Showing posts with label Gravestones. Show all posts
Showing posts with label Gravestones. Show all posts

Tuesday, 8 August 2023

Skulferatu #102 - Duddingston Kirkyard, Duddingston, Edinburgh

 

One of my favourite walks around Edinburgh is down the Innocent Railway path, round to Duddingston and then back up Duddingston Low Road and into Holyrood Park.  When I do that walk, I usually have a rest and a sit down in the Kirkyard of Duddingston Kirk.  It is a place oozing with history and usually a quiet place to sit and contemplate whatever one feels like contemplating.

 

At the entrance to the Kirkyard is the tower like structure of the gatehouse, which was built in the age of the body snatchers for the guards who protected the corpses of the newly buried from being stolen.

 

A photo of a stone, two storey rectangular building with ornamental battlements on the top.  It has arched windows and sits in front of a cobbled lane that leads through an iron gated wall.  This is the gatehouse - used by those guarding the kirkyard against body snatchers.  Photo by Kevin Nosferatu for the Skulferatu Project.
The Gatehouse

 

On the opposite wall from the gatehouse is a rather insidious instrument used by the church to control and punish its flock, the jougs.  The jougs are an iron collar that could be padlocked and are fixed to a chain on the wall.  These were used for minor offences; you know the type of thing, drinking, dancing, enjoying yourself, wearing clothes that were a bit revealing, as in showing a bit of ankle, gossiping, farting on a Sunday, and the like.  The offender would be chained up during the hour before the morning service so that they would face the humiliation of the congregation passing them on their way into the church.

 

A photo of a black, iron collar attached to a stone wall - these are the jougs.   Photo by Kevin Nosferatu for the Skulferatu Project.
The Jougs

 

In the kirkyard itself, there are many interesting looking and rather gothic gravestones, and those buried beneath no doubt had many interesting stories to tell of their lives and adventures, all of which are now in the main forgotten. 

 

A photo of Duddingston Kirk, a small church that looks a bit like a 16th Century house, it is standing in the kirkyard with grass and gravestones around it.  Photo by Kevin Nosferatu for the Skulferatu Project.
Duddingston Kirk

 

A photo of an old gravestone in Duddingston Kirkyard.  At the top of it there is a face with wings around it and at the bottom is carved a skull.  The engraved name of the person who's grave it was has faded away to nearly nothing.  Photo by Kevin Nosferatu for the Skulferatu Project.
Gravestone in Duddingston Kirkyard

 

A photo of the carved skull at the bottom of one of the old gravestones in Duddingston Kirkyard.  The carving is quite primitive and shows only the skull with no lower jawbone.  Photo by Kevin Nosferatu for the Skulferatu Project.
Detail of gravestone

 

An ornate looking memorial on the wall of Duddingston Kirkyard.  On it are various emblems such as the skull and crossbones and the face with wings at the side of it.  Photo by Kevin Nosferatu for the Skulferatu Project.
Memorial to David Scot and Margaret Gourlay

 

Another memorial of the wall of Duddingston Kirk.  This one has not aged well and the memorial has all but disappeared.  On it are carved skulls and decorations.  Photo by Kevin Nosferatu for the Skulferatu Project.
Memorial on church wall

 

A photo of skull and crossbones with a memento mori banner above.  Photo by Kevin Nosferatu for the Skulferatu Project.
Detail of memorial on church wall

 

A photo of a fallen gravestone that is covered in moss.  The details on it have all but disappeared under the moss, however a skull and crossbones can be made out and also at the top a face with a wing at each side. Photo by Kevin Nosferatu for the Skulferatu Project.
Moss covered gravestone

 

A photo of the moss covered skull and crossbones from the gravestone.  Photo by Kevin Nosferatu for the Skulferatu Project.
Detail of moss covered gravestone

 

A photo showing several very old gravestones in Duddingston Kirkyard, with the watchtower in the background.  The foremost gravestone is ornate and low in the ground.  At the top of it is a rather creepy skull.  Photo by Kevin Nosferatu for the Skulferatu Project.
Gravestones in Duddingston Kirkyard

 

There is though, one that discreetly commemorates a scandalous tragedy that was reported widely in the newspapers of the time.  This memorial stone was originally commissioned by Captain John Haldane in honour of his grandfather Patrick Haldane, the 16th Laird of Gleneagles, who served as the Solicitor General for Scotland and as the MP for Perth. He had died in Duddingston in 1769.  On the stone there is also the depiction of a ship going down in a stormy sea.  This was added later by the executors of Captain John Haldane’s estate to commemorate the events surrounding his death.

 

A photo of a rather shabby looking memorial stone that is tall with a long triangular stone atop it.  Behind it is a wall and a white house.   Photo by Kevin Nosferatu for the Skulferatu Project.
Memorial to Patrick Haldane

 

A carving on the shabby memorial stone that shows a ship floundering in rough seas and a small boat with several people in it rowing away into the huge waves.  This is the memorial to John Haldane and Ann Cargill.  Photo by Kevin Nosferatu for the Skulferatu Project.
Memorial for Captain John Haldane

 

John Haldane was born in 1748 and was one of the two illegitimate sons of George Haldane.  John worked his way up through the East India Company and was eventually promoted to Captain on several of their ships.  He was not very successful in his role as Captain and suffered a series of misfortunes.  The first ship he captained was seized shortly after leaving port, by French and Spanish forces.  John Haldane and his crew were taken as prisoners and they and the ship were taken to the port of Cadiz.  There they languished for several months before being released.  On his return, the Company gave him a second ship to captain, which caught fire on its arrival in Bombay and was completely destroyed.  After this disaster Haldane no doubt felt quite low, but things in India soon picked up for him, as he met and became the lover of the glamorous and beautiful actress and singer, Ann Cargill.

 

Ann Cargill, born Ann Brown, was known as much for her love affairs as she was for her acting and was a pretty big celebrity in her day.  In 1771, when she was around twelve years old, she had made her debut at Covent Garden, and such was her popularity that she was soon commanding high fees for her appearances.  Later she gained much fame for her roles as Clara in The Duenna by Sheridan and Polly Peachum in The Beggars Opera by John Gay.  She also played MacHeath in The Beggars Opera, in a version in which all the male characters were played by women and all the female characters by men. 

 

When details of Ann’s many love affairs began to appear in the press, her father saw this as an embarrassment to him and her family, and having never approved of her career in the theatre, decided to end it and take control over her and her life.  In order to do this, he obtained a court order to detain her, but on learning of what he had done, she hid from him.  He made various attempts to get hold of her and take her into his custody, but she always managed to avoid him or escape from him.  On one occasion he took hold of her as she left her carriage to go into the theatre she was performing in.  However, she and her companion raised such a fuss that onlookers and eventually the other performers in the theatre crowded around, took her from her father and carried her into the theatre.

 

A portrait of a pretty young woman who is attired in old fashioned dress and appears to be leaning against a large boulder while holding what appears to be a metal pen like tool with which she is engraving something into the stone running up from the boulder.  The portrait is a detail of Ann Brown (Cargill) painted by Johann Zoffany.
Detail of portrait of Ann Brown (Cargill) in the role of Miranda. 
Painted by Johann Zoffany

 

In 1780, Ann eloped with a Mr R Cargill and married him in Edinburgh before returning to London and then touring England in various theatre productions.  The marriage to Cargill did not last long and in 1782 Ann took up with a Mr Rumbold and left for India with him. In India she found great success and another new lover, one dashing young captain from an aristocratic family, yup you guessed it, John Haldane. Things were lovely and rosy for both of them, and it seems that Ann became pregnant with, and gave birth to, their child.  The proud parents’ happiness in India was not to last long though.  In December 1783, the directors of the East India Company, being a bunch of old fuddy duddies, decided that they didn’t want the scandalous Ann Cargill around, and at a meeting agreed that ‘the pure shores of India should not be invaded by an actress.’  Ann was then ordered to leave the country. This she did, aboard the ship that Haldane was now captain of, the Nancy

 

The voyage home on the Nancy was quite uneventful until the ship was just off the coast from the Scilly Isles, where it hit a terrible storm.  The ship was forced into some rocks and began to sink.  Captain Haldane, along with Ann Cargill and a few passengers and crew, managed to get into one of the lifeboats on the ship and tried to row to safety.  The storm was too strong for them though and their boat was thrown against rocks at the small island of Rosevear and smashed.  Those on board were cast into the raging sea, where they all drowned. 

 

A few days later many of the bodies were recovered when they washed up on the shore at Rosevear.  These included the bodies of John Haldane and Ann Cargill.  Held tightly in Ann’s arms was the body of her and Haldane’s young child.  Ann, John Haldane, and their child were all buried at the Old Town Church on St Mary's, in the Scilly Isles.

 

In the early nineteenth century, during construction of the lighthouse that now stands on Bishop Rock the workmen were stationed on Rosevear.  It is said that while there, they were haunted by the ghostly voices of those who had died when their ships were sunk on the nearby rocks.  One of the voices they often heard was that of Ann Cargill gently singing lullabies, as if holding a sleeping child in her arms.

 

I left the Skulferatu that accompanied me on my walk, in a hole in the monument that commemorates Patrick Haldane, John Haldane and Ann Cargill.

 

A photo of a hand holding up a small ceramic skull (Skulferatu 102).  In the background is the rather shabby memorial stone.  Photo by Kevin Nosferatu for the Skulferatu Project.
Skulferatu #102

 

A photo showing a small ceramic skull (Skulferatu 102) in a hole in the stone of the monument to Patrick Haldane, John Haldane and Ann Cargill.  Photo by Kevin Nosferatu for the Skulferatu Project.
Skulferatu #102 in a hole in the monument

 

A photo showing a small ceramic skull (Skulferatu 102) in a hole in the stone of the monument to Patrick Haldane, John Haldane and Ann Cargill.  Photo by Kevin Nosferatu for the Skulferatu Project.
Skulferatu #102 in a hole in the monument

 

Google Map showing location of Skulferatu #102
Google Map showing location of Skulferatu #102

 

The coordinates for the location of the Skulferatu are –

 

Latitude 55.94126

Longitude -3.149253

 

what3words: regime.limit.inform

 

I used the following sources for information on Duddingston Kirkyard, John Haldane and Ann Cargill

 

Bygone Church Life in Scotland 

William Andrews

1899

 

Patrick Haldane

Patrick Haldane - Wikipedia

 

A Biographical Dictionary of Actors, Actresses, Musicians, Dancers, Managers & Other Stage Personnel in London, 1660-1800 

by Philip H. Highfill, Jr., Kalman A. Burnim, Edward A. Langhans

1975

 

Oxford Journal - Saturday 13 March 1784

 

Reading Mercury - Monday 15 March 1784

 

Wreck of the East India Company Packet NANCY Isles of Scilly in 1784

Ed Cumming

2019

Tuesday, 19 July 2022

Skulferatu #76 - Dean Cemetery, Edinburgh

If you like old graveyards, then Edinburgh has old graveyards aplenty.  If you like old graveyards with lots of ostentatious and over the top tombstones, then Dean Cemetery is the place to go.  It is Edinburgh’s Père Lachaise where the crème de la crème of Victorian society had their mortal remains interred.  Walking down the rows and rows of graves is like walking through a who’s who of Nineteenth Century Edinburgh Society…and it’s even got a pyramid!

 

A photo of a Pink Pyramid in Dean Cemetery, this is the tomb of Andrew Rutherfurd, Lord Rutherfurd.  Photograph by Kevin Nosferatu for the Skulferatu Project.
The Pink Pyramid - Tomb of Andrew Rutherfurd, Lord Rutherfurd

 

Dean Cemetery sits in the grounds that were once part of Dean House.  The cemetery was laid out in 1845 to a design by David Cousin.  It opened in 1846 and soon established itself as the most fashionable cemetery in Edinburgh. 

 

A photo showing various gravestones in Dean Cemetery.  it is taken from a distance and  gives the impression of a group of gravestones all clustered close together with a carving of a woman on one of the graves looking towards the camera. Photograph by Kevin Nosferatu for the Skulferatu Project.
View over cemetery from the grounds of Dean Gallery

 

The cemetery was planted out like a garden with many different types of trees.  The idea being that the trees would provide an everchanging vista with light and dark foliage contrasting against each other.  There were also many weeping type trees planted that now in their maturity hang over and seem to mourn the tombstones beneath them.

 

If you fancy spending eternity here, the cemetery still has plots available that can be purchased from the Dean Cemetery Trust, the private company that owns the grounds.

 

A photo of a row of gravestones in Dean Cemetery with trees in the background, one being covered in pink blossom. Photograph by Kevin Nosferatu for the Skulferatu Project.
Row of gravestones in the cemetery

 

A photo showing a large tomb that looks like a temple standing in the grounds of Dean Cemetery.  The tomb is that of James Buchanan, businessman & philanthropist.  Photograph by Kevin Nosferatu for the Skulferatu Project.
The tomb of James Buchanan, businessman & philanthropist

 

A photo showing two gravestones.  The one in front is a drab, grey pillar of a stone, while the one behind is white and very ornate with carvings of winged lions, rams heads and flamingos on it.   Photograph by Kevin Nosferatu for the Skulferatu Project.
The rather ornate gravestone of John Leishman

 

A photo of several gravestones in the cemetery with a very angular tree in the background.  Photograph by Kevin Nosferatu for the Skulferatu Project.
Gravestones and trees

 

As I wandered around the cemetery today, and after I’d made my way past rows and rows of tombs for vicars, lawyers, and huge monuments to those who died in various conflicts while protecting the Empire, the sort of conflicts we now prefer to forget, I found quite a few interesting characters.  There were various academics, actors, artists, architects, designers, engineers, explorers, philosophers, physicians, and politicians.  There was the grave of Sir Thomas Bouch, the man who designed the Tay Bridge.  You know, the one that fell down.  The memorial to James Naysmith, the inventor of the steam hammer. Then there were the graves of the artists Samuel Bough, Francis Cadell and more recently that of John Bellany. There was the effigy, smiling wistfully from the gravestone of the theatre director and owner Frederick Wyndham, and there was the grave of Lieutenant John Irving, one of the few whose bodies was recovered and brought back from the ill-fated Franklin Expedition which set out to look for the fabled Northwest Passage in the Artic. Then of course there was the pink pyramid – the tomb of Andrew Rutherfurd, one time Lord Advocate and MP for Leith Burghs.  He was actually born Andrew Greenfield, but the family changed their name to his mother’s maiden name after his father, the Reverend William Greenfield, was disgraced in a sex scandal.  It was discovered that William had been having an affair with another man and this being seen as a heinous crime at that time led to the poor man being excommunicated from the church, forced to resign his posts, and expelled from polite society.  He fled from Edinburgh to a small village in the North of England and spent the rest of his days there.

 

A photo of a very green looking tree lined pathway through the cemetery. Photograph by Kevin Nosferatu for the Skulferatu Project.
A tree lined pathway through the cemetery

 

A photo of two gravestones with effigies on them of the faces of the occupants lying beneath in their graves.  Photograph by Kevin Nosferatu for the Skulferatu Project.
Gravestones with effigies of the occupants beneath

 

A photo of an ornate gravestone in three parts with a sleeping lion at the base of it.  Photograph by Kevin Nosferatu for the Skulferatu Project.
Gravestone for John Watherston and Elizabeth Millar

 

A photo of a couple of rather grand looking gravestones in the cemetery.  Photograph by Kevin Nosferatu for the Skulferatu Project.
A couple of rather grand looking gravestones

 

A photo of a carved stone lions head on one of the memorials in the cemetery.  Photograph by Kevin Nosferatu for the Skulferatu Project.
Lions head on one of the memorials

 

A photo of a detail of one of the gravestones that shows a carved dove flying with lines behind which maybe represent the rays of the sun.  Photograph by Kevin Nosferatu for the Skulferatu Project.
Flying dove detail from one of the gravestones

 

A photo of a junction of paths in the cemetery with a large gravestone in the middle and rows of gravestones going down beside the pathways.  The large gravestone is a memorial stone to John Wilson, the Scottish Vocalist.  Photograph by Kevin Nosferatu for the Skulferatu Project.
Memorial stone to John Wilson, the Scottish Vocalist

 

A photo of a gravestone with two large angels on it who are standing in front of a cross.  Photograph by Kevin Nosferatu for the Skulferatu Project.
Angels – the gravestone of Isabella Christie

 

A photo of the branches of a weeping tree reaching down over a row of gravestones in the cemetery.  Photograph by Kevin Nosferatu for the Skulferatu Project.
Weeping tree over gravestones

 

A photo of a large Celtic type cross standing in the pathway, this being a memorial to James Naysmith – inventor of the steam hammer.  Photograph by Kevin Nosferatu for the Skulferatu Project.
Memorial to James Naysmith – inventor of the steam hammer

 

A photo of a tall, thin and very ornate gravestone with an effigy near the top of a handsome, but sullen looking young man.  Photograph by Kevin Nosferatu for the Skulferatu Project.
Gravestone of the artist David Scott

 

Another of those buried in the cemetery is the artist and photographic pioneer, David Octavius Hill.  Hill was born in Perth in 1802 and originally trained as a painter and lithographer.  In 1843 he decided to paint a picture of various clergymen who had been involved in in the disruption of the Church of Scotland to form the Free Church of Scotland.  To secure portraits of all those who had been involved, all four hundred and seventy of them, he decided to use photography.  To this end he asked Robert Adamson to help him and the two set up a photographic studio.  Hill brought his artistic sensibilities to photography and produced prints that had the qualities of the great Eighteenth Century portrait painters.  Prints that soon had the Edinburgh elite flocking to his studios to have their photographs taken.  Hill and Adamson also photographed the surrounding landscape and working people, such as the fishwives of Newhaven.  Hill died in 1870 and the bust on his grave was sculpted by his wife, Amelia.  Today Hill is seen as one of the first people to transform photography into an art form. 

 

A photo of a red marble type gravestone with the bust on it of a distinguished and handsome looking man with a large flowing beard, this being David Octavius Hill the artist and photographic pioneer.   Photograph by Kevin Nosferatu for the Skulferatu Project.
The grave of David Octavius Hill – artist & photographic pioneer

 

A photo of the bust of a distinguished and handsome looking man with a large flowing beard, this being David Octavius Hill the artist and photographic pioneer.   Photograph by Kevin Nosferatu for the Skulferatu Project.
Bust of David Octavius Hill

 

Within the cemetery there are many gravestones that carry the facial effigies of those long dead and lying in the ground below.  There is something almost surreal about coming face to face with a three dimensional image of the graves occupier, usually sculpted with a knowing smile or quizzical look on their face.  One of these effigies is of the artist George Paul Chalmers.  The way the sculpture of his face has weathered has given it an almost death mask look.  Rather than looking out at us in that knowing way, he just looks dead.  His hair flows back as if he’s lying on his death bed, his cheeks are sunken and his eyes, though open, have no life or joy in them.  He basically looks a bit miserable, which is maybe not surprising as it seems the poor chap was murdered during a violent robbery…maybe. 

 

A photo of a stone carved effigy of a man's head.  The carving is worn and has taken on the look of corpse face.  It is of George Paul Chalmers, the artist who died in suspicious circumstances.  Photograph by Kevin Nosferatu for the Skulferatu Project.
Effigy of George Paul Chalmers

 

Chalmers was born in 1833 in Montrose and showed promise as an artist from a very young age.  When he was twenty, he went to study in Edinburgh and soon became renowned as a portrait artist.  Later he turned his hand to landscapes and in 1871 became a member of the Royal Scottish Academy.

 

On the evening of Friday 15th February 1878 Chalmers had attended a banquet at the Royal Scottish Academy.  On leaving he made his way to a nearby pub for a few more drinks.  Being a man with a fiery temper when he had a drink in him, Chalmers got into a silly and trivial argument with some fellow artists, took umbrage that they disagreed with him and stormed out in a drunken huff.

 

In the early hours of Saturday morning Chalmers was found lying seriously injured on a stair in South Charlotte Street. His wallet, watch and hat were all found to be missing leading the police to believe that he had been the victim of a violent mugging.  He died of his injuries in the Edinburgh Royal Infirmary a few days later.  Despite various people coming forward and naming those they suspected of carrying out the assault and robbery no one was ever prosecuted or convicted of Chalmers’ murder.  Some suspected that being quite drunk he may have actually fallen down what was described as a dangerous stair to passers-by and that an opportunist thief on seeing him lying there had stolen his possessions.  Nothing was ever proved either way, so he may have been murdered or he may have fallen, unfortunately we will never know.

 

Out of all the memorials in the cemetery there is one to a man who just has to be mentioned.  A man still relevant to our times, especially to all biscuit lovers out there.  He is of course Robert McVitie, the man who transformed his family bakery into the biscuit kingdom that is McVitie’s.  Rich Tea anyone?

 

A photo of a rectangular memorial stone dedicated to Robert McVitie - it reads - In loving memory of Robert Mcvitie born in Edinburgh 29th March 1854 Died at Berkamsted 15th July 1910 A workman that needeth not to be ashamed.  Also of Louisa Elizabeth McVitie his wife died 30th October 1928.  Photograph by Kevin Nosferatu for the Skulferatu Project.
Memorial to Robert McVitie

 

I left the Skulferatu that accompanied me on today’s jaunt, in the central hollow of a one of the many large trees in the graveyard.

 

A photo of some gravestones with a nice plump and green leaved tree standing behind them.  Photograph by Kevin Nosferatu for the Skulferatu Project.
Gravestones and trees


A photo of a small ceramic skull (Skulferatu 76) being held up in front of a row of gravestones in Dean Cemetery.  Photograph by Kevin Nosferatu for the Skulferatu Project.
Skulferatu #76

 

A photo of a small ceramic skull (Skulferatu 76) sitting in the hollow of a tree.  Photograph by Kevin Nosferatu for the Skulferatu Project.
Skulferatu #76 in a tree hollow

 

A close up photo of a small ceramic skull (Skulferatu 76) sitting in the hollow of a tree.  Photograph by Kevin Nosferatu for the Skulferatu Project.
Close up of Skulferatu #76 in a tree hollow

 

Google Map showing location of Skulferatu #76
Map showing location of Skulferatu #76

 

The coordinates for the location of the Skulferatu are –

 

Latitude 55.952310

Longitude -3.223194

 

I used the following sources for information on Dean Cemetery and those interred within –

 

Dean Cemetery Official Website

Welcome to Dean Cemetery, Edinburgh

 

Dean Cemetery - Wikipedia

 

National Galleries of Scotland

David Octavius Hill | National Galleries of Scotland

 

David Octavius Hill - Wikipedia

 

Edinburgh Evening News - Wednesday 30 April 1930

 

Dundee Courier – 21 February 1878

 

Oban Times, and Argyllshire Advertiser – 23 February 1878

 

Montrose, Arbroath and Brechin review; and Forfar and Kincardineshire advertiser – 14 October 1887

 

Article and photographs are copyright of © Kevin Nosferatu, unless otherwise specified.


Tuesday, 4 January 2022

Skulferatu #55 - Graveyard at Parish Church of Penpont, Keir and Tynron, Penpont, Dumfries and Galloway

 

Penpont is a small village in Dumfries and Galloway.  It was once an important staging post for travellers, and on the main street it has a tearoom and gallery that is still a popular stopping off point for cyclists, ramblers, locals, and tourists.

 

The man who may have invented the bicycle, Kirkpatrick Macmillan, lived a short distance from Penpont, and Joseph Thomson, the explorer who gave his name to Thomson’s Gazelle, was born in the village.

 

The Parish Church of Penpont, dominates the skyline of the village, and stands on a low hill above the Scaur Water.  It was designed by Charles Howitt and built in 1867 to replace the church that originally stood on the site.  The design of the church is a large cruciform in the Gothic style, with a tall tower and spire in the north-east corner.  It was constructed using local pink sandstone.

 

A photograph showing a view over a field to a church with a very tall spire in comparison to the building.  This is the Parish Church of Penpont, Keir and Tynron.  Photo by Kevin Nosferatu for the Skulferatu Project.
The Parish Church of Penpont

 

The gravestones in the graveyard date mainly from the 17th to 18th centuries, though there were some that dated from the 11th and 12th centuries.  These, however, were removed and are now in Dumfries Museum.  Among those buried in the graveyard is John Ross, a soldier who fought at the battle of Waterloo defending the Quarte Bras Farmhouse. 

 

A photograph of several old and worn gravestones in Penpont Churchyard, with the Parish Church in the background.
Gravestones in Penpont Churchyard

 

A black and white photograph showing a detail of a memorial in Penpont Churchyard.  It is of a carved skull and crossbones, amongst other decorative images on worn stone.
Detail of memorial in Penpont Churchyard

 

A photograph of a red stone grave with a carving at the top of a face and wings.  The grave is of a man named Samuel Hislop.
Grave of Samuel Hislop

 

A photograph of an old gravestone in Penpont Graveyard.  At the top is carved a round face with wings underneath.  The writing on the stone is illegible.
Gravestone at Penpont Churchyard

 

A photograph of a faded, carving of a round style skull on a gravestone.  The stone is covered in lichen and Memento Mori is carved around the skull.
Memento Mori – detail from a gravestone

 

A photograph of a gravestone in Penpont Graveyard.  It ists next to a fence of iron railings on which is attached a homemade sign reading - Please do not drive over graves thank you.
Please Do Not Drive Over Graves Thank You

 

A photograph of an old gravestone at Penpont Churchyard.  Carved on it is a head with wings underneath and below that an hourglass lying on its side as if to signify that time is up.
Gravestone at Penpont Churchyard

 

A photo of a table top style gravestone.  The photo shows the bottom end of the stone and the legs, between which is carved a head with wings underneath.  The gravestone is very worn.
Gravestone of Patrick Boyle

 

I left the Skulferatu that accompanied me on my walk in the shelter underneath a table top gravestone.  The engraving on the gravestone was badly worn, but it appeared to be the grave of one Patrick Boyle, who had died in the 1790s.  In the gap underneath there were bits of old, broken pottery, some spiders, and the lower branches of a nearby holly bush.  My Skulferatu joined them there.

 

A photo of a hand holding up a small, ceramic skull with the lower part of Penpont Parish Church in the background.  Skulferatu #55
Skulferatu #55

 

A photo of a small, ceramic skull (Skulferatu 55 lying in a grassy patch underneath one of the gravestones.  There is some old, broken pottery near to it.
Skulferatu #55 under Patrick Boyle’s gravestone

 

Google Map showing location of Skulferatu #55 near to the Parish Church of Penpont, Keir and Tynron.
Map showing location of Skulferatu #55

 

The coordinates for the location of the Skulferatu are –

 

Latitude 55.231176

Longitude -3.811273

 

I used the following sources for information –

 

Scotland’s Churches Trust

Penpont, Keir and Tynron Church

 

Penpont Heritage Centre

Penpont Heritage Centre