Showing posts with label London. Show all posts
Showing posts with label London. Show all posts

Tuesday, 12 November 2024

Skulferatu #129 - Brompton Cemetery, Old Brompton Road, London


It was a quick stop off in London and the sun was out.  With time to kill I wondered where I should go.  Maybe I should do something touristy like take a boat down the Thames, wander down Oxford Street, or pay a small fortune to visit the Tower of London, but hey, when in the sprawling metropolis why not visit a sprawling necropolis?  So, that is what I did and headed off to Brompton Cemetery.  A cemetery so crowded that in places the gravestones are almost touching each other.

 

A view down a road with gravestones and monuments on each side.  At the end of the road is a domed building.  Photo by Kevin Nosferatu for the Skulferatu Project
View down Central Avenue to the Chapel

 

A view down a road with gravestones and monuments on each side.  At the end of the road is a domed building.  Photo by Kevin Nosferatu for the Skulferatu Project
View down Central Avenue to the Chapel

 

A view of several gravestones - many are crosses, though one has a pile of carved  stone cannonballs on it.  Next to this stands a family mausoleum.  Photo by Kevin Nosferatu for the Skulferatu Project
Tomb and gravestones and cannonballs

 

A close-up view of the carved stone cannonballs on a grave.  Photo by Kevin Nosferatu for the Skulferatu Project
Cannonballs and gravestones

 

A black and white photo showing a skeletal looking tree standing in foliage with gravestones all around.   Photo by Kevin Nosferatu for the Skulferatu Project
A skeletal tree dancing in the sun

 

Brompton Cemetery opened its gates to its first resident in 1840.  It is one of the seven garden cemeteries in London that were created between 1833 and 1841 to alleviate the overcrowding in the city’s graveyards.  When it opened it was outside of London, and sat amongst the fields in the countryside by the sleepy hamlet of Brompton.  Now it is about a twenty minute Underground ride from the city centre. 

 

The cemetery was originally a privately run business, and in order to attract customers was designed to be an attractive place where one’s corpse could spend eternity.  I mean, who wants to rot away in unpleasant surroundings?  In order to achieve the pretty environment that those in the Victorian era would want to have their final rest in, the cemetery was given a formal layout, the buildings within it were designed in a classical style and it was landscaped with various types of trees. 

 

Under the Metropolitan Internment Act of 1850, Brompton Cemetery was bought by the government and nationalised, the only private cemetery to be purchased this way under the act.  It is Britain’s only Crown cemetery and is now in the care of the Royal Parks Agency.  Brompton Cemetery is still a working cemetery, and you can get buried there if you fancy it.

 

A view over the cemetery showing various gravestones surrounded with a burst of various green plants and bushes.  Beside the grave at the forefront of the photo are several bright red poppies. Photo by Kevin Nosferatu for the Skulferatu Project
Poppies and gravestones

 

A photo showing a part of the cemetery crowded with hundreds of gravestones.  A tree stands in amongst them.  Photo by Kevin Nosferatu for the Skulferatu Project
The dead crowd around

 

A photo of an ornate mausoleum that looks very much like a small church.  Photo by Kevin Nosferatu for the Skulferatu Project
A mausoleum

 

A black and white photo showing various gravestones stretching off down to the catacomb buildings.  In the forefront is an stone angel leaning onto a cross and looking mournful.   Photo by Kevin Nosferatu for the Skulferatu Project
Angel and crosses

 

A photo showing lots of cross style gravestones stretching down to a road.  Behind the road are more gravestones and then the catacomb buildings.  Photo by Kevin Nosferatu for the Skulferatu Project
Gravestones and catacombs

 

There are various movers and shakers and celebrities buried at Brompton Cemetery, such as the leader of the Suffragette movement, Emmeline Pankhurst, the founder of the Cunard Line, Samuel Cunard, the journalist, Bernard Levin, and the actor Brian Glover.  However, as I wandered around I wasn’t celebrity spotting, but rather looking for some interesting stories, something there is always plenty of in a big graveyard. 

 

The first one I found was through a rather intriguing gravestone dating from the First World War, it was that of Reginald Warneford, which as well as depicting the man buried underneath, also included a scene of a plane flying away from an exploding airship.  It turns out that Warneford was a bit of a war hero.  During the First World War the German Zeppelins were a complete menace, as my late Grandaddy recalled.  As a small boy he witnessed one dropping bombs over his home city of Leicester.  These attacks struck terror in the civilian population and the military authorities were unsure of how the airships could be stopped.  One day, Warneford, a young airman who had only been qualified as a pilot for three months was out on patrol in his plane somewhere between Ghent and Bruges when he spotted a Zeppelin.  Flying above it, he dropped six bombs at close range, with the last hitting the Zeppelin and setting it on fire.  The explosion from his bomb flipped his plane upside down and caused his engine to cut out.  He, however, managed to regain control of the plane and land it.  Slight problem though, he was deep within enemy territory.  Frantically he tried to restart his plane, and after fifteen minutes the engine came back into life.  He hastily took off and returned back to base.  There he received a hero’s welcome being the first man to destroy single-handily one of the dreaded airships.  For this he was awarded a Victoria Cross.  Sadly, this was awarded to him posthumously, as ten days after taking out the Zeppelin he was killed while he carried out a test flight on a new plane which broke apart in midair.   His body was repatriated to England where over fifty thousand people attended his burial at Brompton Cemetery.

 

A photo of a tall whitish gray gravestone.  At the top is craved the facial portrait of a young man wearing a military type cap while underneath there is a carving of an aeroplane and an exploding airship.  Photo by Kevin Nosferatu for the Skulferatu Project
Grave of Reginald Warneford

 

A detail of a gravestone showing an biplane flying away from an exploding airship.  Photo by Kevin Nosferatu for the Skulferatu Project
Detail of Reginald Warneford’s gravestone

 

As I wandered around the cemetery I began to notice a similarity between the wording on lots of the gravestones, the gravestones of many of the women.  Unlike those of the men, these said very little about them.  No acknowledgements of achievements or of the lives lived, but rather everything said about them related to the men in their lives, their husbands, fathers, or sons.  One of the gravestones I came across was for Lisette, who is remembered as being the daughter of John Scott, the niece of Colonel Scott of Gala and the wife of Professor William Gregory.  For a stone in her memory, it says nothing about her.  So, I thought I’d delve into some records and see if I could find out who Lisette was.  Lisette Scott was born in 1805 in Germany and was the second of three sisters.  She was well connected to various members of the British aristocracy, as on her father’s side she was related to the Lairds of Gala, at Galashiels in the Scottish Borders, while her mother, ‘Miss Munro’ was related to Sir Donald MacDonald, Laird of the Isles, and her maternal grandmother had been Lady in Waiting to the Princess of Wales, mother to King George III. Lisette took on the name Makdougall after the death of her cousin when her family inherited the estate of Makerstoun in Roxburghshire, and thus became Lisette Makdougall Scott.  Lisette was brought up in Scotland by her aunt and recalled her childhood as being a happy one.  She was an accomplished musician and was popular in fashionable society for her ‘wit and repartee’.  However, she was more interested in, and at home, in the world of science.  In 1839 she married William Gregory, Professor of Chemistry at Edinburgh University, taking his name to become Lisette Makdougal Gregory.  While in Edinburgh Lisette and William both developed a common interest in Spiritualism, with William writing work on that, as well as Mesmerism and Animal Magnetism, all really trendy ideas at that time.

 

A photo of a gravestone that reads 'In memory of Lisette daughter of John Scott brother of Colonel Scott of Gala and widow of Professor William Gregory died May 24th, 1885.  Photo by Kevin Nosferatu for the Skulferatu Project
Grave of Lisette Makdougal Gregory

 

On her husband’s death, in 1858, Lisette moved down to London with her son.  There she became a bit of a name in the Spiritualist movement (a religious movement which believed that an individual's awareness persists after death, and that the dead can be contacted by the living through a medium).  Her house became a gathering place for Spiritualists with many séances being held there by various mediums.  During these séances furniture would move around the room and apparitions of the dead would appear.  Lisette herself was a ‘writing medium’, meaning that the spirits of the dead would take control of her hand and cause her to write what they wanted to say.  The Spiritualist movement is now seen by most as complete bunkum and was rife with charlatans and conmen, however Lisette seems to have been a true believer who wrote a couple of pamphlets on the subject and made contributions to the Spiritualist newspaper.  Outliving her husband, son and grandson, Lisette spent much of her later life communing with them in the spirit world at the many séances held at her home.  Lisette suffered much from ill health in her old age and died, or as her Spiritualist friends liked to say – entered into her new life with the birth of her spirit, on 24th May 1885.

 

Moving on around the cemetery I came to a large mausoleum that dominates the area it stands in, and is supposedly a time machine or a teleportation machine, a stone TARDIS in which you can travel through time and space.  Unlike many of the other large monuments this one is not for some male grandee, but rather for a rather lowly born woman who inherited a large fortune from her ‘husband’.  Hannah Courtoy, who is interred here along with two of her daughters, was born Hannah Peters in around 1784.  She left home in 1799 to escape from her drunken and abusive father, taking on work in various unskilled and menial jobs.  Then, in around 1800, she was introduced by a mutual friend, Francis Grosso, to John Courtoy and was employed by him as his housekeeper.  At this time John Courtoy was in his seventies and in poor health, but was a very rich man.  He had come to Britain from France in around 1750 and made a lot of money as a wigmaker, wigs being all the rage at that time.  He then used the money he had made from wig making to become a money lender, and through this he became very wealthy. 

 

A view over several cross type gravestones to a mausoleum standing in a wooded area.  Photo by Kevin Nosferatu for the Skulferatu Project
View over graveyard to the tomb of Hannah Courtoy

 

A photo of a stone mausoleum standing in a wooded area with a path circling around it.  Photo by Kevin Nosferatu for the Skulferatu Project
Tomb of Hannah Courtoy

 

360 View of graveyard around Hannah Courtoy’s Tomb

 

 Within six years of working for Courtoy, Hannah had given birth to three daughters; Mary, Elisabeth, and Susannah.  All were baptised with the Courtoy name and Hannah claimed that John was the father of all three.  However, rumours abounded that the father of the children was in fact Francis Grosso.  Hannah then took on John Courtoy’s surname, despite the two having never married.  From all accounts she had a considerable influence over the decisions he made, something probably made easier in that he appeared to be suffering from dementia during the last two decades of his life.  In 1814 Courtoy changed his will leaving the majority of his money to Hannah and her daughters, this superseded a will he had made in 1810 in which he had left the bulk of his fortune to his previous partner Mary Woolley and their five children.  In 1818 John Courtoy died.  There was then an almighty fight over the contents of his last will with Woolley and her children, along with Courtoy’s French relatives, all disputing the contents.  They claimed that the 1814 will had been made under Hannah’s influence when Courtoy was in the throes of dementia.  The legal arguments over the will dragged on for years until 1827 when Hannah and her daughters ended up with most of the money.

 

In 1849 Hannah died and a lavish mausoleum was designed by her friend, Joseph Bonomi, to house her mortal remains.  Hannah and Bonomi had both been deeply interested in Egyptian hieroglyphics and mythology, believing that through the teachings of the ancient Egyptians they could discover some of the secrets of the universe.  They had regularly spent hours together discussing the wisdom and beliefs of these ancient people.  So, when Bonomi designed her tomb he incorporated her interests into it by having it feature some Egyptian characters along with a roof resembling a pyramid like structure.  Then, many years later, as in almost one hundred and fifty years later, rumours began to surface that the mausoleum was more than it appeared to be.  An amateur historian looking into the history of the tomb stated that his research had led him to conclude that it was a time machine and had in fact been designed by a maverick Victorian genius, Samuel Warner.  He, along with Bonomi, had built this marvellous contraption with funding from Hannah.  The idea being that the best place to build this machine would be a cemetery, as it was unlikely to be disturbed for hundreds of years, meaning they could travel into the future and return discreetly.   Once out there, the rumours grew, and it is now speculated that the tomb is also a teleportation device.  To add to the air of mystery and intrigue, the keys to the mausoleum have been lost and it supposedly has not been opened for over 120 years.  Relatives of Hannah have suggested that they may try to have a new key made so that the tomb can be opened, and so it could be that the secrets it holds, or doesn’t, will be revealed sometime in the future.

 

A view of the mausoleum for Hannah Courtoy.  Photo by Kevin Nosferatu for the Skulferatu Project
Tomb of Hannah Courtoy

 

A photo showing the ornate copper green door of Hannah Courtoy's mausoleum.  Photo by Kevin Nosferatu for the Skulferatu Project
Doorway to the mausoleum – or portal to another dimension


A photo of the keyhole for the door to Hannah Courtoy's tomb.  Photo by Kevin Nosferatu for the Skulferatu Project
Keyhole

 

A photo of a circular emblem carved into the tomb.  Photo by Kevin Nosferatu for the Skulferatu Project
Detail of designs on the mausoleum door

 

If you are ever wandering through Brompton Cemetery and you see a man in a top hat with sideburns, or a woman in an out of place vintage dress suddenly appear, it may well be because the rumours about the time machine are true.  Either that or you have stumbled across someone, probably me, on their way to, or back from, a fancy dress party.

 

I left the Skulferatu that had accompanied me on a ledge of the tomb, in the hope that it may be whisked back in time to ancient Egypt or forward into some Utopian future.

 

A photo showing a hand holding up a small ceramic skull (Skulferatu 129) with the tomb of Hannah Courtoy in the background.  Photo by Kevin Nosferatu for the Skulferatu Project
Skulferatu #129

 

A photo of a small ceramic skull (Skulferatu 129) sitting on a stone ledge of Hannah Courtoy's tomb.  Photo by Kevin Nosferatu for the Skulferatu Project
Skulferatu #129 on a ledge of Hannah’s tomb

 

Google map showing the location of Skulferatu #129
Map showing the location of Skulferatu #129

 

The coordinates for the location of the Skulferatu are -

 

Latitude 51.486134,
Longitude -0.191203
 

what3words: congratulations.ladder.season

 

I used the following sources for information on Brompton Cemetery –

 
Brompton Cemetery, The Top 100
The Royal Parks
2021
 
Ashbourne News Telegraph - Friday 18 June 1915
 
Torbay Express and South Devon Echo - Friday 06 January 1967
 
The Spiritualist – January 16th, 1880
 
Light: A Journal of Psychical, Occult, and Mystical Research, No 231 - Vol V, Saturday June 6, 1885
 
Records of the Family of Gregory
P. S. Gregory
1886
 
Birmingham Daily Post - Saturday 24 October 1998
 
Courtoy’s Complaint
David Godson
2014
 
The Independent – Sunday 13 December 2015

 

Tuesday, 5 March 2024

Skulferatu #115 - Gabriel's Pier, Gabriel's Wharf, Southbank, London

 


On yet another of the hottest days of the year, I was on a short stay over in London before heading back home.  So, what to do in that heat?  Well, I did the most sensible thing I could do, and as usual, went out in it.  As I was staying near to the Thames, and the tide was low, I thought I’d make my way there and wander along by the shores of the river to do a bit of mudlarking.

 

I wandered along the white hot pavements by Waterloo, and then cut through the back streets until I arrived at Gabriel’s Wharf.  There I made my way past the trendy, overpriced coffee shops and eateries, to a set of stairs that led me down onto a sandy beach by the Thames.

 

A photo taken from underneath a tree with branches hanging above, showing lots of people walking along a paved area that is fenced alongside a river.  Photo taken by Kevin Nosferatu for the Skulferatu Project.
Busy people at Gabriel’s Wharf

 

A view along the shoreline of the Thames showing a pebbled foreshore with large buildings running along the right side and a bridge in the distance crossing over the river to a host of other new and old buildings.  Photo taken by Kevin Nosferatu for the Skulferatu Project.
Gabriel’s Pier and the shoreline along the Thames

 

A view of a wooden pier jutting out over the foreshore.  A couple of people are sitting on a pebble beach and a child is running by.  Photo taken by Kevin Nosferatu for the Skulferatu Project.
Gabriel’s Pier and a bit of beach

 

This little bit of beach was busy with sunbathers and lots of children who were swimming in the brown, swirling waters of the river.  Though I was wilting in the heat I wasn’t going to join them in the cool water, as I remembered the stories of old about how dirty the Thames was.  There was one in particular about a passenger boat that sank sometime in the eighteenth century.  The story goes that of the hundred or so passengers on the boat, around twenty survivors were pulled from the river.  Within a week they had all died, poisoned by the water they had ingested while in the Thames.  The story, like many, may not be true, but the river was once horribly polluted and dirty, and even though it has now been cleaned up massively, you wouldn’t catch me swimming in it.

 

Leaving the beach area, I walked under Gabriel’s Pier and followed the shoreline along the Southbank, past the OXO building and towards Blackfriars Bridge.  Scraping at the stone and mud with my feet I found a few clay pipe stems and bowls, and a couple of small stones that had been cut into a circular shape with a whole drilled in the middle.  What they were I had no idea, but stuck them into my pocket anyway.

 

A view over the rocky and muddy shoreline of the Thames at low tide with lots of historic buildings on the banks on the left side of the photo and a bridge crossing over the river.  Photo taken by Kevin Nosferatu for the Skulferatu Project.
Shoreline along the Thames

 

Finding a relatively dry outcrop of rocks I sat down to watch life on the river.  Tourist boats sped past whipping the shoreline with rough waves, a couple of barges ambled by, and a group of a dozen or so canoeists paddled along, bouncing merrily in the waves of the passing boats.  Seagulls soared over, screeching, and gabbling in the way that seagulls do, and up above on the walkways around the shore was the distant mumble of the thousands of people out and about in the hot, hot sun.

 

After daydreaming for a while on my seat of rock, I walked back along the shore to Gabriel’s Pier, which like Gabriel’s Wharf, is named after Christopher Gabriel, whose family business was based here from the 1770s until 1919. 

 

A wooden structure of posts and planks standing over a beach of stones and pebbles.  Photo taken by Kevin Nosferatu for the Skulferatu Project.
Gabriel’s Pier

 

A view under the wooden structure of Gabriel's Pier looking down the beach towards the waters of the Thames.  There are wooden posts on both sides with the floor of the pier above.  In the middle there are several posts standing at angles against each other.  Photo taken by Kevin Nosferatu for the Skulferatu Project.
Under the pier

 

In a tangled wooden thing that had been fixed between the struts of the pier, I left the Skulferatu that had accompanied me on my walk.

 

A photo showing a small ceramic skull (Skulferatu 115) being held up with a wooden pier and the Thames shoreline in the background.  Photo taken by Kevin Nosferatu for the Skulferatu Project.
Skulferatu #115

 

A photo showing a small ceramic skull (Skulferatu 115) in a tangled branch like thing stuck to the side of the wooden struts of Gabriel's Pier.  Photo taken by Kevin Nosferatu for the Skulferatu Project.
Skulferatu #115 in a tangled wooden thing

 

A close-up view of the small ceramic skull (Skulferatu 115) in a tangled branch like thing stuck to the side of the wooden struts of Gabriel's Pier.  Photo taken by Kevin Nosferatu for the Skulferatu Project.
Skulferatu #115 in a tangled wooden thing

 

TomTom Map showing location of Skulferatu #115
Map showing location of Skulferatu #115

 

The coordinates for the location of the Skulferatu are –

 

Latitude 51.508557

Longitude -0.109673

 

what3words: until.swaps.wiped

 

 

 

Tuesday, 12 December 2023

Skulferatu #110 - Bastion 14, London City Wall, Barbican, London


Travelling down to Kent, I found I had an unexpected day out and overnight stay in central London due to a train strike. So, what to do? Well, I did what I always do and went for a walk. After a foray around the banks of the Thames I cut up past Saint Paul’s and towards the Barbican. There, amongst an array of buildings from Brutalist concrete to glass and steel I spotted a ruin, sitting in a little oasis of green, just by the entrance to an underground carpark.

 

A photo showing a ruined red brick building (Bastion 14) with a road running down past it.  A huge office block (Bastion House) towers over the building.  Photo by Kevin Nosferatu for the Skulferatu Project.
The ruins of Bastion 14 sitting by the 1970s Bastion House

 

A view down a road to a grey concrete underground carpark. On the left hand side is a concrete bridge and in the distance an office block of glass and steel.  On the right hand side in a fenced off area with the ruins of the red brick walls of Bastion 14 sitting in it.  Photo by Kevin Nosferatu for the Skulferatu Project.
Bastion 14 with concrete and glass buildings towering above it

 

Making my way down to it, I found that it was the remains of a fort that formed part of the old City Wall of London. This Medieval wall was built on the foundations of the old Roman wall around the city, and the fort, or Bastion 14 to give it its official title, was one of the 21 bastions built along it. 

 

A photo of the ruins of Bastion 14 that face out towards the road.  It shows a ruin of red bricks with an arched area on the right hand side and a doorway near to the top of the building.  The sky above is blue and in the distance can be seen a grey concrete London tower block.  Photo by Kevin Nosferatu for the Skulferatu Project.
Bastion 14

 

The original city wall was built by the Romans around 200AD as a defensive wall around Londinium. After the collapse of the Roman Empire, it fell into decay. In medieval times the need for a defensive wall was once again called for, and large sections of the wall were repaired and rebuilt. Then, in the 17th century London expanded rapidly and the wall was seen as no longer necessary, so much of it was demolished.

 

Tourist Info Map at site, showing the course of the City Wall
Tourist Info Map at site, showing the course of the City Wall

 

When the city wall fell out of use, many of the bastions were incorporated into other buildings, with Bastion 14 at one time being used as part of a warehouse.

 

During the Second World War the area around Bastion 14 was flattened by bombing and the buildings encasing it were destroyed. The Bastion was then identified as a historic structure and was saved from demolition. However, the 1970s office block towering above it, Bastion House, doesn’t appear to be so lucky, as it is now earmarked for demolition. Shame, as it’s so ugly that I quite like it.

 

A photo looking up with the ruined wall of Bastion 14 at the bottom which then seems to be joined by the towering building of Bastion House above.  This is a dark grey building with row after row of dark windows in it.  Photo by Kevin Nosferatu for the Skulferatu Project.
The walls of Bastion 14 with Bastion House towering above

 

Another view of Bastion House - looking up at it so it towers into the distant sky.   Photo by Kevin Nosferatu for the Skulferatu Project.
Bastion House

 

I had the whole garden area to myself as I wandered the old wall and Bastion 14. As the sun warmed my old bones, insects buzzed around me, and two crows kept an eye on me as they skipped and hopped around the grass lawn looking for insects.

 

A photo showing an old wall leading down to the ruin of a fort like tower.  They sit in a grassy area with modern office blocks sitting in the distance.   Photo by Kevin Nosferatu for the Skulferatu Project.
The old City Wall and Bastion 14

 

A view of some dried seed heads of plants in the garden that sits in front of Bastion 14.  Photo by Kevin Nosferatu for the Skulferatu Project.
Dried husks and seed heads

 

A view of Bastion 14 with the old wall leading up to it on the left side of the photo.  On the right is a garden of dried seed heads and husks.  Photo by Kevin Nosferatu for the Skulferatu Project.
Bastion 14 with glass and concrete buildings all around

 

A photo of the low tower of Bastion 14 jammed in at one side by the old city wall and at the other by the Bastion House building.  Photo by Kevin Nosferatu for the Skulferatu Project.
Bastion 14

 

While walking along a path through a small garden area of dried husks and seed heads, I saw a gap in the old brickwork by the wall beside the Bastion. There I left the Skulferatu that had accompanied me.

 

A photo of a hand holding up a small ceramic skull (Skulferatu #110) with Bastion 14 in the background.  Photo by Kevin Nosferatu for the Skulferatu Project.
Skulferatu #110

 

A photo of part of the city wall sitting next to Bastion 14.  In the wall there is an arch that has been almost blocked with stone.  Photo by Kevin Nosferatu for the Skulferatu Project.
Old wall beside Bastion 14

 

A photo of a small ceramic skull (Skulferatu #110) sitting on a red brick and crumbling cement.  Photo by Kevin Nosferatu for the Skulferatu Project.
Skulferatu #110 in a gap in the wall beside Bastion 14

 

A photo of a small ceramic skull (Skulferatu #110) sitting on a red brick and crumbling cement.  Photo by Kevin Nosferatu for the Skulferatu Project.
Skulferatu #110 in a gap in the wall beside Bastion 14

 

TomTom Map showing location of Skulferatu #110
Map showing location of Skulferatu #110

 

The coordinates for the location of the Skulferatu are –

 

Latitude 51.517828

Longitude -0.095148

 

what3words: bars.wider.teach

 

I used the following sources for information on Bastion 14 –

 

Tourist Information boards at the site
 

Museum of London Archaeology

 

 

Tuesday, 18 January 2022

Skulferatu #57 - St Paul's Churchyard, London


St Paul’s Churchyard is one of those places in the centre of London where you can escape from the chaos of the busy streets nearby.  A place to relax, contemplate life, or just sit and drink a cup of tea from one of the many nearby cafés.

 

A photo of the lane leading up to St Paul's Cathedral with the cathedral dominating the skyline in the distance.  Photo by Kevin Nosferatu for the Skulferatu Project.
St Paul’s Cathedral

 

A picture taken at an angle in St Paul's Churchyard showing the dome of the cathedral and also St Paul's Cross and some trees in the grounds. Photo by Kevin Nosferatu for the Skulferatu Project.
Cathedral Dome and St Paul’s Cross

 

A photo of a statue of Thomas à Becket which depicts a figure lying down with arms raised as if trying to fend off the sword blows that killed him. Photo by Kevin Nosferatu for the Skulferatu Project.
Statue of St Thomas à Becket by E Bainbridge Copnall

 

A photo of a small white building standing in the churchyard.  It has wooden doors that are shut. Photo by Kevin Nosferatu for the Skulferatu Project.
Mausoleum building in the churchyard

 

The churchyard wasn’t always such a relaxing place though.  It was once a place of much hustle and bustle, with markets selling cloth and other goods, booksellers selling books and shops selling music and musical instruments.  Large crowds also gathered there on one occasion to watch the execution of one of the conspirators in the Gunpowder Plot, Father Henry Garnet.  He suffered the rather unpleasant fate of being hung drawn and quartered. 

 

From the mid-15th Century to around 1635 St Paul’s Cross stood in the churchyard.  This was an open air pulpit and cross from which many sermons were preached and where large crowds gathered to hear them. During the Reformation it became an important place for the government to put forth the religious views that they espoused. 

 

A picture showing a statue on a column within the churchyard.  It is a statue of St Paul. Photo by Kevin Nosferatu for the Skulferatu Project.
St Paul’s Cross

 

A photo showing in more detail the statue of St Paul.  It is golden and the figure is holding a cross with one arm raised up.  At the back of his head is a halo denoting that he is a saintly figure. Photo by Kevin Nosferatu for the Skulferatu Project.
Statue of St Paul

 

A photo of a blue plaque commemorating the original St Paul’s Cross.  Above the text is the face of an angelic looking figure.  Photo by Kevin Nosferatu for the Skulferatu Project.
Plaque commemorating original St Paul’s Cross

 

The original St Paul’s Cross is long gone, but it is now commemorated by a monument that stands nearby to where it once stood.

 

I left the Skulferatu that accompanied me during my wander around the churchyard in a hollow in a tree near to the St Paul’s Cross monument.

 

A small ceramic skull (Skulferatu 57) being held up in the grounds of St Paul's Churchyard.  Photo by Kevin Nosferatu for the Skulferatu Project.
Skulferatu #57

 

A small ceramic skull (Skulferatu 57) in the hollow of a tree standing in St Paul's Churchyard in central London. Photo by Kevin Nosferatu for the Skulferatu Project.
Skulferatu #57 in hollow in tree near to St Paul’s Cross

 

A close up picture of a small ceramic skull (Skulferatu 57) in the hollow of a tree standing in St Paul's Churchyard in central London. Photo by Kevin Nosferatu for the Skulferatu Project.
Skulferatu #57 in hollow in tree near to St Paul’s Cross

 

Google Map showing location of Skulferatu #57
Map showing location of Skulferatu #57

 

The coordinates for the location of the Skulferatu are –

 

Latitude 51.514174

Longitude -09.097577

 

I used the following sources for information on St Paul’s Churchyard -

 

British History Online

St Paul's: The churchyard | British History Online

 

Wikipedia

Wikipedia - St Paul's Cross