Showing posts with label Victorian. Show all posts
Showing posts with label Victorian. Show all posts

Tuesday, 9 June 2026

Skulferatu #152 - Crystal Palace Dinosaurs, Crystal palace Park, Bromley, London

 

On a chilly February morning, while down in London, I thought I might go and visit some old friends I hadn’t seen for a while.  A bunch of old dinosaurs I’d last bumped into a least a decade ago.  Now, I’m not being insulting with my old dinosaur remark, as these friends are a bunch of Victorian models of dinosaurs.  Models of what Victorian scientists thought dinosaurs looked like based on the knowledge that they had at that time, so not particularly accurate.  Certainly not like the dinosaurs we would recognise today, but rather just a group of monstrous lizards and fishy like things. 

 

Arriving at Crystal Palace Station, I walked up the rather wide, grand stairs that lead up and out of the building and to the entrance of the park.  Then walking up and around a rather muddy path, slippery and slidey from all the February rain, I made my way to the ponds where the dinosaurs live.  And there they were in all their faded glory.

 

A statue of a dinosaur head sitting on the ground and encircled by a low stone wall.  Photo by Kevin Nosferatu for the Skulferatu Project. 
Hylaeosaurus head at entrance to dinosaur trail

 

A view over a park showing a fenced off area of an island covered with trees and statues of dinosaurs.  Photo by Kevin Nosferatu for the Skulferatu Project. 
The island of dinosaurs

 

Unfortunately, time hasn’t been kind to the dinosaurs, but then they have been strutting around their island or sitting in the surrounding waters for over a hundred and fifty years.  They were built between 1854 and 1855 to accompany the relocation of the Crystal Palace building from Hyde Park, where it had stood for the Great Exhibition of 1851, to a new park at Sydenham Hill.  The sculptor who was tasked with creating them was Benjamin Waterhouse Hawkins, while the landscape, or ‘Geological Court’ in which they would sit, was designed by Joseph Paxton.

 

Several statues of dinosaur type creatures sitting in water and reeds.  Photo by Kevin Nosferatu for the Skulferatu Project. 
Plesiosaurs & a Ichthyosaur

 

A statue of a long necked dinosaur type creature sitting on mud in some water.  Photo by Kevin Nosferatu for the Skulferatu Project. 
A Plesiosaur

 

A photo of statues of a long necked dinosaur and two crocodile type creautures sitting in water and reeds.  Photo by Kevin Nosferatu for the Skulferatu Project. 
A Plesiosaur & a couple of Teleosaurus

 

A photo showing the head of a sharp toothed, long snouted lizard type  creature in amongst reeds and water.  Photo by Kevin Nosferatu for the Skulferatu Project. 
An Ichthyosaur

 

The dinosaurs at Crystal Palace represent an early interpretation of extinct life and were the first attempt to create full-size three-dimensional models of these creatures.  They were based on interpretations of fossils and bones that Waterhouse Hawkins had examined, though he also consulted several experts in palaeontology at that time, including Richard Owen.  Together they worked out what the animals should look like, though if no agreement could be reached, Waterhouse Hawkins did the best he could with what little information he had. 

 

An illustration showing a barn like structure with large scale models of dinosaurs standing in it. 
Illustration showing some of the dinosaur models
in the workshop at Crystal Palace Park

 

Altogether Waterhouse Hawkins made thirty-seven models of dinosaurs and other extinct animals.  He would have carried on making many more if financial constraints had not put a stop to the project.

 

On completion, the models were quite a hit with the public, who could access the island they were on and marvel at the size of these monstrous beasts. 

 

A cartoon showing a man dressed in old fashioned clothes leading a boy in a top hat through the dinosaurs.  The boy is crying as if afraid of them.  The caption of the cartoon reads - A VISIT TO THE ANTEDILUVIAN REPTILES AT SYDENHAM - MASTER TOM STRONGLY OBJECTS TO HAVING HIS MIND IMPROVED. 
A cartoon of the dinosaurs – Punch, 1855

 

As scientific knowledge on dinosaurs increased, the models at Crystal Palace became seen as something of an embarrassment given their inaccuracies.  They are now, however, seen as important objects in the history of science that represent the Victorian understanding of the prehistoric world.  In 2007 they were classed as Grade I listed buildings and restoration work is ongoing to preserve them.

 

A photo showing a statue of a large dinosaur standing on the ground amongst some trees.  It has sharp teeth and a frightening look about its face.  Photo by Kevin Nosferatu for the Skulferatu Project. 
A Megalosaurus

 

A photo showing the head of the Megalosaurus statue looking sharp teethed and vicious.  Photo by Kevin Nosferatu for the Skulferatu Project. 
Head of the Megalosaurus

 

A photo showing two dinosaurs standing on a scrubby hill.  Photo by Kevin Nosferatu for the Skulferatu Project. 
A couple of Iguanodon

 

A photo showing the statue of a large green dinosaur standing amongst the trees.  Photo by Kevin Nosferatu for the Skulferatu Project. 
A hungry Iguanodon

 

A photo showing the green head of the statue of the Iguanodon.  Photo by Kevin Nosferatu for the Skulferatu Project. 
Iguanodon head

 

A photo showing the statue of the green Iguanodon dinosaur appearing to be peering through the trees at the photographer.  Photo by Kevin Nosferatu for the Skulferatu Project. 
A hungry Iguanodon peeking through the trees

 

A photo showing a dinosaur sitting in a lake.  Above it are trees and rising above that is a huge television transmitter.  Photo by Kevin Nosferatu for the Skulferatu Project. 
A Mosasaurus in the lake

 

A photo showing the statue of a Mosasaurus dinosaur sitting in the water with its sharp toothed mouth leering up at the sky.  Photo by Kevin Nosferatu for the Skulferatu Project. 
A Mosasaurus

 

Wandering along the pathways around the lake surrounding the dinosaur island, I passed numerous families and groups of tourists who had come to see these fabulous old creatures.  Most seemed to love them, posing for photos with a dinosaur or two standing behind them, though one small child did pass me howling in disappointment – ‘…but they’re not alive.  I wanted to see real ones.’  Sorry mate, I thought, but you’re quite a few hundred million years too late for that.

 

After a good wander around, I left the Skulferatu that had accompanied me resting on the eyelid of the Hylaeosaurus head sitting at the start of the dinosaur trail.

 

A photo showing a small ceramic skull (Skulferatu #152) being held up with some of the Crystal Palace Dinosaurs in the background.  Photo by Kevin Nosferatu for the Skulferatu Project. 
Skulferatu #152

 

A statue of a dinosaur head sitting on the ground and encircled by a low stone wall.  A small ceramic skull (Skulferatu #152) can be seen resting on its eyelid.  Photo by Kevin Nosferatu for the Skulferatu Project. 
Skulferatu #152 on the eyelid of a Hylaeosaurus

 

A small, ceramic skull (Skulferatu #152) sitting on the eyelid of the statue of the Hylaeosaurus head.  Photo by Kevin Nosferatu for the Skulferatu Project. 
Skulferatu #152 on the eyelid of a Hylaeosaurus

 

A small, ceramic skull (Skulferatu #152) sitting on the eyelid of the statue of the Hylaeosaurus head.  Photo by Kevin Nosferatu for the Skulferatu Project. 
Skulferatu #152 on the eyelid of a Hylaeosaurus

 

TomTom Map showing location of Skulferatu #152 
Map showing location of Skulferatu #152

 

The coordinates for the Skulferatu are -

 

Latitude 51.417273

Longitude -0.068557

 

what3words: mixed.smug.skirt

 

I used the following sources for information on the Crystal Palace Dinosaurs –

 

 
 
The Art and Science of the Crystal Palace Dinosaurs
Mark P Witton & Ellinor Mitchell
2022

 

 

Tuesday, 28 April 2026

Skulferatu #149 - Sewer Lamps, Whitley Bay, Tyne and Wear


Arriving in Whitley Bay for a few days away, I made my way down to the sea front and the hotel I was staying in.  After booking in, having a quick cup of tea and spending a few minutes staring out from the window of my room at a rough and booming winter sea, I went for a wander.

 

Outside, I admired the large bronze sandcastles while the wind licked my face with salt and the waves crashed against the shore.  From the promenade railings Seagulls stared out forlornly to sea while a flock of starlings swirled in the sky like a little hyperactive cloud.  A hungry little cloud that every so often swept down to crowd around anyone who sat down on one of the benches or who stopped to look out to the sea.  Once in a while they got lucky and scraps of a sandwich or a burger bun were tossed to them and would bounce up between a hundred squawking hungry beaks before being downed in a crumble of crumbs.

 

A ophoto of a grey and dark looking sea frothing over the sand of a beach.  Above is a cloudy and dark blue sky.  Photo by Kevin Nosferatu for the Skulferatu Project. 
Winter sea

 

A photo showing four bronze statues of sand castles siting on a tiled area of the promenande.  Two of the sandcastles have bronze flags on them.  Behind the sandcastles can be seen the sea.  Photo by Kevin Nosferatu for the Skulferatu Project. 
Bronze sandcastles

 

Cutting up from the promenade and onto Marine Avenue I came to one of the objects I had been wanting to have a look at – an old iron, late Victorian lamppost.  Nothing that special you may think, just a rather ancient and ornate bit of street lighting, but there you would be wrong.  This was no ordinary lamppost, but rather an old sewer lamp. This, and the other two surviving sewer lamps in Whitley Bay are part of the sewer system from the days of old when raw sewage went straight out into the sea.  The days when after arriving at your seaside holiday destination you could pop to the toilet and empty your travel weary bowels in the evening, then go for a bracing swim in the sea in the morning and watch your turds float past you. Ah, those good old days when men were men and Typhoid was rife.

 

A photo of a bright green lampost standing on a paved street with shops running along the left side of it and a road on the right.  Photo by Kevin Nosferatu for the Skulferatu Project. 
Sewer lamp on Marine Avenue

 

Heading down from this lamp I found the next of the three sewer lamps just off the Links, standing proud next to a large street sign.

 

A photo of a bright green lampost standing next to a large street sign that points left to St Mary's Island and right to Tynemouth.  Photo by Kevin Nosferatu for the Skulferatu Project. 
Sewer lamp by the Links

 

A bit further along and I came to the last of the lamps by the Promenade where it stood with a great view out to sea.  These lamps were once part of a group of seventeen that stood in the Whitley Bay and Monkseaton areas.  These, and lamps like them, were designed by Joseph Webb in the 1890s as ‘sewer gas destructor lamps’ and at one time were installed all over England.  They were a vital part of the old sewer systems, which were poorly vented allowing the build-up of explosive gases such as methane.  However, these lamps didn’t just vent the sewer system, they also burned off the sewer gases.  They were lit from the local gas supply and had three mantles that created an intense heat within the hood of the lamp, this then drew off the gas from the sewer so that it was harmlessly burned away rather than building up.  Clever stuff.

 

A photo of a bright green lampost standing by a low wall with railings running along it.  Behind it can be seen the sea.  Photo by Kevin Nosferatu for the Skulferatu Project. 
Sewer lamp at the Promenade

 

Now the remaining lamps are redundant and really just not much more than street ornaments, historical curiosities and roosting places for starlings.

 

A photo of a bright green lampost standing by a low wall with railings running along it. On top of it sits a starling.  Photo by Kevin Nosferatu for the Skulferatu Project. 
Starlings on the sewer lamp

 

A photo of several starlings sitting on and around the lantern area of the lampost.  Photo by Kevin Nosferatu for the Skulferatu Project. 
A place to rest and watch the world go by

 

A photo of several more starlings sitting on and around the lantern area of the lampost.  Photo by Kevin Nosferatu for the Skulferatu Project. 
A murmuration of starlings

 

In the railings by the Promenade sewer lamp, I left a Skulferatu as a thousand hungry starlings gathered around and gabbled noisily at me. Then, just as quickly as they had gathered, they flew off and zoomed over and around an old man who had sat down on one of the nearby benches.

 

A photo of a small ceramic skull (Skulferatu #149) being held up with the sewer lamp on the promenande in the backround along with a few dozen starlings sweeping down around it.  Photo by Kevin Nosferatu for the Skulferatu Project. 
Skulferatu #149

 

A photo of a small ceramic skull (Skulferatu #149) sitting in a gap in the railings.  The sea can be seen behind in. Photo by Kevin Nosferatu for the Skulferatu Project. 
Skulferatu #149 in the railings by the sewer lamp

 

TomTom Map showing location of Skulferatu #149 
Map showing location of Skulferatu #149

 

The coordinates for the location of the Skulferatu are –

 

Latitude 55.048014

Longitude -1.446351

 

what3words: nature.nature.feared

 

I used the following sources for information on the Sewer Lamps –

 

Historic England – Sewer Gas Lamp, Whitley Bay

 

 

 

 

Tuesday, 14 March 2023

Skulferatu #92 - Stink Vent, Pillans Walk, Leith, Edinburgh

 

When I’m out walking through the Claremont Park bit of Leith Links, I often find myself singing along in my head the verse of Jean Genie by David Bowie that goes –

 

The Jean Genie lives on his back

The Jean Genie loves chimney stacks

He's outrageous

He screams and he bawls

The Jean Genie, let yourself go

 

At least I think I’m singing it in my head, but, given some of the strange looks I get maybe I’m singing it out in a tuneless mumble to myself.  Why am I singing this while walking in that area you may wonder, that is if you’ve got nothing better to wonder about.  Well, it’s because from that bit of the park there is a view of a red brick chimney that use to stand in the scrubby wasteland that was once there.  There was no way I could get closer to look at it, as high fences and walls closed off the land around it.  That is until they built a new housing estate on the land and kept the chimney there as an architectural feature.  So now, in the middle of this shiny new housing estate sits what looks like an industrial chimney from the Victorian era.  Only it is not a chimney is it.

 

A photo showing a view over the sheds and plants of some allotments, to a red brick chimney with some town houses standing behind it.   Photograph taken by Kevin Nosferatu for the Skulferatu Project.
View of chimney from Leith Links

 

A photo showing a view over some new allotments along to a red brick chimney or stink vent that is standing in front of a row of new town houses.  Photograph taken by Kevin Nosferatu for the Skulferatu Project.
An architectural feature at Pillans Walk

 

What is it then you may ask?  The brochure for the shiny new housing estate describes it as being a ‘Scottish Water Chimney’. Hmm, a water chimney.  What does that do then?  When the pressure in the mains gets too much does water spray out the top of it? No, of course not.  Calling it a water chimney is just a way of covering up that its real function was as a stink vent for the sewage system.  A vent to release the noxious and inflammable sewer gases that would build up down there.

 

A photo showing the stink vent standing in a paved area with a row of houses to the right, white building standing behind and bare branched trees on the left.  The stink vent sits on a sandstone plinth with an iron door sealing an entrance into it.  The chimney above is red brick with a pattern in white that is repeated twice.  Photograph taken by Kevin Nosferatu for the Skulferatu Project.
The ‘water chimney’ or stink vent at Pillans Walk

 

An old-style photo showing the stink vent standing in a paved area with a white building standing behind and a bare branched tree on the left.  The stink vent sits on a sandstone plinth with an iron door sealing an entrance into it.  The chimney above is red brick with a pattern in white that is repeated twice.  Photograph taken by Kevin Nosferatu for the Skulferatu Project.
The stink vent

 

This stink vent, or sewer vent, was built around 1889 as part of the improvements to the Edinburgh sewage system, with sewers being built to run under Leith Links and down to the sea.  I think the sewers are still there, though now connect up to the Seafield Waste Water Treatment Works, or Shit Pit as the locals fondly refer to it, that was built on reclaimed land near Leith Docks in the 1970s. 

 

The stink vent does not seem to be in use anymore, which I’m sure those who’ve just spent several hundred thousand pounds on one of the houses by it will be grateful to hear.  In 2019 investigations were carried out by Scottish Water regarding complaints about noxious odours.  Odours that appeared to be coming from the sewage works at Seafield.  As part of this investigation, they looked at the stink vent to see if the smells could be coming from that.  However, they found that it had been capped and that there was ‘no wastewater exposed to the atmosphere.’    

 

A photo looking down a row of houses with the stink vent at the centre.  The sky above is a dull grey.  Photograph taken by Kevin Nosferatu for the Skulferatu Project.
The stink vent at Pillans Walk

 

A photo looking up towards the sky with the stink vent pointing at an angle that makes it look slightly phallic or as the automatic descriptor called it, a photo of a gun.  Photograph taken by Kevin Nosferatu for the Skulferatu Project.
A monument of Victorian endeavours in sewage disposal and public health

 

On a chilly winter's day, I walked down to the Ropeworks housing estate in Leith, where this monument of Victorian endeavours in sewage disposal and public health can be found.  I had a sniff around but couldn’t smell anything nasty there.  Then, finding a little gap in the sandstone plinth on which the chimney stands, I left the Skulferatu that had accompanied me on my walk.

 

A photo showing a small ceramic skull (Skulferatu 92) being held up by a gloved hand.  In the background can be seen the red brick chimney or stink vent, and on the right-hand side there is a row of houses.  Photograph taken by Kevin Nosferatu for the Skulferatu Project.
Skulferatu #92

 

A photo showing a small ceramic skull (Skulferatu 92) in a crack between two stones, where the cement has crumbled away.  Photograph taken by Kevin Nosferatu for the Skulferatu Project.
Skulferatu #92 in a gap in the sandstone plinth

 

Google Map showing location of Skulferatu #92
Map showing location of Skulferatu #92

 

The coordinates for the location of the Skulferatu are –

 

Latitude 55.971849

Longitude -3.158927

 

what3words: ruby.drove.couches

 

I used the following sources for information on the stink vent –

 

The Ropeworks, Leith

Sales Brochure

 

Scottish Water Newsletter #3

February 2019

 

 

Tuesday, 2 March 2021

Skulferatu #21 - Stink Vent, St Mark's Park, Water of Leith, Edinburgh


On a day of sunshine and snowstorms I went for a walk along the Water of Leith and the railway paths that run around it.  On my way back I passed through St Mark’s Park and along the path under the old railway there.  This brought me out into a rather picturesque area near a weir and what appears to be an old, industrial era chimney standing on its own.

 

Tunnel from pathway at St Mark’s Park leading to Water of Leith, Edinburgh.  Photo by Kevin Nosferatu for Skulferatu Project
Tunnel from pathway at St Mark’s Park leading to Water of Leith

 

The Water of Leith.  Photo by Kevin Nosferatu for Skulferatu Project
The Water of Leith


Stink Vent, Sewage Vent, near St Mark's Park and by Water of Leith, Edinburgh.  Photo by Kevin Nosferatu for Skulferatu Project
Not a chimney, but a stink vent


This chimney is not at what it first seems.  Look around it.  There are no openings at the bottom where one would expect to see space for a fire to burn or where pipes were once connected.  That is because this chimney is not in fact a chimney.  It is a sewage vent or a stink vent.  It is part of the 1864 interceptor sewer that was built to connect to earlier sewage systems in Edinburgh and carry raw sewage out into the River Forth.  It carried on doing this until the 1970s when the Seafield Waste Water Treatment Works was built.

 

The stink vent was an important part of the sewage system as it acted as a safety valve and released the noxious and inflammable sewer gases that would build up in the system.  It was built nice and high so that the wind would carry off any obnoxious smells.


Stink Vent, Sewage Vent, near St Mark's Park and by Water of Leith, Edinburgh.  Photo by Kevin Nosferatu for Skulferatu ProjectPhoto by Kevin Nosferatu for Skulferatu Project
The stink vent

 

I left the Skulferatu that accompanied me on today’s walk in a tree not far from the stink vent and with a nice view of the Water of Leith.

 

Skulferatu #21 at Stink Vent by Water of Leith, Edinburgh. Photo by Kevin Nosferatu for Skulferatu Project
Skulferatu #21

 

Skulferatu #21 in tree by Stink Vent by Water of Leith, Edinburgh.Photo by Kevin Nosferatu for Skulferatu Project
Skulferatu #21 in tree near to stink vent and Water of Leith

 

Google Map showing location of Skulferatu #21
Google Map showing location of Skulferatu #21

 

The coordinates for the location of the Skulferatu are –


Latitude 55.968462

Longitude -3.189978