Showing posts with label Robert Burns. Show all posts
Showing posts with label Robert Burns. Show all posts

Tuesday 28 May 2024

Skulferatu #120 - Bell's Wynd, Edinburgh

 

On a cold winter’s day with a bitter wind almost too cold to walk in, I went for a walk around the Old Town of Edinburgh.  Despite it being freezing and not the sort of weather you would expect to attract tourists, there were thousands of tourists around.  Maybe global warming attracts those from hotter climes to the harsher colder ones.  Personally, at this time of year, I’d rather be somewhere warmer.  As I wandered around, I came to one of the many narrow streets off the High Street, Bell’s Wynd.  This is now a rather non-descript street of rubbish bins, worn stairs and drab buildings, but it is a street with a rich history.

 

Bell’s Wynd is believed to be named after John Bell, who had a brewery at the foot of the Wynd in the 1520s.  At the top of the Wynd, facing out onto the High Street, was the Clam Shell Turnpike, a church residence that was built during the reign of James V (1512 to 1542), for George Crichton, the Bishop of Dunkeld.  The rather strange name for this building came from the fact that there was a turnpike stair in the tower of the residence, and on the outer wall of this tower was carved a clamshell.  The clamshell being a piece of religious imagery that related to pilgrims having travelled to the church of St James at Santiago de Compostella in Spain, St James being the patron saint of Spain.  Like many buildings in Scotland, Mary, Queen of Scots once stayed in the Clam Shell Turnpike.  She had fled Edinburgh along with her husband Darnley after the murder of her friend, David Rizzio, who had been stabbed to death in front of her at Holyrood Palace.  On returning to Edinburgh, she was a bit wary about returning to the palace, so called in on an ally, Lord Home, who lived at the Clam Shell Turnpike.  He made her welcome, until she felt she could safely return to the Palace.  

 

In 1824, the Clam Shell Turnpike was destroyed in a huge fire.  In the building on the site where it once stood, there is now a fish and chip shop called the Clamshell.

 

A photo of some tall tenement buildings with shops beneath them.  The cobbled High Street of Edinburgh runs past them and the pavement by them is busy with pedestrians.  Photograph by Kevin Nosferatu for the Skulferatu Project.
Entrance to Bell’s Wynd by the Clamshell

 

A photo of a blue shop - the Clamshell fish and chip shop.  People are sitting outside it at tables and on the left-hand side is the arched entrance to Bell's Wynd.  Photograph by Kevin Nosferatu for the Skulferatu Project.
Entrance to Bell’s Wynd by the Clamshell

 

A photo of the sign for Bell's Wynd hanging down from the arch of the entrance.  Photograph by Kevin Nosferatu for the Skulferatu Project.
Bell’s Wynd

 

At one time there were many businesses and workshops along Bell’s Wynd.  Here you could employ a chimney sweep, have your wig made by the barbers, wigs being all the fashion at one time, buy a harpsichord, then purchase the sheet music, and learn to play the latest tunes on it.  If you weren’t living in one of the many houses and rooms on the Wynd, you could rent ‘chambers, fire, and a bed for twenty-four hours…in Bell’s Wynd…(for)…tenpence.’  

 

In 1708, Bell’s Wynd was the site of the first authorised newspaper in Scotland, The Scots Postman, later the New Edinburgh Gazette.  The publisher of the paper, James Donaldson, also specialised in printed funeral cards with skeletons and other ‘emblems of mortality’ on their borders.

 

A photo looking out from the arched entrance of Bell's Wynd and onto the High Street in Edinburgh.  Photograph by Kevin Nosferatu for the Skulferatu Project.
View out to the High Street

 

A pigeon sitting, all fluffed up, on a ledge in the archway of Bell's Wynd.  Photograph by Kevin Nosferatu for the Skulferatu Project.
A pigeon

 

A view looking up several tall buildings with silver pipes running up them.  Photograph by Kevin Nosferatu for the Skulferatu Project.
Tall tenements of Bell’s Wynd

 

James Johnson, who was a struggling publisher of music, had his workshop in Bell’s Wynd.  He had a pet project of collecting traditional Scottish folk songs, and this project eventually found him fame, and also introduced him to Robert Burns.  Burns became a dear friend to Johnson, and an enthusiastic contributor to what became the Scots Musical Museum, a book in six volumes, that Johnson published between 1787 and 1803.

 

A view down a very narrow street.  On the left runs the old stone wall of a tenement block and on the right there is a lower stone wall with a bush growing out over it.  At the bottom are tall white tenement buildings.  Photograph by Kevin Nosferatu for the Skulferatu Project.
View down Bell’s Wynd

 

A view up a set of stone steps on a narrow street.  Photograph by Kevin Nosferatu for the Skulferatu Project.
View up Bell’s Wynd

 

A view up a narrow street showing tall stone tenements on both sides and a set of steep sets ascending up.  Photograph by Kevin Nosferatu for the Skulferatu Project.
View up Bell’s Wynd

 

As well as being a home to Edinburgh publishers, Bell’s Wynd was also home to various musicians, such as Giuseppe Puppo, a violinist from Lucca in Italy, who was considered to be a virtuoso performer, and had been taught by Tartini.  He was the leader and violin concerto player at St Cecilia’s Hall in Edinburgh from 1778 to 1782. 

 

An illustration of some old buildings on a narrow street with enclosed archways stretching off under them.
Bell's Wynd - illustration from New Lights on Old Edinburgh

 

Like many of the old streets in Edinburgh, Bell’s Wynd has a ghost story attached to it.  This story takes place in the 1770s, at a time when Edinburgh’s New Town was being built, and those with money were fleeing to it from the now overcrowded and crumbling tenements around the High Street, like the ones at Bell’s Wynd.  Many of the houses and rooms within the tenements were boarded up and abandoned, so it was not uncommon for those living in a building to have empty apartments below or above them.  Apartments with the doors chained, padlocked, and left to rot and decay. 

 

On Bell’s Wynd there was a house that had been abandoned and locked up years before the flight from the Old Town had started.  Above it lived a blacksmith and locksmith by the name of George Gourlay.  He had lived there for nine years with his wife Christian, and in all that time had seen no-one enter or leave the house below. Indeed, Christian had told him that she had worked in that house when she was a girl, and that it was nearly twenty-one years since the owner had left it very suddenly to travel abroad.  When George tried to pry further into who had lived there, Christian would refuse to talk any further about it, or would change the subject.  This, of course, just made George more and more curious about the house and its history.  Sometimes, as he returned from work, he would stop outside the padlocked door of the house and listen to the silence within.  A silence in which he was sure he could sometimes hear a faded scream, and then low and gentle sobbing.  

 

As time went by, George’s curiosity grew to such an extent that he knew he just must get into the house to see what was there, and to learn its secrets.  So, one night when his wife was sleeping, he quietly got up from their bed, lit a candle, took a set of keys and lock picks, and made his way down the stairs to the house below.  There, he tried various keys on the rusting padlock, but it would not give.  Then he tried the lock picks and eventually, click, the padlock sprung open.  Gently pulling away the chains it held, George then turned the door handle and tried to push the door open.  It wouldn’t budge.  Warped by age and damp, it was jammed in the doorframe.  George put his shoulder against it and pushed and pushed with all his might.  At first it wouldn’t give, but then with a mighty scream it burst open.  As it did, George thought he saw the ghostly figure of a naked man rush past, his mouth open in a shriek of terror.  Shaking the image from his head, George convinced himself that it must just have been the flicker of the candlelight and his mind playing tricks on him.  He did, however, feel a slight uneasiness creep over him.

 

On pushing the door fully open, George found himself in the kitchen of the house.  In front of him there was a table covered in a faded and dusty cloth.  It was set with two plates, two wine glasses and an opened bottle of wine, with the wine now just a coating of red dust.  Walking further in, he saw in the fireplace the ashes and charcoal from the kitchen fire, and on the spit above, the skeletal remains of a goose that must have been cooking there.  Whoever had lived here must have left in some hurry, George thought to himself.

 

Making his way through and out of the kitchen, George came to a hallway that led to three doors, all of which were shut.  On opening the first of the doors he found he was in the sitting room.  A room in which there were several pieces of what would once have been luxurious furniture, but were now all rotten and broken.  They had been nibbled by mice, which had pulled the stuffing from the chairs, and an ornate chaise longue, to make their nests with.  In the flickering light of the candle, George saw that there were various paintings on the walls.  One was of an attractive, young woman with long, red hair.  George walked up to study the picture more closely and was taken in by just how beautiful the woman was.  Looking at the painting hanging next to it, he saw the portrait of a handsome young man.  He wondered if these were the likenesses of those who had once lived in the house.  They must have made quite a stunning couple.

 

George left the sitting room and tried the next door. It led into a narrow bedroom, that must have been for the family servant.  Could it have been the bedroom that his wife had slept in as a young girl when she worked here?  All that was in the room now was a thin bed, a chair, and a table with a musty bible sitting on it.

 

On leaving that room, George walked further down the hallway, and as he did so his candle flickered and sputtered, as if nervous at what scene it may illuminate through the final door. On twisting the cold brass handle and pushing the door open, George could smell a damp, sweet smell, a smell he recognised as the smell of death.  Hesitating before entering the room, George wondered if he should go further.  There was something dark and sinister about this room, and he could feel the bile in his stomach rise with a fear at what might be in there.  ‘Get a grip of yourself man,’ he told himself, and holding the candle up high he walked into the room.

 

In the sputtering light George almost screamed as he saw the pale and translucent figure of a woman standing beside the four-poster bed that dominated the room.  The ghostly woman looked up at him, her ghostly cheeks wet with ghostly tears. She pointed down at the bed and silently mouthed something to him.  Despite his fear, George found that he was walking over to the bed to see what was there, and as he did so the ghostly woman slipped past him and out of the room. 

 

Slowly approaching the bed, George felt his foot clunk against something on the floor.  Looking down he saw a large kitchen knife, on its blade was a dark crust of something awful.  George shuddered, stepped over it and walked up to the bed.  There he could see that the mouldering bed covers were pulled up high, up to the top of the pillows, and underneath the covers were the outlines of two people.  Putting his candle down on the table beside the bed, George took a breath, prayed silently and then taking the edge of the cover, pulled it back.  In a cloud of dust, he saw that underneath were the mummified corpses of a man and a woman.  The leathery dark and corrupt skin of the woman’s head was framed by long, flame red hair. Dropping the covers, George let out a scream and stepped back.  His candle on the table, then sputtered out, leaving him in pitch darkness.  In a complete panic, George stumbled around, as he tried to find his way out. Tripping and falling, he crawled to the bedroom door and in the hallway saw the dim light of the entrance out of the house.  Rising to his feet he ran out, knocking over a chair in the kitchen as he went.  Out of the house, he pulled the door closed and with shaking hands re-attached the chains and padlock.  Making his way back up the stairs, George sat for a while on one of the cold stone steps and calmed himself down.  He wondered what his wife knew about what had happened in that house, but decided that he would not ask her or speak about what he had seen.  She had her reasons for not speaking about what had gone on there, and maybe he would rather not know.  Having decided this, George made his way back up to their house, and back into their bedroom where his wife lay snoring gently in their bed.  Climbing into the warm bed, George decided that when he woke it would all have just been a bad dream and easily forgotten.

 

George’s resolve not to speak to his wife did not last long after he woke that morning.  Christian sensed there was something wrong and asked him what the matter was.  Before he knew what he was doing he blurted out to her that he had broken into the locked house, seen two mummified bodies in the bed, and that their unhappy ghosts had appeared to him.  On telling her this, Christian turned pale and became unsteady on her feet.  George sat her down and she told him a terrible tale.

 

‘When I was a young girl, I worked for the husband and wife in the house below as a maid servant. They were a handsome couple, Patrick Guthrie, a dashing young gent, and Henrietta Douglas, his beautiful, red headed wife.  At first all was well, and it was a happy house, but then Patrick’s work took him away from home more and more.  Henrietta grew lonely and bored, and fell for the charms of another man. A slippery chap, who presented himself as a member of some aristocratic family from the Highlands.  He oozed an oily self-assurance while bombarding her with compliments and presents.  As soon as Patrick left on his travels, this chap would appear to woo Henrietta.  Sadly, she fell under his spell and took him to her bed.   As a lowly servant I witnessed all this, but could do and say nothing about it.  One morning her lover appeared shortly after Patrick had left.  He brought with him a goose and all the trimmings and asked me to prepare a meal for my mistress and himself.  I plucked and prepared the goose and put it on the spit to roast, as the two of them laughed and frolicked through in the bedroom.  I set the table for the two of them, and had just opened the bottle of wine the lover had brought for them when in walked Patrick.  I didn’t know what to do or say and just placed the bottle on the table as the noise of the two lovers echoed through the house.  Patrick, who was always such a gentle and kind man, stood frozen for a second or two and at first I thought he was going to walk straight out of the door and leave, but no.  His face changed from a pale white of shock to an angry purple of rage.  He suddenly ran to the kitchen block and picked up a large carving knife, and then he flew down the hallway and into the bedroom.  The screaming was terrible, and I stood frozen to the spot.  At one point the lover ran naked into the kitchen pursued by Patrick, who grabbed him by the hair and pulled him back into the bedroom.  The screaming then stopped soon afterwards, and all was quiet.  Even though I was terrified, I felt drawn to see what had happened and found myself walking down the hallway.  Slowly, slowly and as quietly as I could, I stepped around dollops of bright red blood, and then stood in the doorway.  Patrick stood in there by the bed, the knife lay on the floor.  On the bed he had arranged the bodies of his wife and her lover lying side by side.  Both were naked and bloody.  Patrick glanced over to me, the rage had gone from him, and he looked deflated and broken.  He picked the bed covers up from where they had fallen on the floor, and covered the two bodies with them.  After that, he just stood there, silent, and lost.  Then he spoke to me saying that he would pay me forty sovereigns if I would leave immediately and speak of this to no one.  Being young, in shock and frightened by what had just happened, I agreed, and to this day have not ever broken my promise…until now that is.’

 

George was stunned by Christian’s story and didn’t know what to say. He opened his mouth several times to speak, and then lost for words, closed it again, making him look much like he was doing an impression of a goldfish in its bowl. He sat down next to Christian and had just taken her hand in his when, RAP, RAP, RAP, someone knocked on their door.  George got up and opened the door to find a well-dressed, but wizened old man standing there.  The man’s face was a mass of wrinkles so deep that they almost resembled the crags and cracks in a mountain.  He asked if George was a locksmith, to which George replied he was, and invited the man into his home. Noticing how frail the old man seemed, George offered him a seat. Gratefully he accepted it and sat down. 

 

Once seated, the old man told George and Christian that he’d been travelling abroad for over twenty years, and had that morning returned to Edinburgh to live out the remaining time he had, and to make peace with his past.  A past in which he had done a terrible wrong and now must face up to it.

 

Christian, who had been looking intently at the old man, suddenly gasped in recognition.  ‘Patrick Guthrie’, she cried.  ‘Is that you?’  The old man sighed and said that yes that was he, and Christian told him she had once been his servant girl.  That she had kept her promise to him up until that very morning when George had confessed to entering his long abandoned house. 

 

‘Ah, so you both know of my terrible misdeeds,’ sighed Patrick.  ‘Can I then please ask you to come with me to the Fiscal, as I must hand myself in to make amends for a crime that has haunted me and turned me into the broken old man you see before you.’

 

Christian and George agreed to accompany Patrick to see the Fiscal, and off they went.  The Fiscal listened to both the tales told by Patrick and Christian.  He then ordered them to the house, and had George open the locks so he could look inside for himself.  After a short while he came out and looked sternly at Patrick.  ‘So, from what I understand this heinous crime took place twenty one years ago?’  Both Patrick and Christian confirmed that was so.  ‘Well,’ said the Fiscal. ‘The limitation for prosecuting a crime is twenty years, so there is nothing to be done, but for God’s sake man, get your wife and the man who lies beside her buried.’

 

And so, there ends my ghostly tale.  I can find no evidence anywhere to back up this story, so I assume it is just a yarn that was spun by someone long ago and has been embellished with each telling.  Saying that, I have been told that on the darkest nights of the year, if you walk down Bell’s Wynd to where the house once stood, you can see the ghostly figure of Henrietta Douglas, standing with her head bowed, gently weeping.  And, as she weeps the faded figure of her dead lover will run past naked, his hands covering his manhood, and his mouth open in a silent scream.

 

***

 

I left the Skulferatu that accompanied me on my walk to Bell’s Wynd, in a gap in a wall.  There it can watch over the ghosts of the many past occupants of the street.

 

A photo showing a small ceramic skull (Skulferatu 120) being held up with the stairway of a narrow street in the background.  Photograph by Kevin Nosferatu for the Skulferatu Project.
Skulferatu #120

 

A photo showing a small ceramic skull (Skulferatu 120) sitting in a gap in an old crumbling stone wall on Bell's Wynd.  Photograph by Kevin Nosferatu for the Skulferatu Project.
Skulferatu #120 in a gap in a wall on Bell’s Wynd

 

A close-up photo showing a small ceramic skull (Skulferatu 120) sitting in a gap in an old crumbling stone wall on Bell's Wynd.  Photograph by Kevin Nosferatu for the Skulferatu Project.
Skulferatu #120 in a gap in a wall on Bell’s Wynd

 

Google Map showing location of Skulferatu #120
Map showing location of Skulferatu #120

 

The coordinates for the location of the Skulferatu are

 

Latitude 55.949749

Longitude -3.188704

 

what3words: school.bleak.nerve

 

I used the following sources for information on Bell’s Wynd –

 

New Lights on Old Edinburgh
By John Reid
1894
 

Wilson's Tales of the Borders and of Scotland.  Historical, Traditional, and Imaginative.
Revised by Alexander Leighton
1889

 
Close Encounters in the Royal Mile
By Alastair M.R. Hardie
1995

 

 Article and photographs are copyright of © Kevin Nosferatu, unless otherwise specified.


Tuesday 29 August 2023

Skulferatu #103 - Skateraw, East Lothian


Skateraw is a small hamlet, farm, and area of land by the coast in East Lothian.  It sits very close to Torness Nuclear Power Station, which dominates the skyline of the area.

 

A photo showing a green field in the foreground and a large white building behind it.  The building, Torness Nuclear Power Station, is windowless and is dominated by a big white square of a building in the middle.  Photo by Kevin Nosferatu for the Skulferatu Project.
Torness Nuclear Power Station

 

The coastline around here is very picturesque, despite what many may see as the carbuncle of the power station that sits over it.  However, I think that it actually adds to the area in a way.  This stark industrial building of blue grey melds into the changing light of the sky and almost compliments the more organic remains of the stone buildings of old industry that sit here.  For this is an area with an industrial past.

 

A photo showing a view across a rocky bay to the large industrial looking building of Torness Nuclear Power Station.  Photo by Kevin Nosferatu for the Skulferatu Project.
View from Skateraw to Torness

 

Skateraw is in an area rich with limestone deposits, and this was quarried and burnt to produce lime.  Lime was used in the manufacture of mortar and as an agricultural fertiliser.  In the Eighteenth Century a lime kiln was built on the shore of Skateraw, and the kilns produced lime on such a massive scale that a harbour was built so that it could be easily exported by ship to other areas of the country.  The harbour was destroyed by the sea in the late Nineteenth Century, though the remains of it can still be seen at low tide.

 

A photo showing a view along a beach and along the curving coastline.  In the right of the photo is a square brick building with arches at the bottom.  This is the limekilns at Skateraw.  On the left of the building is the large industrial looking complex that is Torness Nuclear Power Station.  Photo by Kevin Nosferatu for the Skulferatu Project.
The limekilns at Skateraw

 

The destructive powers of the sea are something that have haunted this area over the centuries, from washing away buildings on the shore, to wrecking and sinking ships that were passing by. 

 

On a piece of land projecting out of the shore, there used to stand a small chapel that was dedicated to St. Dennis.  It is rumoured that the chapel was often used to store the bodies of those washed up from the numerous ships that were wrecked on the offshore rocks.  There, they would lay to either be claimed by their relatives, or to be buried in the nearby fields.   It appears that the chapel eventually fell into disrepair and the ruins of it were washed away and reclaimed by the sea, disappearing forever under the waves sometime in the 1830s.  Bones were later recovered in vicinity near to where the chapel had stood, leading to the belief that it must have been the burial ground for the chapel.

 

There are many stories of the ships that were wrecked on the rocks by Skateraw.  One of the most remarkable was that of two frigates, the Nymph, and the Pallas.  On the night of the 18th of December 1810, these two ships were returning from a patrol of the North Sea when they mistook the lights burning from some of the limekilns for those of the Isle of May, and those on the Isle of May for the Bell Rock.  Changing course, they both struck the rocks at Skateraw.  The Nymph ended up right by the shore and tipped so that its masts almost touched the limekilns there.  This was a spot of luck for the sailors on board, as they all managed to scramble over the masts and get safely to land.  In the dark of the night no one could see what had happened to the other ship, the Pallas, and it was feared it had sunk.  Then at daylight it was found that it was stuck on the rocks with many of the sailors clinging to the wreck for dear life.  Boats were launched and most of the men were rescued and brought to shore, where they were provided with shelter and blankets to warm them.

 

Unfortunately, most were not as lucky, and there are various accounts of the shore being scattered with bodies and wreckage from ships that had floundered on the rocks.

 

A view showing rock formations stretching down to the sea at Skateraw.  The rocks are in lines of descending height and look a bit like waves breaking on the shore.  Photo by Kevin Nosferatu for the Skulferatu Project.
Rocks at Skateraw

 

A photo showing a view across the rocks to a lighthouse in the distance - this is Barns Ness Lighthouse.  Photo by Kevin Nosferatu for the Skulferatu Project.
View over rocks at Skateraw to Barns Ness Lighthouse

 

Unlike many places in Scotland, Skateraw does not appear to have any connection with Mary, Queen of Scots, or to have been visited by her.  However, there was one rather famous visitor who stayed in the farmhouse there, that being Scotland’s national bard, Robert Burns.  On a visit to Dunbar in 1787, he made the acquaintance of a Mr Lee, who owned the farm at Skateraw, and was invited to dine and also to spend the night there.  Burns described Mr Lee as ‘a farmer of great note…an excellent, hospitable, social fellow, rather oldish; warm-hearted and chatty – a most judicious, sensible farmer.’ Indeed, Burns must have taken to the old fellow, as in the morning, before he left, he took a volume of his poetry, owned by Lee, and especially for him, filled in the blank names of those he had mentioned in his poems.  This book was then kept in the Lee family for many years, before being sold for the princely sum of £50 at Sotheby’s, around 1892.

 

During the First World War there was an airfield as Skateraw.  Well, I say airfield, it was actually what was called a landing site and was really there to be used in emergencies, such as, if the planes couldn’t get back to their permanent base because of bad weather or engine failure.  It was used by the No. 77 Home Defence Squadron, and when they were out flying, the farmer who owned the land would be telephoned and asked to make sure that there was no livestock wandering on the landing strip.

 

A photo showing a stone memorial with a plaque on it, which reads - in memory of Skateraw Airfield opened 01.1917 closed 1919 dedicated to all units and personnel based here.  Airfields of Britain Conservation Trust www.abct.org.uk  Photo by Kevin Nosferatu for the Skulferatu Project.
Memorial to all personnel and units based at Skateraw Airfield

 

During the 1930s, the minister of the Canongate church in Edinburgh, Reverend Ronald Selby Wright, set up the Canongate Boys Club for the poor boys living in the parish. He frequently took them camping at Skateraw where they built a hut at Chapel Point.  Near to where the hut used to stand, there is now a memorial cross to six of the boys who were killed in the Second World War.

 

A black and white photo showing a memorial cross sitting on a triangular pedestal lined with pebbles.  In the distance Barns Ness Lighthouse can be seen.  Photo by Kevin Nosferatu for the Skulferatu Project.
Memorial cross at Skateraw

 

While out on my walk around Skateraw I clambered over some of the rocks that were exposed during the low tide.  On them were lots of limpets that had created patterns that almost looked like the symbols of some strange and alien language.

 

A selection of four photos showing white limpet shells on brown rocks.  The limpet shells are in patterns that look like letters from some alien alphabet.  Photos by Kevin Nosferatu for the Skulferatu Project.
Limpet symbols on the rocks

 

I then headed round to the remains of an old cottage.  The cottage, rather than becoming a ruin due to abandonment and decay, was demolished in 1981, during the construction of the nuclear power station.  This was so that those protesting against the power station couldn’t occupy it.  Bit of a waste of a cottage if you ask me, but no one did.

 

A photo showing the side wall of a ruined cottage.  It is almost hidden by the sea grass and on the right hand side of it there is a green and lush looking tree growing.  Photo by Kevin Nosferatu for the Skulferatu Project.
Cottage wall almost hidden by the sea grass

 

A photo showing three yellow Buttercup type flowers growing amongst the grass.  Photo by Kevin Nosferatu for the Skulferatu Project.
Flowers by the cottage ruins

 

A photo showing the ruined cottage at Skateraw, viewed along the walls that must have at one time enclosed the garden space.  Photo by Kevin Nosferatu for the Skulferatu Project.
Ruins of the cottage

 

In the warm and lovely afternoon sunshine of my wander around Skateraw, I left the Skulferatu that had accompanied me in the wall of the ruined cottage.

 

A photo showing a hand holding up a small ceramic skull (Skulferatu 103).  In the distance are the ruined walls of the cottage at Skateraw.  Photo by Kevin Nosferatu for the Skulferatu Project.
Skulferatu #103

 

A photo of a stone wall of uneven higgledy-piggledy stones.  In a crack in the wall, barely visible is a small ceramic skull (Skulferatu 103).  Photo by Kevin Nosferatu for the Skulferatu Project.
Spot the Skulferatu

 

A photo of a small ceramic skull (Skulferatu 103) in a gap in the stone wall of the ruined cottage.  Photo by Kevin Nosferatu for the Skulferatu Project.
Skulferatu #102 in a gap in the walls of the cottage ruins

 

TomTom Map showing location of Skulferatu #103
Map showing location of Skulferatu #103

 

The coordinates for the location of the Skulferatu are –

 

Latitude 55.973844

Longitude -2.421947

 

what3words: harshest.cherub.retract

 

I used the following sources for information on Skateraw –

 

The New Statistical Account of Scotland

Vol II, Linlithgow-Haddington-Berwick

By the Ministers of Respective Parishes, etc.

1845

 

The History of Dunbar

By James Miller

1859

 

The complete works of Robert Burns

by Robert Burns & Alexander Smith, Alexander

1887

 

The Athenaeum Journal of Literature, Science, The Fine Arts, Music and the Drama

January to June 1887

 

Canmore

Skateraw Harbour

Skateraw Landing Ground

 

Scram, No 24 – June/July 1991

 

Our Club

By Ronald Selby Wright

1969