallowed back into the earth beneath it.  While wandering around the place I sometimes feel like I’ve drifted into another dimension where humanity has collapsed and society ceased, but rather than bumping into some Mad Max types or some trundling Daleks, I’m usually met by some curious dog bounding through the scrub to bark loudly at me, try to get me to throw its ball, or maybe just attempt to sniff my crotch before being called back by its apologetic owner. 

 

A photo of a flat area of scrubland - the site of Caldwell's Paper Mill in Inverkeithing.  Photo by Kevin Nosferatu for the Skulferatu Project.
The site of Caldwell’s Paper Mill, Inverkeithing

 

Oblique aerial view centred on the paper mill and saltworks, taken from the SSE. https://canmore.org.uk/collection/1043430
An aerial shot from Canmore of the site as it was when the paper mill was in operation

 

Caldwell’s Paper Mill was built in 1914 for Caldwell & Co. Papermakers Ltd.  At the time it was built the mill had four paper machines.  It was bought over by Inveresk in 1928 who added a fifth paper machine.  They ran the company until 2002 when it was purchased by the Scandinavian firm Klippan. About a year after the takeover the mill was closed with the loss of 160 jobs.  The mill then lay derelict until August 2012 when it was demolished.

 

A photo of a brick building that is in ruins,  This once was one of the buildings of Caldwell's Paper Mill.  Photo by Kevin Nosferatu for the Skulferatu Project.
Remains of one of the paper mill buildings

 

A photo of a brick building that is in ruins,  This once was one of the buildings of Caldwell's Paper Mill.  Photo by Kevin Nosferatu for the Skulferatu Project.
Remains of one of the paper mill buildings

 

A photo of part of a brick building that is in ruins.  This once was one of the buildings of Caldwell's Paper Mill.  Photo by Kevin Nosferatu for the Skulferatu Project.
Remains of one of the paper mill buildings

 

A photo of an iron grate in a brick wall inside the ruined building.  Photo by Kevin Nosferatu for the Skulferatu Project.
Grate and bricks inside the building

 

A photo showing a view inside the building.  The walls are covered in graffiti.  Photo by Kevin Nosferatu for the Skulferatu Project.
View inside the building

 

A view of the flat scrubland that makes up the site of where Caldwell's Paper Mill once stood.  There are bricks scattered over the ground.  Photo by Kevin Nosferatu for the Skulferatu Project.
View out over the site from the remains of the paper mill building

 

A photo of a large cartoon graffiti face painted on the wall around the site of the paper mill.  Photo by Kevin Nosferatu for the Skulferatu Project.
Graffiti on the wall around the site of the paper mill

 

A photo of graffiti on the wall around the site of the paper mill.  Photo by Kevin Nosferatu for the Skulferatu Project.
Graffiti on the wall around the site of the paper mill

 

A View over the remains of concrete floors of the paper mill to the wall around the site of the paper mill.  Photo by Kevin Nosferatu for the Skulferatu Project.
View over remains of concrete floors to the wall around the site of the paper mill

 

A photo showing the metal stairs leading up to the bridge over railway tracks at the back of the site.   Photo by Kevin Nosferatu for the Skulferatu Project.
Stairs to the bridge over railway tracks at the back of the site

 

A photo of a brick lying on the ground.  The word ETNA is stamped into it.  Photo by Kevin Nosferatu for the Skulferatu Project.
One of the many bricks scattered around the site

 

A photo of four rusting pipes sticking up out of the ground with a sheet of rusty metal lying nearby.  Photo by Kevin Nosferatu for the Skulferatu Project.
Four pipes and some metal

 

Graffiti on the remains of the concrete floor showing the outline of a person.  Photo by Kevin Nosferatu for the Skulferatu Project.
Graffiti on the remains of the concrete floor

 

After a bit of a jaunt around the site I ended up back at the partial remains of one of the buildings.  There I left the Skulferatu that had accompanied me on my walk, in a pipe hole in the wall of the building. As I walked away, the glass from the thousands of smashed beer bottles covering the ground nearby, glittered and sparkled in the early afternoon sunlight.

 

A photo of a hand holding up a small, ceramic skull (Skulferatu 70).  In the background is the remains of a ruined building that was once part of Caldwell's Paper Mill in Inverkeithing, Fife.  Photo by Kevin Nosferatu for the Skulferatu Project.
Skulferatu #70

 

A photo of a small, ceramic skull (Skulferatu 70) sitting in a pipe hole in a brick wall with a lead pipe protruding out of the hole and curving round.
Skulferatu #70 in a pipe hole in the wall of the building

 

A photo of the ground outside the ruins of the building at Caldwell's Paper Mill.  There is a lot of broken glass on the ground and it glitters in the afternoon sunshine.
Thousands of smashed beer bottles glitter and sparkle in the afternoon sunlight

 

TomTom map showing the location of Skulferatu #70
Map showing the location of Skulferatu #70

 

The coordinates for the location of the Skulferatu are –

 

Latitude 56.028555

Longitude -3.3968700


I used the following sources for information on Caldwell’s Paper Mill -

 

Canmore - Caldwell's Mill, Inverkeithing

 

Daily Record, Monday 13 August 2012

 

For anyone who is interested there is a rather good video by John Davis of the chimneys of the old mill being demolished in a controlled explosion.  I've included the link here –


Demolition of Caldwell paper mill in Inverkeithing



Tuesday, 3 May 2022

Skulferatu #69 - Wild West Morningside, Springvalley Gardens, Edinburgh


While wandering through the refined and upmarket streets of Morningside in Edinburgh, I decided to pay a visit to a place I’d come across once, a decade or so ago.  A place hidden away in a courtyard that is reached through a narrow lane under a rather non-descript block of flats in Springvalley Gardens. A place I assumed must have fallen to the developers wrecking ball, but surprise, surprise, it was still there.

 

A photo showing the rather uninspiring lane that leads from Springvalley Gardens to the Wild West Morningside.  Photo by Kevin Nosferatu for the Skulferatu Project.
Lane from Springvalley Gardens to the Wild West

 

Once in the courtyard you could easily think that you had walked into the remains of an old film set from some dodgy spaghetti western, or should that be haggis western?  But no, this mock western façade was actually built in the 1990s to advertise a store called The Great American Indoors.  The business specialised in Santa Fe style furniture.  Something for which there was obviously little demand in Edinburgh, given that it closed down years ago.

 

A photo showing a wooden building with the name Ed Newbey’s Grain, Horses, Livery painted onto it.  One of the façades of the Wild West in Morningside.  Photo by Kevin Nosferatu for the Skulferatu Project.
Ed Newbey’s Grain, Horses, Livery

 

A photo showing a Wild West style building - The Cantina…also the fire exit for Morningside Library.  Photo by Kevin Nosferatu for the Skulferatu Project.
The Cantina…also the fire exit for Morningside Library

 

Photo by Kevin Nosferatu for the Skulferatu Project.
The Wild West Jail House

 

A photo of a wooden door with a faded sign on it that reads Blacksmith $1 Trail Shod Cutters.  Photo by Kevin Nosferatu for the Skulferatu Project.
Faded blacksmith sign on one of the doors

 

A photo of one of the outside lights on the wooden façade of one of the buildings.  Its shadow stretches off to the left in the bright sunlight.   Photo by Kevin Nosferatu for the Skulferatu Project.
Outside light on one of the façades

 

A faded sign on one of the buildings that reads - Pueblo Pine Company Traditional Santa Fe Style Furniture of the American Mid West.  Photo by Kevin Nosferatu for the Skulferatu Project.
Faded sign for the Pueblo Pine Company

 

Now mainly derelict, which the exception of a few workshops and garages, the place has taken on the dilapidated look of a ghost town. Well, sort of, if you ignore the cars parked around the courtyard, the blocks of flats towering over you and the roar of the traffic from nearby Morningside Road.

 

A photo of a view down the Wild West buildings to a block of flats.  Photo by Kevin Nosferatu for the Skulferatu Project.
View down the Wild West to a block of flats

 

A photo of one of the Wild West buildings which looks rather derelict.  Photo by Kevin Nosferatu for the Skulferatu Project.
One of the Wild West buildings…looking rather derelict

 

A photo of a faded sign most of which is unreadable with the exception of a notice at the bottom that reads - Knock and Wait.  Photo by Kevin Nosferatu for the Skulferatu Project.
A faded sign – Knock and Wait

 

I left the Skulferatu that accompanied me on my walk in a gap in the wooden posts on one of the façades. 

 

A photo of a hand holding up a small, ceramic skull (Skulferatu 69).  In the background is oner of the buildings of the Wild West in Morningside.  Photo by Kevin Nosferatu for the Skulferatu Project.
Skulferatu #69

 

A photo of a small, ceramic skull (Skulferatu 69) in a gap in the wooden posts of one of the Wild West buildings.  Photo by Kevin Nosferatu for the Skulferatu Project.
Skulferatu #69 in a gap in the wooden posts

 

A photo of a small, ceramic skull (Skulferatu 69) in a gap in the wooden posts of one of the Wild West buildings.  Photo by Kevin Nosferatu for the Skulferatu Project.
Skulferatu #69 in a gap in the wooden posts

 

Google Map showing location of Skulferatu #69
Map showing location of Skulferatu #69

 

The coordinates for the location of the Skulferatu are –

 

Latitude 55.92890

Longitude -3.210490