Showing posts with label London. Show all posts
Showing posts with label London. Show all posts

Tuesday, 9 June 2026

Skulferatu #152 - Crystal Palace Dinosaurs, Crystal palace Park, Bromley, London

 

On a chilly February morning, while down in London, I thought I might go and visit some old friends I hadn’t seen for a while.  A bunch of old dinosaurs I’d last bumped into a least a decade ago.  Now, I’m not being insulting with my old dinosaur remark, as these friends are a bunch of Victorian models of dinosaurs.  Models of what Victorian scientists thought dinosaurs looked like based on the knowledge that they had at that time, so not particularly accurate.  Certainly not like the dinosaurs we would recognise today, but rather just a group of monstrous lizards and fishy like things. 

 

Arriving at Crystal Palace Station, I walked up the rather wide, grand stairs that lead up and out of the building and to the entrance of the park.  Then walking up and around a rather muddy path, slippery and slidey from all the February rain, I made my way to the ponds where the dinosaurs live.  And there they were in all their faded glory.

 

A statue of a dinosaur head sitting on the ground and encircled by a low stone wall.  Photo by Kevin Nosferatu for the Skulferatu Project. 
Hylaeosaurus head at entrance to dinosaur trail

 

A view over a park showing a fenced off area of an island covered with trees and statues of dinosaurs.  Photo by Kevin Nosferatu for the Skulferatu Project. 
The island of dinosaurs

 

Unfortunately, time hasn’t been kind to the dinosaurs, but then they have been strutting around their island or sitting in the surrounding waters for over a hundred and fifty years.  They were built between 1854 and 1855 to accompany the relocation of the Crystal Palace building from Hyde Park, where it had stood for the Great Exhibition of 1851, to a new park at Sydenham Hill.  The sculptor who was tasked with creating them was Benjamin Waterhouse Hawkins, while the landscape, or ‘Geological Court’ in which they would sit, was designed by Joseph Paxton.

 

Several statues of dinosaur type creatures sitting in water and reeds.  Photo by Kevin Nosferatu for the Skulferatu Project. 
Plesiosaurs & a Ichthyosaur

 

A statue of a long necked dinosaur type creature sitting on mud in some water.  Photo by Kevin Nosferatu for the Skulferatu Project. 
A Plesiosaur

 

A photo of statues of a long necked dinosaur and two crocodile type creautures sitting in water and reeds.  Photo by Kevin Nosferatu for the Skulferatu Project. 
A Plesiosaur & a couple of Teleosaurus

 

A photo showing the head of a sharp toothed, long snouted lizard type  creature in amongst reeds and water.  Photo by Kevin Nosferatu for the Skulferatu Project. 
An Ichthyosaur

 

The dinosaurs at Crystal Palace represent an early interpretation of extinct life and were the first attempt to create full-size three-dimensional models of these creatures.  They were based on interpretations of fossils and bones that Waterhouse Hawkins had examined, though he also consulted several experts in palaeontology at that time, including Richard Owen.  Together they worked out what the animals should look like, though if no agreement could be reached, Waterhouse Hawkins did the best he could with what little information he had. 

 

An illustration showing a barn like structure with large scale models of dinosaurs standing in it. 
Illustration showing some of the dinosaur models
in the workshop at Crystal Palace Park

 

Altogether Waterhouse Hawkins made thirty-seven models of dinosaurs and other extinct animals.  He would have carried on making many more if financial constraints had not put a stop to the project.

 

On completion, the models were quite a hit with the public, who could access the island they were on and marvel at the size of these monstrous beasts. 

 

A cartoon showing a man dressed in old fashioned clothes leading a boy in a top hat through the dinosaurs.  The boy is crying as if afraid of them.  The caption of the cartoon reads - A VISIT TO THE ANTEDILUVIAN REPTILES AT SYDENHAM - MASTER TOM STRONGLY OBJECTS TO HAVING HIS MIND IMPROVED. 
A cartoon of the dinosaurs – Punch, 1855

 

As scientific knowledge on dinosaurs increased, the models at Crystal Palace became seen as something of an embarrassment given their inaccuracies.  They are now, however, seen as important objects in the history of science that represent the Victorian understanding of the prehistoric world.  In 2007 they were classed as Grade I listed buildings and restoration work is ongoing to preserve them.

 

A photo showing a statue of a large dinosaur standing on the ground amongst some trees.  It has sharp teeth and a frightening look about its face.  Photo by Kevin Nosferatu for the Skulferatu Project. 
A Megalosaurus

 

A photo showing the head of the Megalosaurus statue looking sharp teethed and vicious.  Photo by Kevin Nosferatu for the Skulferatu Project. 
Head of the Megalosaurus

 

A photo showing two dinosaurs standing on a scrubby hill.  Photo by Kevin Nosferatu for the Skulferatu Project. 
A couple of Iguanodon

 

A photo showing the statue of a large green dinosaur standing amongst the trees.  Photo by Kevin Nosferatu for the Skulferatu Project. 
A hungry Iguanodon

 

A photo showing the green head of the statue of the Iguanodon.  Photo by Kevin Nosferatu for the Skulferatu Project. 
Iguanodon head

 

A photo showing the statue of the green Iguanodon dinosaur appearing to be peering through the trees at the photographer.  Photo by Kevin Nosferatu for the Skulferatu Project. 
A hungry Iguanodon peeking through the trees

 

A photo showing a dinosaur sitting in a lake.  Above it are trees and rising above that is a huge television transmitter.  Photo by Kevin Nosferatu for the Skulferatu Project. 
A Mosasaurus in the lake

 

A photo showing the statue of a Mosasaurus dinosaur sitting in the water with its sharp toothed mouth leering up at the sky.  Photo by Kevin Nosferatu for the Skulferatu Project. 
A Mosasaurus

 

Wandering along the pathways around the lake surrounding the dinosaur island, I passed numerous families and groups of tourists who had come to see these fabulous old creatures.  Most seemed to love them, posing for photos with a dinosaur or two standing behind them, though one small child did pass me howling in disappointment – ‘…but they’re not alive.  I wanted to see real ones.’  Sorry mate, I thought, but you’re quite a few hundred million years too late for that.

 

After a good wander around, I left the Skulferatu that had accompanied me resting on the eyelid of the Hylaeosaurus head sitting at the start of the dinosaur trail.

 

A photo showing a small ceramic skull (Skulferatu #152) being held up with some of the Crystal Palace Dinosaurs in the background.  Photo by Kevin Nosferatu for the Skulferatu Project. 
Skulferatu #152

 

A statue of a dinosaur head sitting on the ground and encircled by a low stone wall.  A small ceramic skull (Skulferatu #152) can be seen resting on its eyelid.  Photo by Kevin Nosferatu for the Skulferatu Project. 
Skulferatu #152 on the eyelid of a Hylaeosaurus

 

A small, ceramic skull (Skulferatu #152) sitting on the eyelid of the statue of the Hylaeosaurus head.  Photo by Kevin Nosferatu for the Skulferatu Project. 
Skulferatu #152 on the eyelid of a Hylaeosaurus

 

A small, ceramic skull (Skulferatu #152) sitting on the eyelid of the statue of the Hylaeosaurus head.  Photo by Kevin Nosferatu for the Skulferatu Project. 
Skulferatu #152 on the eyelid of a Hylaeosaurus

 

TomTom Map showing location of Skulferatu #152 
Map showing location of Skulferatu #152

 

The coordinates for the Skulferatu are -

 

Latitude 51.417273

Longitude -0.068557

 

what3words: mixed.smug.skirt

 

I used the following sources for information on the Crystal Palace Dinosaurs –

 

 
 
The Art and Science of the Crystal Palace Dinosaurs
Mark P Witton & Ellinor Mitchell
2022

 

 

Tuesday, 28 October 2025

Skulferatu #142 - St Olave's Church, Hart Street, London

 

Sometimes, when I’m out and about I’ll meet a building and fall in love with it.  That happened today while I was wandering around the streets in the heart of the City of London.  Walking along in a bit of a daydream I glanced up to see in the distance in front of me an arched stone gateway topped with some carved skulls.  Intrigued, I went over and had a look.  The gateway led into a small garden area with some old, old gravestones and then the small and rather quaint looking church of St Olave’s, an ancient little building sitting in amongst a load of modern office blocks. Entering the building I found a little peaceful haven from the noisy world outside.  A place just dripping with atmosphere and tinged with the silent voices and memories of generation upon generation of worshippers and visitors who had spent time here.  A place where I just wanted to sit down on the pews and absorb the ambience.

 

A photo of people walking towards an ornate gateway.  By it are railings and a notice stating St Olave's Church.  In the background are tall office buildings. Photo by Kevin Nosferatu for the Skulferatu Project.
Gate to St Olave’s Churchyard

 

A photo of a stone, arched gateway with carved skulls and spikes at the top of it.  Photo by Kevin Nosferatu for the Skulferatu Project.
The Gates of St Ghastly Grim

 

A photo of three skulls on the gate and spikes in the arch above them. Photo by Kevin Nosferatu for the Skulferatu Project.
The skulls and spikes of St Ghastly Grim

 

A photo of a small church with a rectangular tower.  The church sits in a small churchyard with trees and a few gravestones in it. Photo by Kevin Nosferatu for the Skulferatu Project.
St Olave’s Church

 

A view of the small churchyard - a path runs through a lawned area to the doorway and there are a few gravestones standing in amongst the grass of the lawn. Photo by Kevin Nosferatu for the Skulferatu Project.
The Churchyard

 

Now, you may wonder who is this St Olave that the church is named after.  Well, he was King Olaf II from Norway who in 1014 came to England and helped Æthelred the Unready claim his throne back from the Danish King, Cnut (a name that should always be spell checked).  At the Battle of London Bridge, he and his men scored a decisive victory against the Danes and recaptured London for Æthelred. After his time in England, Olaf spent some time in France where he converted to Christianity, before returning to Norway.  There he was credited with the Christianisation of the country before losing the crown to King Cnut and being forced into exile.  In 1030 Olaf was killed at the Battle of Stiklestad.  He was then canonised just a year after his death and became the patron saint of Norway.

 

A sketch of a street view showing the outside of a small church (St Olave's) with some people walking past.
Northeast view of St Olave’s

 

A sketch of St Olave's from the churchyard, showing the tower and trees with a few people mulling around.
St Olave’s Church – the south side

 

An old black and white photograph showing the inside of St Olave's with pews on each side leading down to a large stained glass window.
Interior of St Olave’s Hart Street 1894

 

The site on which St Olave’s Church stands is believed to have been a place of worship since the 11th Century.  The original church was likely to have been a simple wooden building which was replaced with a stone built church in the late 12th or early 13th Century.  In the 1460s two merchants from the City, Richard and Robert Cely, had that church replaced with the present building.  St Olave’s was one of the few churches that escaped the flames of the Great Fire of London in 1666.  It was saved by the forward thinking of Sir William Penn who ordered his men from the nearby naval yard to blow up the houses around the church to create a fire break.  The church went on to survive pretty much intact, with a few interior and exterior alterations, right up until World War II when it suffered severe damage during several bombing raids.  It was then rebuilt between 1951 to 1954.

 

A black and white newspaper photo showing a damaged building with a roof that has collapsed into the interior - bomb damage to St Olave's.
WW II bomb damage to St Olave’s - Illustrated London News

 

St Olave’s Church is one of those places that connects you back to many historical figures who have worshipped there.  Queen Elizabeth I, while still Princess Elizabeth, held a thanksgiving service there in 1554 to celebrate her release from the Tower of London.  She had been imprisoned there for a few months by her sister Queen Mary, also known as Bloody Mary for her penchant for having Protestants executed.

 

A colour photo showing the interior of the church of St Loave's with pews leading down to a stained glass window and arches running along on each side of the pews. Photo by Kevin Nosferatu for the Skulferatu Project.
Inside St Olave’s Church

 

A photo of an ornate stained glass window showing several characters including Christ on the cross and someone who may be St George. Photo by Kevin Nosferatu for the Skulferatu Project.
Stained glass window in church

 

A black and white photo of a bust of a woman sitting above a memorial with skulls on either side. Photo by Kevin Nosferatu for the Skulferatu Project.
Memorial to and bust of Elisabeth Pepys

 

A black and white photo showing a carved skull sitting atop a ledge with a cherub face below. Photo by Kevin Nosferatu for the Skulferatu Project.
Detail of memorial for Elisabeth Pepys

 

A wooden roof with a square of blue and gold in the centre of it. Photo by Kevin Nosferatu for the Skulferatu Project.
Detail of the roof of the church

 

The diarist Samuel Pepys was a regular worshipper there who affectionately referred to St Olave’s as ‘our own church’.  Though he cared much for the building he did not always appreciate the sermons there, writing in his diary – ‘So to church again, and heard a simple fellow upon the praise of church musique, and exclaiming against men’s wearing their hats on in the church, but I slept part of the sermon, till latter prayer and blessing was all done without waking which I never did in my life…’  When Pepys wife Elisabeth died, he had a marble bust of her made and installed on the north wall of the sanctuary.  There, she faced out to where he would sit in the church so that he could see her and feel she was there with him.  On his death in 1703, Pepys was buried alongside the body of his wife in the nave of the church.

 

A stained glass window showing three female figures on it -Queen Elizabeth, Saint Mary & Saint Catherine. Photo by Kevin Nosferatu for the Skulferatu Project.
Stained glass window showing Queen Elizabeth, Saint Mary
& Saint Catherine

 

A detail from a stained glass window showing a sailing boat on the sea.  It flies the flag of England and the figure of a saint stands at the front with another saintly figure at the back who is rowing with a giant oar. Photo by Kevin Nosferatu for the Skulferatu Project.
Detail from church window

 

A statue of a man praying.  The statue is painted to give him a more lifelike appearance. Photo by Kevin Nosferatu for the Skulferatu Project.
Monument to Dr Peter Turner, Died May 27th 1614

 

A monument with four figures in the centre - a man and woman praying with two women facing away from them.  Above are two skulls in ornate circular carved frames and below are some creeping looking children who appear to be swaddled.  Photo by Kevin Nosferatu for the Skulferatu Project.
Monument to Sir James Deane, his three wives and his children

 

A carving of two slightly creepy looking children lying down in swaddling with a deaths head for a pillow. Photo by Kevin Nosferatu for the Skulferatu Project.
Detail of monument to Sir James Deane

 

A back view of a kneeling man with a view of the church behind him. Photo by Kevin Nosferatu for the Skulferatu Project.
View by the Bayning Monument

 

A view of a lectern with a carved birds head at the front. Photo by Kevin Nosferatu for the Skulferatu Project.
Lectern

 

A old painted notice on the church wall that reads - John Highlord Senior and Skyner of London in his life being of the age of fourscore and seven years did give forty shillings yearly to be bestoed in New Castell cole for the relief of the poor of this parish and doth allow for four sermons yearlie for ever as by his will at large dooth appear.  1619. Photo by Kevin Nosferatu for the Skulferatu Project.
Notice on church wall

 

The author Charles Dickens was also a bit of a fan of St Olave’s and the gateway decked with skulls.  He commented that it was ‘one of my best beloved churchyards, I call the churchyard of Saint Ghastly Grim… This gate is ornamented with skulls and cross-bones, larger than life, wrought in stone, but it likewise came into the mind of Saint Ghastly Grim, that to stick iron spikes atop of the stone skulls, as though they were impaled, would be a pleasant device…I once felt drawn to it in a thunderstorm at midnight…and found the skulls most effective, having the air of a public execution and seeming, as the lightning flashed, to wink and grin with the pain of the spikes.’

 

Though the churchyard of St Olave’s is tiny, it is the resting place of lots and lots of people.  Of those whose bones lie in the ground under your feet as you walk through the little oasis of green, the names of most are now either lost to time or mean nothing to us, their histories long gone.  One of the names that stands out though is that of Mother Goose, who was buried there in 1586.  Who she was no-one seems to know, and it is unclear if she was the inspiration for the pantomime character or maybe just an elderly woman with the surname Goose.  Hundreds of victims from the 1665 plague outbreak were also buried there, including Mary Ramsay, who was believed to have been the person who brought the disease to London.

 

After soaking up the atmosphere of St Olave’s, I made my way out to the churchyard.  There, in early afternoon sunshine, I left the Skulferatu that had accompanied me in a hollow in a tree.

 

A hand holding a small, ceramic skull (Skulferatu 142) with a view of St Olave's Church in the background. Photo by Kevin Nosferatu for the Skulferatu Project.
Skulferatu #142

 

A small, ceramic skull (Skulferatu 142) sitting on the hollow by a cut branch in a tree.  Photo by Kevin Nosferatu for the Skulferatu Project.
Skulferatu #142 in a hollow in a tree

 

TomTom Map showing location of Skulferatu #142
Map showing location of Skulferatu #142

 

The coordinates for the location of the Skulferatu are -

 
Latitude 51.510767
Longitude -0.079496
 
what3words: found.equal.decay
 

I used the following sources for information on St Olave’s Church –

 
Memoirs of the City of London and its Celebrities
John Heneage Jesse
1802
 
The Annals of the Parishes of St. Olave Hart Street and Allhallows Staining, in the City of London
Rev. Alfred Povah
1894
 
Illustrated London News - Saturday 24 May 1941
 
Our Own Church
Eileen Grey
2014

 

 

Tuesday, 7 October 2025

Skulferatu #141 - Tower Hill Scaffold Site, Trinity Square Gardens, London

 

While down in London for a few days, I took a walk one morning along the banks of the Thames to the Tower of London.  Walking around the perimeter walls and against the tide of tourists heading to the entrance, I made my way up to Tower Hill and on to Trinity Square Gardens, a small park of well-tended lawns and flowerbeds. It was quiet there away from the hubbub of the busy metropolis, with a few other people here and there and a couple of old blokes in suits sitting together on a bench sharing a flask of tea.  The tranquillity of the gardens was broken briefly when a tour guide, with a dozen tourists following behind her, wandered in to point out some rather grand memorials there that commemorate the Merchant Seamen lost in both world wars.  In under a minute, she and her little group hurried off somewhere else.

 

A photo showing the grassy area of a park with trees around the edges.  In the background can be seen the Tower of London.  Photo by Kevin Nosferatu for the Skulferatu Project.
View from Trinity Gardens to the Tower of London

 

A photo looking over the grassy area of the park to a memorial wall and a temple like building.  By the wall a Union Jack flag hangs limply from a flagpole. Photo by Kevin Nosferatu for the Skulferatu Project.
Tower Hill Memorials to First & Second World War merchant seamen

 

A detail of a carved fish curving around the side of the memorial wall. Photo by Kevin Nosferatu for the Skulferatu Project.
A carved fish on the Tower Hill Memorial

 

I wasn’t there to see these monuments though; I was there to see a memorial to the dark past of this little park.  Walking round the path I came to a corner shaded by tall trees where, amongst some low growing shrubbery, there were some rather unobtrusive plaques dedicated to the memory of a host of people.  For it was here that the Tower Hill scaffold once stood.  For over four hundred years it was the site of public executions where those convicted of anything from high treason to coin clipping met their end.  Many others, however, were executed for holding political or religious views that didn’t conform with those of whichever monarch was on the throne at the time.  It is estimated that around 125 people were executed here.

 

A photo showing a paved area in which there is a low chain fenced area with rectangular memorial plaques on stones rising from the ground.  A low hedge runs around part of the fenced area. Photo by Kevin Nosferatu for the Skulferatu Project.
Tower Hill Scaffold Site

 

A photo showing a paved area in which there is a low chain fenced area with rectangular memorial plaques on stones rising from the ground.  A low hedge runs around part of the fenced area.  The temple like building can be seen off to the right-hand side of the photo.  Photo by Kevin Nosferatu for the Skulferatu Project.
Tower Hill Scaffold Site

 

A photo showing part of the low chain fenced area with the rectangular memorial plaques.  Photo by Kevin Nosferatu for the Skulferatu Project.
Memorials at Tower Hill Scaffold Site

 

You may wonder why the tour guide with her little posse hadn’t thought to lead them over to have a look at this, well it was probably because the most glamourous victims of the executioner’s axe didn’t lose their heads here. Those A-listers such as Anne Boleyn, Catherine Howard and Lady Jane Grey were given the chop in the grounds of the Tower of London rather than here.  However, there were some big names in British history who met their ends on Tower Hill.

 

A rectangular memorial plaque reading - To commemorate the tragic history and in many cases the martyrdom of those who for the sake of their faith country or ideals staked their lives and lost.  On this site more than 125 were put to death.  The names of some whom are recorded here. Photo by Kevin Nosferatu for the Skulferatu Project.
Memorial Plaque

 

A rectangular memorial plaque reading - Sir William Stanley, K.G. 1495, James Tuchet, 7th Baron Audley 1497, Edward Plantagenet, Earl of Warwick 1499, Edward Stafford, 3rd Duke of Buckingham 1521, John Fisher, Bishop of Rochester 1535, Sir Thomas More 1535, Thomas Darcy, Lord Darcy of Templehurst, K.G. 1537. Photo by Kevin Nosferatu for the Skulferatu Project.
Memorial Plaque

 

A rectangular memorial plaque reading - Henry Courtenay, Earl of Devon 1538, Thomas Cromwell, Earl of Essex, K.G. 1540, Henry Howard, Earl of Surrey 1547, Edward Seymour, Duke of Somerset 1552, Sir Thomas Watt 1554, Thomas Howard, 4th Duke of Norfolk 1572, Thomas Wentworth, Earl of Strafford 1641. Photo by Kevin Nosferatu for the Skulferatu Project.
Memorial Plaque

 

A photo of some small red flowers growing next to one of the memorial plaques.  Photo by Kevin Nosferatu for the Skulferatu Project.
Flowers

 

Probably the most famous person to be executed here was Thomas Cromwell.  He was once one of the most powerful men in England being the chief advisor to King Henry VIII.   He was a man who made many enemies during his illustrious career, and they brought about his downfall by persuading Henry that he was plotting against him.  He was condemned to death without a trial and was executed at Tower Hill on 28th of July 1540.  Recently, his name has become much more widely known due to the Man Booker Prize winning novels of Hilary Mantel, Wolf Hall and Bring up the Bodies, and the television series Wolf Hall, an adaptation of the novels.

 

Another of the big names in British history to meet his end here was John Dudley, the 1st Duke of Northumberland.  He was the man who, after the death of Henry VIII, became the power behind King Edward VI.  When it became clear that the young King was dying, Dudley used his influence to persuade him to change his will so that Lady Jane Grey, who was Protestant and also Dudley’s daughter in law, would be named as his successor, rather than Edward’s Catholic sister Mary.  It didn’t turn out well.  Much of the nobility supported Mary’s claim to the throne and though Jane was proclaimed Queen she was deposed by Mary’s supporters a few days later.  Dudley was quickly arrested, found guilty of high treason and executed on 22nd August 1553 at Tower Hill.  His son, the husband of the unfortunate Lady Jane, was executed at the same spot a few months later.

 

It wasn’t always those that went against the monarch that ended up facing the executioner’s axe here.  Thomas Wentworth, the 1st Earl of Strafford was sent to his death by Parliament.  Wentworth was a trusted advisor to King Charles I who made him the Lord Deputy of Ireland.  In Ireland, Wentworth’s main goal seemed to have been raising lots of cash for the Crown by seizing bits of land from various landowners.  This, and his rather arrogant behaviour, made him very unpopular there.  He was recalled to England by the King who needed his help in crushing a rebellion by the Scots.  Wentworth advised the King to recall Parliament (which basically only sat when the King needed something) to raise funds to crush the uprising, and he also tried to raise an army in Ireland. However, Parliament was reluctant to raise the cash and was quickly dissolved again.  Meanwhile, the Scots army had soon overrun parts of Northern England.  Unable to raise an army strong enough to deal with the Scots, the King was forced to make peace with them and pay their war expenses.  The King though was skint.  So, he had to recall Parliament again.  Those in Parliament were now pretty fed up with the King and especially with Wentworth, who was seen as a threat to the very existence of the Parliament itself.  Many in Parliament believed that Wentworth had been plotting against them and had intended to use the army he had raised in Ireland against them rather than the Scots.  To rid themselves of him, they had him impeached and charged with treason.  At his subsequent trial Wentworth skilfully defended himself and the impeachment failed.  Nevertheless, it was decided that he had to go, therefore the leader of Parliament, John Pym brought in a Bill of Attainder (an act that declared someone guilty of a crime without trial and also provides the punishment to be dealt on them).  This bill passed in Parliament and Wentworth was condemned to death.  On the 12th of May 1641, Wentworth was beheaded on Tower Hill, with a huge crowd of onlookers attending to watch.

 

A drawing of a huge crowd gathered around a scaffold.  In the background is the Tower of London.
Execution of the Earl of Strafford, 1641 by Wenceslaus Hollar Bohemian
The Cleveland Museum of Art

 

The cover of a pamphlet entitled - A short and true relation of the life and death of Sir Thomas Wentworth, Earl of Strafford.  Beneath the title is a framed drawing at the bottom showing a man lying on the ground with his head chopped off.  An executioner stands above him holding an axe while onlookers stand around watching.
A Short and True Relation of the life and death…

 

In 1780 the last executions were carried out at Tower Hill when three people were hanged there.  They were William McDonald, Mary Roberts and Charlotte Gardiner, who had been convicted of destroying a house and property during the Gordon Riots, a series of anti-Catholic riots that took place in London over several days.   After this, public executions in London mainly took place on the gallows at Tyburn, near Marble Arch.

 

After having a wander around the park and taking a few photos, I left the Skulferatu that had accompanied me in one of the metal links of the chain fence around the memorial.  

 

A small, ceramic skull (Skulferatu #141) being held up with the Tower Hill Scaffold Site in the background. Photo by Kevin Nosferatu for the Skulferatu Project.
Skulferatu #141

 

A small, ceramic skull (Skulferatu #141) sitting in the chain link of a chain fence. Photo by Kevin Nosferatu for the Skulferatu Project.
Skulferatu #141 in link of chain fence

 

A close-up of a small, ceramic skull (Skulferatu #141) sitting in the chain link of a chain fence. Photo by Kevin Nosferatu for the Skulferatu Project.
Skulferatu #141 in link of chain fence

 

TomTom Map showing location of Skulferatu #141
Map showing location of Skulferatu #141

 

The coordinates for the location of the Skulferatu are -

 
Latitude 51.50977
Longitude -0.077892
 
what3words: gladiators.nods.discrepancy

 

I used the following sources for information on Tower Hill Scaffold Site –

 

A Short and Trve Relation of the Life and Death of Sir Thomas A Short and Trve Relation of the Life and Death of Sir Thomas Wentworth ... Who Was Beheaded on Tower-Hill, the 12. of May, Wentworth ... Who Was Beheaded on Tower-Hill, the 12. of May 1641. with Certaine Caveats to All Men, of What Degree Soever, to Take Warning by His Fall
1641
 
Coventry Standard - Monday 10 July 1780
 
Bath Journal - Monday 17 July 1780
 
Sheffield Independent - Thursday 08 June 1911
 
John Bull - Saturday 4 August 1934