Showing posts with label cave. Show all posts
Showing posts with label cave. Show all posts

Tuesday, 25 June 2024

Skulferatu #122 - Wallace's Cave, Roslin, Midlothian

 

‘Mud, mud, glorious mud
Nothing quite like it for cooling the blood
So follow me, follow
Down to the hollow
And there let us wallow in glorious mud…’

 

The chorus to Flanders and Swann’s Hippopotamus Song is what came to mind as I took a walk along the paths of Roslin Glen.  Though I was out on what was a pleasant and sunny day, the night before it had poured and poured, and the narrow paths leading around the gorge were thick, squelching mud. To a chorus of bird song and the burbling of the river below, I slipped and slid my way through a mire of dirty brown ooze.  Not that I was complaining, I’ve always found that a walk through the woods makes me feel quite relaxed, no matter how manky it is.  It is probably something to do with the trees, their movement in the breeze and their calming aura.  Or maybe something to do with a primordial memory of the forests our ancestors once inhabited.  Whatever, a walk in the woods is always very calming.

 

A view between the trunks of two trees of a tree covered slope.  Photo by Kevin Nosferatu for the Skulferatu Project.
In the woods at Roslin Glen

 

A view of trees on one slope that overlooks trees on an opposing slope in Roslin.  Photo by Kevin Nosferatu for the Skulferatu Project.
In the woods at Roslin Glen

 

A leafless tree that looks as if it is waving up to the sky.  Below the ground is covered in the green shoots of wild garlic with a muddy path cutting through.  Photo by Kevin Nosferatu for the Skulferatu Project.
In the woods at Roslin Glen

 

A cheeky little frog sitting in the dirt.  Photo by Kevin Nosferatu for the Skulferatu Project.
A frog

 

So, I sploshed my way along the path saying hello to a frog or two on my way, and then came to a set of very wet and slippy looking stone steps that led down the embankment of the gorge.  However, despite the way they looked, I found that grip on them was no problem, and it was easy to walk on down them.  They then led to a narrow, trodden earth path that brought me to the entrance of a cave.  This is Wallace’s Cave, named after William Wallace, you know the one, the guy with the painted blue face who looked a bit like Mel Gibson, though was probably slightly less antisemitic.

 

The reason the cave acquired its name is that there is a local legend that William Wallace hid from the English army here.  The story goes that Wallace and his followers had been in a battle against the English where they had been massively outnumbered and outmanoeuvred.  After being heavily defeated, they had then fled into the woods around Roslin with the English army in close pursuit.  Wallace and five of his companions then split off from the rest of his followers and made their way down to the cave.  There they hid for six days and nights while the English army scoured the woods for them, cutting down any man they found.  In the early morning of the seventh day, Wallace and his companions, who were now starving and half dead with hunger, left the cave and managed to make their way out of the woods and to a place of safety.

 

A path leading past some trees.  By the tree in the foreground are some stone steps leading down a steep looking bank.  Photo by Kevin Nosferatu for the Skulferatu Project.
Stairs down the embankment to the cave

 

A view up some muddy stone steps in a hillside.  Photo by Kevin Nosferatu for the Skulferatu Project.
Stairs down to the cave

 

A view looking up a rock formation to tree that towers above.  Photo by Kevin Nosferatu for the Skulferatu Project.
The cliffs above the cave

 

A side on view of a cave entrance on a steep hillside.  A large tree leans out just behind it.  Photo by Kevin Nosferatu for the Skulferatu Project.
Entrance to the cave

 

A closer view of the entrance into the rock of the cave, this is Wallace's Cave.  Photo by Kevin Nosferatu for the Skulferatu Project.
Entrance to the cave

 

The cave is man made and dates from prehistoric times.  Carvings found outside the cave on the rock face and inside the cave itself, are believed to date from the Bronze Age.   However, when, and why the cave was carved out into the stone of the embankment is not known.  Whatever purpose and function the cave served for the prehistoric people who created it are now lost in the mists of time.

 

A view inside the cave showing the low, arched roof and a dirt floor.  Photo by Kevin Nosferatu for the Skulferatu Project.
Inside the cave

 

A view inside the cave showing the red of the stone walls.  Photo by Kevin Nosferatu for the Skulferatu Project.
Inside the cave

 

A view looking out of the cave into the daylight where the branches of the trees in the glen can be seen.  Photo by Kevin Nosferatu for the Skulferatu Project.
View out from the cave entrance

 

A view along the cave looking out showing the curved entrances carved in the stone.  On the floors are scattered some of the dead leaves blown in from the previous autumn.   Photo by Kevin Nosferatu for the Skulferatu Project.
Inside the cave

 

Venturing inside the cave I found it to be quite a pleasant and sheltered space.  It was also quite dry; unlike many caves I’ve visited before.  In one of the recesses in the cave I found some of the plumpest, juiciest spiders I’ve seen in a long time.  They hung from the roof like luscious Gothic blackberries.  I imagine if Renfield had been locked up in this cave rather than the asylum, he would have plucked them from their webs and gobbled them up.  I was half tempted myself, and did wonder if maybe Wallace and his companions had munched on a few of them during their stay here.


A photo of a spider hanging from the ceiling of the cave, behind it is its shadow making it look like there is a huge spider hanging by it.  Photo by Kevin Nosferatu for the Skulferatu Project.
A plump, juicy spider

 

A view of a carving in the stone by Wallace's Cave of three swirling circles.  Photo by Kevin Nosferatu for the Skulferatu Project.
Carvings outside the cave

 

Before leaving, I left the Skulferatu that had accompanied me on my walk on a mossy ledge by the entrance of the cave.

 

A view of a hand holding up a small ceramic skull with the entrance to Wallace's Cave in the background.  Photo by Kevin Nosferatu for the Skulferatu Project.
Skulferatu #122

 

A photo of a small ceramic skull sitting on a mossy stone ledge in Wallace's Cave.  Photo by Kevin Nosferatu for the Skulferatu Project.
Skulferatu #122 on a mossy ledge

 

TomTom Map showing location of Skulferatu #122
Map showing location of Skulferatu #122

 

The coordinates for the location of the Skulferatu are -

 

Latitude 55.856336

Longitude -3.151793

what3words: satellite.newlywed.drifting

 

I used the following sources for information on Wallace’s Cave –

 
Rutherglen Reformer - Friday 27 November 1885
 
 
 
Lyrics from ‘The Hippopotamus Song’ –
by Michael Flanders & Donald Swann, from the album ‘At the Drop of a Hat’
1960

Tuesday, 15 February 2022

Skulferatu #59 - Sea Cave, Dumpton Bay, Broadstairs, Kent

 

On a cold, but sunny winter afternoon I walked along the coast from Broadstairs to Ramsgate.  As the tide was out, I walked along the sandy beach by the cliffs at Dumpton Gap.  In the bright sunlight the lower part of the beach, nearer to the sea, reflected white through the rocks and seaweed. The white of crumbled and sea washed chalk from the cliffs.  The sea was a Turneresque blue green and was a flat calm stretching out into the curve of the horizon.

 

According to the amateur geologist Cecil Carus-Wilson, who specialised in the acoustic qualities of rocks, the sands around Dumpton Gap are musical.  A rare phenomena that only occurs in a few places around the world.  Seemingly if you strike the sand, it makes a musical note.  I tried this but it just went ‘thud’.  I must have been doing something wrong.

 

As I walked along, I passed many little sea worn caves in the cliffs and then came across one large enough to wander into. 

 

A photo of a cave entrance in the chalk cliffs at Dumpton Bay by Dumpton Gap in Broadstairs.  In the foreground is the beach leading up to the white cliffs topped by a pencil thin layer of greenery and above is a blue, winter sky.  Photo by Kevin Nosferatu for the Skulferatu Project.
Sea Cave at Dumpton Bay

 

A photo showing the entrance to the cave - it looks like a dark gash in the white chalk cliff face. Photo by Kevin Nosferatu for the Skulferatu Project.
Sea Cave at Dumpton Bay

 

A view out from the sea cave to the beach and the sea.  Inside it is big enough for a person to move around in and it is likely that Samuel Taylor Coleridge changed in a cave like this before going for a swim in the sea here at Dumpton Bay. Photo by Kevin Nosferatu for the Skulferatu Project.
Looking out from the cave

 

A photo of the chalk wall inside the cave.  It is pitted and cracked and stained green with slimy seaweed. Photo by Kevin Nosferatu for the Skulferatu Project.
The pitted walls of the cave, slimy with green seaweed

 

I wondered if it could be the same cave that Samuel Taylor Coleridge had found on one of his many visits to Ramsgate.  A cave he had used to strip off in before having a ‘glorious tumble in the waves.’  Looking out from the cave I could almost imagine a naked, opium addled Coleridge lolloping around as he headed down to the sea.

 

This area was also notorious for being a landing site for a gang of local smugglers and this is something Coleridge referenced in his poem ‘The Delinquent Travellers’ -

 

Methinks, along my native shore,

Dismounting from my steed I'll stray

Beneath the cliffs of Dumpton Bay,

Where, Ramsgate and Broadstairs between,

Rude caves and grated doors are seen:

And here I'll watch till break of day,

(For Fancy in her magic might

Can turn broad noon to starless night!)

When lo! methinks a sudden band

Of smock-clad smugglers round me stand.

Denials, oaths, in vain I try,

At once they gag me for a spy,

And stow me in the boat hard by…

 

If you are worried as to the fate of the hero of this poem then take comfort in the fact that he is allowed to disembark from the boat when it arrives at Boulogne, and he then heads off to Australia.

 

Inside the cave the chalk walls were pitted and green with seaweed slime.  There was a pungent smell of the ocean as if the sea had scented the very rocks with its salt.

 

I left the Skulferatu that had accompanied me on my walk in a gap in the chalk wall of the cave.

 

A small ceramic skull (Skulferatu 59) being held up with the entrance to the cave at Dumpton Bay near Dumpton Gap in Broadstairs in the background. Photo by Kevin Nosferatu for the Skulferatu Project.
Skulferatu #59

 

A photo of a small ceramic skull (Skulferatu 59) in the pitted. white chalk wall of the cave at Dumpton Bay by Dumpton Gap in Broadstairs. Photo by Kevin Nosferatu for the Skulferatu Project.
Skulferatu #59 in gap in wall of cave

 

A close up photo of a small ceramic skull (Skulferatu 59) in the pitted. white chalk wall of the cave at Dumpton Bay by Dumpton Gap in Broadstairs.  Photo by Kevin Nosferatu for the Skulferatu Project.
Skulferatu #59 in gap in wall of cave

 

Google Map showing location of Skulferatu #59
Map showing location of Skulferatu #59

 

The coordinates for the location of the Skulferatu are –

 

Latitude 51.347914

Longitude 1.438490

 

I used the following sources for information on Dumpton Bay

 

Ramsgate Recorder, Winter 2021-2022

 

The Isle of Thanet News, Thanet History with Martin Charlton: Coleridge and Ramsgate, October 26, 2021

The Isle of Thanet News

 

Field Excursion and Science Lecture

The Thanet Advertiser, June 13, 1903