Showing posts with label The Skulferatu Project. Show all posts
Showing posts with label The Skulferatu Project. Show all posts

Tuesday 10 October 2023

Skulferatu #106 - Innerwick Castle, Dunbar, East Lothian


The ruins of Innerwick Castle sit on a sandstone outcrop, above a steep, rocky ravine that drops down through Thornton Glen, to the shallow waters of Thornton burn.  On the other side of the glen once stood Thornton Castle, of which nothing now remains. Whether there was some strategic importance to the castles being so close together I don’t know, though they were near to the Great North Road that ran from London to Edinburgh, so maybe they were some sort of strongholds against the English army, that occasionally marched up that way to carry out an invasion or get up to some mischief making. 

 

Built in the 14th Century, Innerwick Castle was once the stronghold of the Hamilton family, and the history of the castle, like that of many castles, is bloody and violent.  It fell into the hands of the English after their success at the battle of Homildon Hill in 1402.  Then, in 1406, it was besieged by the army of the Scottish nobleman, Robert Stewart, and was recaptured and destroyed.  A few years later it was rebuilt and appears to have enjoyed a period of prosperity when it was extended several times.

 

A photo of a jagged ruin of a red stone wall with trees on one side of it.  This is the first view of the remains of Innerwick Castle from the path leading up to it.  Photo by Kevin Nosferatu for the Skulferatu Project.
View of the ruins of Innerwick Castle

 

A photo of a ruin sitting on top of a red stone cliff.  Photo by Kevin Nosferatu for the Skulferatu Project.
View of the ruins of Innerwick Castle

 

A photo of a ruin sitting on top of a red stone cliff.  These being the remains of Innerwick Castle.  Photo by Kevin Nosferatu for the Skulferatu Project.
View of the ruins of Innerwick Castle

 

A photo of a ruin sitting on top of a red stone cliff.  The view is looking straight up underneath the rocks and the windows in the ruin and a gap in the rocks combine to make it look like a face.  Photo by Kevin Nosferatu for the Skulferatu Project.
View of the ruins of Innerwick Castle

 

A sketch of a ruined castle sitting atop a cliff.
Sketch of Innerwick Castle from ‘The Castellated and Domestic Architecture of Scotland’

 

This period of peace and prosperity ended in the mid-16th Century when Scotland and England became involved in a series of vicious and violent confrontations, known as the ‘Rough Wooing’.  During this time the English forces carried out a series of attacks and invasions into Scotland, in an attempt to compel the Scottish Parliament to confirm the terms of the Treaty of Greenwich.  This treaty, which had been agreed by Henry VIII of England and James Hamilton, the Regent of Scotland, included a proposal that Mary, Queen of Scots, and Henry’s son Edward should wed when they were of age.  However, the Scottish Parliament had rejected the treaty, much to Henry’s displeasure.    In 1547, Henry was dead, and his young son was King, though the real power lay with his Protector, Edward Seymour, the Duke of Somerset.  And Seymour, being an ambitious sort, decided it was time to get the treaty sorted, so he led an army into Scotland.   

 

On the 6th of September 1547, a unit of English hakbutters (men armed with an early form of musket) besieged Innerwick Castle. The castle was defended by the Master of Hamilton and eight other men.  They barricaded the doors, blocked up the stairs and defended from the castle battlements. However, the hakbutters blasted away at them with their guns, and managed to force their way into the vaults below. There they piled up straw and wood and set the castle ablaze.  Blinded and suffocated by the smoke, those defending the castle cried out for mercy, but the hakbutters burst through the doors onto the battlements and shot dead eight of them on the spot.  The ninth, who saw what fate had befallen his comrades, jumped from the castle battlements in a desperate effort to save himself, falling 70 feet down the ravine and into the river below.  Miraculously, he survived and on seeing this, the hakbutters above in the castle, allowed him to escape.  Unfortunately for the poor man, he ran towards nearby Thornton Castle, unaware that it too was being attacked by English troops.  On being spotted by them he was ‘slain’.  Shortly after his death, Thornton Castle also fell into the hands of the English troops who blew it up with gunpowder.

 

A print of a ruined castle atop a cliff.
Innerwick Castle from ‘The Antiquities of Scotland’

 

A photo of an overgrown area with a ruined red stone wall sticking out with various empty window spaces in it.  Photo by Kevin Nosferatu for the Skulferatu Project.
View of the ruins of Innerwick Castle

 

A photo of an overgrown area with a ruined red stone wall sticking out of it.  Photo by Kevin Nosferatu for the Skulferatu Project.
View of the ruins of Innerwick Castle

 

A photo of an overgrown jumble of red stones that must have once been part of the walls of Innerwick Castle.  Photo by Kevin Nosferatu for the Skulferatu Project.
View of the ruins of Innerwick Castle

 

A photo of a stone arch that is almost hidden by the green of surrounding trees.  Photo by Kevin Nosferatu for the Skulferatu Project.
View of the ruins of Innerwick Castle


A photo of a stone corridor with an old arched doorway in it.  Photo by Kevin Nosferatu for the Skulferatu Project.
Vaults at Innerwick Castle

 

A view through a ruined stone doorway into an overgrown area with another doorway in the distance.  Photo by Kevin Nosferatu for the Skulferatu Project.
Vaults at Innerwick Castle

 

A photo of a tangle of tree branches that almost look like roots.  Photo by Kevin Nosferatu for the Skulferatu Project.
Tree over entrance into the vaults

 

A photo of a stone walled room with an arched roof and a window at the far end.  Photo by Kevin Nosferatu for the Skulferatu Project.
Vaults at Innerwick Castle

 

A photo of a small green plant growing in a hole in the wall of the castle.  Photo by Kevin Nosferatu for the Skulferatu Project.
Hole in the wall


A photo of a red stone wall made up of lots of different sized and shaped stones.  Photo by Kevin Nosferatu for the Skulferatu Project.
Stones in the wall

 

A photo of some faded graffiti on a red stone in the wall.  It shows a smiling sun and the name Gael M.  Photo by Kevin Nosferatu for the Skulferatu Project.
Graffiti on the vault walls

 

A photo of a large, ruined stone arched room.  There is now no wall at the back and the view out from it is of lots of trees.   Photo by Kevin Nosferatu for the Skulferatu Project.
Vaults at Innerwick Castle

 

Though much of Innerwick Castle was badly damaged by the attack in 1547, parts of it must have been habitable, as in the 1650s the Covenanters used it as one of their bases from which they harassed and attacked Oliver Cromwell’s troops.  Later, in the 1820s, the castle was home to a local man called Sandy Cowe.  Living there on his own, he grew garden plants in parts of the castle and on its grounds, which he sold around the county.

 

The ruins of Innerwick Castle have been an inspiration for many artists from the amateur to the well-known.  In 1831, J.M.W. Turner was invited up to Edinburgh to meet up with Sir Walter Scott and his publisher, to discuss his illustrating of Scott’s Poetical Works.  On his way up, after a stop off at Berwick upon Tweed, he spent a couple of days in East Lothian sketching some of the ruined castles there.  One of these castles being Innerwick.  The series of sketches he drew are now held by the Tate.

 

A sketch of Innerwick Castle sitting on the top of a cliff.
J. M. W. Turner - Innerwick Castle, East Lothian, 1831, Photo © Tate

 

The land in which the castle sits in is now a nature reserve owned by the Scottish Wildlife Trust.  A steep, narrow, earth trodden path leads up to it, and it was up this path that I trudged on a fine, still day.  Ignoring the sign warning of the dangers of loose masonry, I made my way inside the castle and wandered through what remained of the vaults and once grand rooms.  I took in the views over Thornton Glen and then after my wanderings, left the Skulferatu that had accompanied me, in a gap in the wall of a swirling tower where a stairwell to the upper levels had once stood.

 

A photo of a small ceramic skull being held up in front of the large, ruined stone arched room.  Photo by Kevin Nosferatu for the Skulferatu Project.
Skulferatu #106


A photo of a wall with an empty window low down and stones paced in the wall where steps would once have been.  In a gap in the wall, almost out of sight, sits a small ceramic skull (Skulferatu 106).  Photo by Kevin Nosferatu for the Skulferatu Project.
Skulferatu #106 in the swirling stairwell tower

 

A photo of a swirling wall with stones paced in the wall where steps would once have been.  In a gap in the wall, almost out of sight, sits a small ceramic skull (Skulferatu 106).  Photo by Kevin Nosferatu for the Skulferatu Project.
Skulferatu #106 in the swirling stairwell tower

 

A small ceramic skull (Skulferatu 106) sitting in a gap in a red stone in the wall of Innerwick Castle.  Photo by Kevin Nosferatu for the Skulferatu Project.
Skulferatu #106 in a gap in the wall

 

TomTom Map showing location of Skulferatu #106
Map showing location of Skulferatu #106

 

The coordinates for the location of the Skulferatu are –

 

Latitude 55.955625

Longitude -2.425939

 

what3words: aimlessly.stealthier.superhero

 

I used the following sources for information on Innerwick Castle –

 

Canmore
 
by Francis Grose
1797
 
The Castellated and Domestic Architecture of Scotland from the Twelfth to the Eighteenth Century
Volume Three
by David MacGibbon and Thomas Ross
1889
 
Tudor Tracts 1532 - 1588
Of the Expedition into Scotland by William Patten
1903
 

The Autobiography of a Working Man
1848 
by Alexander Somerville

 
Tate
 

Landscapes of Memory 
Turner as Illustrator to Scott
by Gerald Finley
1980

  



Tuesday 26 September 2023

Skulferatu #105 - Shell Grotto, Newhailes, Musselburgh

 

On a stroll through the Newhailes estate, I took shelter in the woods from the ominous dark clouds gathering in the sky.  There I came across a small and rather sorry looking building, this being the remains of the Shell Grotto.  It was once a rather grand, little structure that stood as a central feature in the water gardens.  These were a series of pools that were fed by a burn that runs through the estate.  The pools are now long gone and are just a series of dips in the ground.

 

A photo of the Shell Grotto at Newhailes, which is a small, roofless building with an arched doorway.  There is a swirling iron gate in the doorway and the facade of the building is constructed of rough, lumpy, and bumpy stone.  Photo by Kevin Nosferatu for the Skulferatu Project.
The Shell Grotto

 

In the Eighteenth Century, Shell Grottos were the must haves for fashionable, rich British landowners, and the owners of Newhailes, the Dalrymples, were rich enough and fashionable enough to have one built.  The Shell Grotto in Newhailes was one of the first built in Scotland and was probably built in the 1770s. 

 

A photo showing a closer view of the Shell Grotto at Newhailes, which is a small, roofless building with an arched doorway.  There is a swirling iron gate in the doorway and the facade of the building is constructed of rough, lumpy, and bumpy stone.  Photo by Kevin Nosferatu for the Skulferatu Project.
The Shell Grotto

 

A photo of the entrance of the Shell Grotto at Newhailes, showing the rough stones and patterned top stones around the doorway.  Photo by Kevin Nosferatu for the Skulferatu Project.
Entrance to the Shell Grotto

 

The Shell Grotto was constructed of large boulders and rubble, with the façade at the entrance being decorated with furnace slag and sponge-stone to give it a mysterious and eerie look, like the entrance to a volcanic cavern.  It was originally roofed in slate and had a floor of black marble.  The walls inside were at one time lined with wood covered in plaster, in which were embedded thousands upon thousands of seashells, precious stones and fragments of coloured glass all arranged into various patterns. 

 

The shells in the walls not only came from the local beaches, but also as far away as China.  In 1774, Jenny Dalrymple wrote to her brother William, who was in Canton, and asked him to find her shells from there for the grotto.

 

As well as being designed as a place for quiet contemplation, reading or just retreating from life for an hour or two, the Shell Grotto was also meant to be a place of mood and mystery.  Excavations there a few years ago, found that there had at one time been a chimney and a ‘stoke hole’ behind the grotto as well as flues in the walls of the building.  Rather than being constructed for heating the grotto, they appeared to have been designed to produce and emit smoke, to add a mysterious atmosphere to the building.

 

Though abandoned for many years, the interior of the Shell Grotto was intact up until the 1950s, when it was vandalised and set on fire.  Now the roof and the interior decoration are all gone.  Today, there are thousands of shells lying on the floor of the Grotto, but I don’t think any of them are the original shells from the walls, but rather are a recent addition in an attempt to put some shells back into the Shell Grotto.

 

A photo showing thousands of seashells lying on the ground of the floor of the Shell grotto at Newhailes.  Photo by Kevin Nosferatu for the Skulferatu Project.
Shells in the Shell Grotto

 

I left the Skulferatu that had accompanied me on my stroll to the Shell Grotto, in a dimple on a rock in the entrance façade.

 

A photo showing a hand holding up a small ceramic skull (Skulferatu 105) with the Shell Grotto building in the background.  Photo by Kevin Nosferatu for the Skulferatu Project.
Skulferatu #105

 

A small ceramic skull (Skulferatu 105) in a dimple in the rough rock at the top of the entrance to the Shell Grotto. Photo by Kevin Nosferatu for the Skulferatu Project.
Skulferatu #105 in a dimple on a rock in the entrance façade

 

A small ceramic skull (Skulferatu 105) in a dimple in the rough rock at the top of the entrance to the Shell Grotto. Photo by Kevin Nosferatu for the Skulferatu Project.
Skulferatu #105 in a dimple on a rock in the entrance façade

 

TomTom Map showing the location of Skulferatu #105
Map showing the location of Skulferatu #105

 

The coordinates for the location of the Skulferatu are –

 

Latitude 55.942634

Longitude -3.081671

 

what3words: crops.impose.park

 

For an idea of what parts of the decoration inside the Grotto may have looked like when it was complete, visit the website for the Shell Grotto in Margate.

 

I used the following sources for information on the Shell Grotto –

 

 

Tourist Information sign at site

Newhailes
By Hilary Horrocks
2004
 

 

Tuesday 5 September 2023

Skulferatu #104 – Ladies’ Walk, Newhailes, Musselburgh

 

I discovered the delights of the estate at Newhailes a decade or so ago when I was out cycling.  Going down a narrow path I came across a slight hill on one side with a path leading up to a gate.  So, of course, I had to go through and have a wander about to see what was there.  And what was there, was a pleasant walk through some woods up the Palladian style country house, which is Newhailes House.  Built by the architect, James Smith, in 1686, the house was once the home of the Bellenden family and was then inherited by the Dalrymple family, close relatives of the Bellends, sorry cheap joke, Bellendens.  In 1997 the house was given to the National Trust.

 

A photo of a large country mansion house, Newhailes House, framed under the branch of a tree in the foreground.  Photograph by Kevin Nosferatu for the Skulferatu Project.
Newhailes House

 

Today, on a leisurely walk through the estate, I cut along the pathway through the fields in front of the house, to the Ladies’ Walk.  The Ladies’ Walk is an elevated path that runs for about a quarter of a mile through the grounds of Newhailes.  It was designed to allow the rather delicate, aristocratic ladies who lived in, or were visiting Newhailes House, to partake in gentle exercise and conversation with each other.  The path bordered a sheep field on one side and a field of cattle on the other, so being elevated it meant the good ladies of the time wouldn’t be bothered by pesky livestock.  It also provided views over the surrounding grounds and countryside.  At one time there was a humped bridge that led to a viewing platform.  There, visitors had unimpeded views to the Forth and down to the hectic and the busy harbour in Musselburgh. 

 

A picture showing a raised walkway between two fields with a small bridge in the foreground.  Two genteel ladies are walking along the walkway.  There are cows in the right hand side field and sheep in the left.  In the background amongst some trees is a stately home (Newhailes House).  Photograph by Kevin Nosferatu for the Skulferatu Project.
Picture of how Ladies’ Walk would have looked in the 18th Century
from the tourist Information sign at site

 

Built around the 1740s, the walk originally had a hedge on its eastern side to act as a barrier against the wind. Now, most of the walk is covered in trees, bushes, thistles and lots of prickly plants, though there are bits that are covered in wild grasses which are accessible. 

 

While out on my walk I clambered up a low stone wall and walked through the thick, damp grass on part of the pathway.  Feeling quite genteel, I took in the views and breathed in the fine summer air, just like the ladies of old would have done a couple of centuries ago.

 

A view along a very overgrown path with lots of tall grasses growing along it.  Photograph by Kevin Nosferatu for the Skulferatu Project.
The present view along Ladies’ Path

 

A view along a very overgrown path with lots of tall grasses growing along it.  Photograph by Kevin Nosferatu for the Skulferatu Project.
The present view along Ladies’ Path

 

A view over some fields to a mansion house in the distance.  Trees grow on either side of the house.  Photograph by Kevin Nosferatu for the Skulferatu Project.
View of Newhailes House from Ladies’ Path

 

A photo showing an ivy grown lump sticking out through the long grasses of an overgrown path.  Photograph by Kevin Nosferatu for the Skulferatu Project.
View from Ladies’ Path

 

Making my walk to the red brick remains of where the bridge to the viewing platform had stood, I left the Skulferatu that had accompanied me in a gap where the cement had crumbled away.

 

A photo of a red brick platform with grass growing along the top of it.  Photograph by Kevin Nosferatu for the Skulferatu Project.
Remains of the platform for the bridge

 

A photo of a side view of the red brick platform with grass growing along the top of it.  Photograph by Kevin Nosferatu for the Skulferatu Project.
Remains of the platform for the bridge

 

A photo showing a hand holding up a small ceramic skull (Skulferatu 104) with the red brick platform in the background.  Photograph by Kevin Nosferatu for the Skulferatu Project.
Skulferatu #104

 

A photo of a small ceramic skull (Skulferatu 104) sitting in a gap between the red bricks of the platform.  Photograph by Kevin Nosferatu for the Skulferatu Project.
Skulferatu #104 in a gap between the bricks

 

A photo of a small ceramic skull (Skulferatu 104) sitting in a gap between the red bricks of the platform.  Photograph by Kevin Nosferatu for the Skulferatu Project.
Skulferatu #104 in a gap between the bricks

 

TomTom Map showing location of Skulferatu #104
Map showing location of Skulferatu #104

 

The coordinates for the location of the Skulferatu are –

 

Latitude 55.944467

Longitude -3.077433

 

what3words: starts.fines.civic

 

I used the following sources for information on Newhailes and Ladies’ Walk –

 

Tourist Information sign at site

 

Newhailes 

by Hilary Horrocks

2004

 

Canmore

Canmore - Ladies Walk, Newhailes

 

 

 

Tuesday 4 July 2023

Skulferatu #100 - The Lost Village of Gleghornie, North Berwick, East Lothian


I know, from the photographs it looks like nothing more than a grass covered hill and some rocks, but back in the 15th Century there was a small village nestling here.  A survey of the area in 1962 found some remnants of the village, a few traces of walls and the outlines of a building, but nothing much else. When the village was abandoned, and why, no-one knows. Maybe the inhabitants were wiped out in one of the plagues that swept through the country several hundred years ago, or maybe the village just died a natural death.  People moved out and away, the last of the old inhabitants died and the few remaining houses were abandoned to time and the elements.

 

a photo showing a hilly area with some rocks on it and a ploughed field in the background.  Photograph by Kevin Nosferatu for the Skulferatu Project.
The land where the village of Gleghornie once stood

 

A photo showing a lumpy and bumpy landscape with some gorse bushes in the foreground - land where the village of Gleghornie would once have stood.  Photograph by Kevin Nosferatu for the Skulferatu Project.
The land where the village of Gleghornie once stood

 

A photo showing the remains of an old stone wall with a small tree growing out from one side of it.Photograph by Kevin Nosferatu for the Skulferatu Project.
The remains of a wall

 

A photo of a yellow flowering dandelion growing from out of a wall.  Photograph by Kevin Nosferatu for the Skulferatu Project.
Dandelion in a wall

 

The village was once home to the philosopher, theologian, historian and scholar, John Major (also known as John Mair or John Mayr), 1469 – 1550. He was born in the village and spent his childhood and early youth there.

 

Major left the village, and Scotland, during the 1490s to study at Cambridge and then Paris. He later taught at both the Sorbonne and Montaigu College. While in Paris he wrote Historia Majoris Brittaniae, a history of both England and Scotland, which unlike previous histories written about Scotland, cut out much of the myth and magic, and saw the country as being an integral part of Britain. In 1518 he returned to Scotland as Professor of Philosophy and Divinity at Glasgow University. There his pupils included both John Knox (theologian, preacher, and misogynist nutter) and Patrick Hamilton (Protestant reformer burnt at the stake in 1521 for heresy). In 1522, Major moved to the University of St. Andrews, and taught there for a while before briefly returning to Paris. He then returned once more to Scotland and St Andrews, where he was made Provost of St Salvator's College. He remained there until his death in 1550.

 

A contemporary drawing of John Major, taken from his work In Petri Hyspani Summulas Commentaria, published in 1505 - the drawing is quite primitive in style and shows three men sitting at desks, two face to the side and the figure in the middle, while he faces out to the viewer.   John Major is the figure in the middle and is wearing a fancy hat.
A contemporary drawing of John Major, taken from his work
In Petri Hyspani Summulas Commentaria, published in 1505

 

Now largely forgotten, much like his namesake, you know the one – the Grey Man of politics, Major was seen as an important figure during his lifetime and beyond. Some of his teachings seem quite enlightened for the time, in that after the Spanish ‘discovery’ of America, Major argued that the native peoples there had political and property rights and that at the very least they should be compensated for any land taken from them.

 

Despite having travelled and lived in some of the fabulous cities of that age, Major never forgot his roots and he styled himself as ‘Glegornesis’ in the titles of several of his works. He was also known to often reminisce about the oatcakes his mother cooked on the gridle over the ashes in the fireplace hearth, of catching lobster and crabs at North Berwick, and of how the Solent Geese nested on the Bass Rock each year.

 

A black and white photo of a boulder on the ground with a skeletal looking tree growing behind it.  Photograph by Kevin Nosferatu for the Skulferatu Project.
Rocky area near where the village once stood

 

A photo showing a small and nicely proportioned tree growing against a stone wall with a blue sky as the background.  Photograph by Kevin Nosferatu for the Skulferatu Project.
Tree and boundary wall

 

I walked out from North Berwick to Halflandbarns, and then down a dirt farm track to Gleghornie farm. Just past the farm I made my way down another dirt track which led me out to the open and rocky area where the village once stood. There, in a gap in the old stone wall running around the boundary of the land, I left the Skulferatu that had accompanied me on my walk.

 

A photo showing a hand holding up a small ceramic skull (Skulferatu 101) and in the background is the tree, the wall and the blue sky.  Photograph by Kevin Nosferatu for the Skulferatu Project.
Skulferatu #100

 

A picture of a lichen covered stone wall - in a gap can just be seen a small ceramic skull (Skulferatu 101).  Photograph by Kevin Nosferatu for the Skulferatu Project.
Skulferatu #100 in a gap in the boundary wall

 

A picture of a lichen covered stone wall with a small ceramic skull (Skulferatu 101) in a gap within the wall.  Photograph by Kevin Nosferatu for the Skulferatu Project.
Skulferatu #100 in a gap in the boundary wall

 

TomTom Map showing the location of Skulferatu #100
Map showing the location of Skulferatu #100

 

The coordinates for the location of the Skulferatu are –

 

Latitude 56.036317

Longitude -2.654008

 

what3words: bandstand.passwords.prowess

 

I used the following sources for information on Gleghornie and John Major –

 

Canmore - Gleghornie

Canmore - Gleghornie

 

Pre-reformation Scholars in Scotland in the XVIth Century

by William Forbes-Leith

1915

 

The Catholic Encyclopedia

Catholic Encyclopedia: John Mayor

 

 

John Major of Haddington

E. J. G. Mackay

1892