Showing posts with label Midlothian. Show all posts
Showing posts with label Midlothian. Show all posts

Tuesday 26 March 2024

Skulferatu #116 - Bilston Glen Viaduct, Loanhead, Midlothian

 


I do love wandering around bits of our industrial past, whether that be an old railway, a derelict factory, old mineworks or a repurposed power station.  On a stroll from Roslin to the outskirts of Edinburgh, I walked over a piece of our industrial heritage – Bilston Glen Viaduct, or as locals refer to it, the Bilston Climbing Frame.  Wandering down a steep and narrow path under the viaduct I could see why it had acquired that name with the criss-crossing of the iron lattice work underneath.

 

A photo showing three black metal bollards across a pathway that leads along the walkway of a bridge.  The latticed metal railings of the bridge rise at both sides of the path.  Photo by Kevin Nosferatu for the Skulferatu Project.
Bollards by the viaduct

 

A photo on the pathway across the bridge (Bilston Glen Viaduct) with the iron latticed railings at each side. Photo by Kevin Nosferatu for the Skulferatu Project.
Path across the viaduct

 

A view of trees in a woodland scene.  Green ferns grow in between them.  Photo by Kevin Nosferatu for the Skulferatu Project.
Wooded area of Bilston Glen

 

A view of the iron girders beneath Bilson Glen Viaduct. Photo by Kevin Nosferatu for the Skulferatu Project.
Underneath the viaduct

 

A view across the underneath of the viaduct showing a mass of criss-crossed iron that makes up the supports and frame of the bridge. Photo by Kevin Nosferatu for the Skulferatu Project.
The criss-crossing iron lattice work underneath the viaduct

 

A view showing one side of the iron viaduct crossing over to the other bank.  Trees grow on the left-hand side. Photo by Kevin Nosferatu for the Skulferatu Project.
View of the viaduct

 

Another view showing one side of the iron viaduct crossing over to the other bank.  Trees grow on the right-hand side. Photo by Kevin Nosferatu for the Skulferatu Project.
View of the viaduct from Bilston Glen

 

Bilston Glen Viaduct is an old iron railway bridge above the steep gorge of Bilston Glen. The Edinburgh, Loanhead and Roslin Railway used to run across it.  This railway carried coal and ironstone from mines at Penicuik, Roslin, Bilston, Loanhead and Gilmerton.  It also carried passengers to Roslin.

 

The viaduct was built in 1892, and replaced an earlier one built at the same spot in the 1870s.  It appears that there had been concerns about the earlier bridge due to movements of the ground caused by the mineworks.  Concerns were also raised about the design of that bridge, as it had been designed by Sir Thomas Bouch, the designer of the infamous Tay Bridge that had collapsed in 1879.

 

Bilston Glen Viaduct was built with a single deep wrought iron span supported on low piers with granite abutments at each end to support it.  The separate pieces of the bridge were all made in Glasgow and then brought out to the site where the bridge was then assembled.  As the viaduct is made of iron it expands and contracts in the heat.  On a hot summer’s day, it could be up to 2 ½ inches longer than it was on a cold winter’s day.  To avoid this damaging the supports, the bridge was fitted with expansion mountings.  These allow the bridge to move. 

 

 In 1969 the section of the railway that ran over the viaduct was closed.  In 1999 restoration work was carried out on the viaduct and it opened again as part of the walkway that follows the old railway line.

 

While wandering around under the viaduct, I left a Skulferatu in a gap in the granite stonework of the abutments supporting it.

 

A hand holding up a small ceramic skull (Skulferatu #116) with the underneath of the viaduct in the background. Photo by Kevin Nosferatu for the Skulferatu Project.
Skulferatu #116

 

A small ceramic skull (Skulferatu #116) sitting in a gap in a stone slab covered in lichen. Photo by Kevin Nosferatu for the Skulferatu Project.
Skulferatu #116 in a gap in the granite stonework

 

A close-up view of the small ceramic skull (Skulferatu #116) sitting in a gap in a stone slab covered in lichen. A small ceramic skull (Skulferatu #116) sitting in a gap in a stone slab covered in lichen.​ Photo by Kevin Nosferatu for the Skulferatu Project.
Skulferatu #116 in a gap in the granite stonework

 

TomTom Map showing location of Skulferatu #116
Map showing location of Skulferatu #116

 

The coordinates for the location of the Skulferatu are –

 

Latitude 55.87089

Longitude -3.150976

 

what3words: herb.windmill.widen

 

I used the following sources for information on Bilston Glen Viaduct –

 

Tourist Information Board at site
 
Canmore
 
Edinburgh and Lothians: Exploring the Lost Railways
Alasdair Wham
2006

 

Tuesday 26 April 2022

Skulferatu #68 - Stobsmill Gunpowder Works, Gorebridge

 

It was one of those warm, winter days, when the sun is out, and you feel that spring might come early.  A good day for a walk.  Having recently come across some maps of walks around Gore Glen, by Gorebridge, I decided to follow one and have a nice woodland walk.  So, I took a train from Edinburgh to Gorebridge and set out.  However, my map reading skills and sense of direction are so bad that I ended up doing a bizarre route that took me to the back of some sewage works and then on to a path that looked like it had been made by deer rather than people, which led up a steep embankment and into some grounds I probably wasn’t meant to be in.  Finally I ended up back in Gorebridge and then back on the proper path again.  I followed this and ended up in the woods where I came across the ruins of the Stobsmill Gunpowder Works.

 

A photo of the ruins of one of the buildings from the  Stobsmill Gunpowder Works in Gorebridge.  Photo by Kevin Nosferatu for the Skulferatu Project.
Ruins of one of the gunpowder works buildings

 

A photo of the ruins of one of the buildings from the  Stobsmill Gunpowder Works in Gorebridge.  Photo by Kevin Nosferatu for the Skulferatu Project.
Ruins of one of the gunpowder works buildings

 

I wandered around the crumbling remains of the buildings that once housed a thriving and somewhat dangerous industry.  The stone walls were being subsumed back into nature and were moss covered with ferns growing from the gaps and cracks.  Birds sang in the trees above and water bubbled in the nearby stream.  It was all very different a couple of hundred years ago when there would have been dozens of men at work in and around the buildings, and water wheels would have been churning away to power the whole operation.

 

A photo of a collapsed stone structure in the Stobsmill Gunpowder Works in Gorebridge.  It is covered in ferns and moss.  Photo by Kevin Nosferatu for the Skulferatu Project.
Ruined structure in one of the buildings

 

A photo of a collapsed stone structure in the Stobsmill Gunpowder Works in Gorebridge.  It is covered in ferns and moss.  Photo by Kevin Nosferatu for the Skulferatu Project.
Stones moss covered with ferns growing from the gaps and cracks

 

A photo of a collapsed wall of one of the Stobsmill Gunpowder Works buildings in Gorebridge.  Photo by Kevin Nosferatu for the Skulferatu Project.
Collapsed walls of one of the buildings

 

A photo of the remains of one of the stone walls of the buildings for the Stobsmill Gunpowder Works in Gorebridge.  Photo by Kevin Nosferatu for the Skulferatu Project.
Remains of walls of one of the buildings

 

A photo of a rather battered looking abandoned bicycle lying in the woods in front of the ruins of one of the Stobsmill Gunpowder Works buildings in Gorebridge.Photo by Kevin Nosferatu for the Skulferatu Project.
Abandoned bike by walls of one of the buildings

 

In 1794 the works at Stobsmill were constructed for the Hitchener and Hunter Company to start producing gunpowder.  You might think that this was a company well versed in the production of such an explosive material, but no, it was the venture of William Hitchener, a millwright, and John Hunter, a farmer.  They were both originally from Surrey and had applied there for a licence to produce gunpowder but had been turned down as they lacked the necessary skills or experience to run such a dangerous business. Somehow, they had found their way to Gorebridge where, along with a more experienced partner, John Merrick, they applied for and were successful in gaining a licence to manufacture gunpowder.

 

The works were constructed in an isolated area within the shelter of a valley near to Gorebridge.  The valley was used as a natural barrier in case an explosion occurred, and artificial mounds were created and planted with trees to lessen any explosion that might happen.  The works were built by the Gore Water, with the river being channelled and used to drive the ten waterwheels that powered them. 

 

A photo of a shallow river, the Gore Water, running through woodland by the Stobsmill Gunpowder Works in Gorebridge.  Photo by Kevin Nosferatu for the Skulferatu Project.
The Gore Water running by the gunpowder works buildings

 

The gunpowder produced at the works was exported all around the world and was used by the British Army during the Napoleonic Wars.

 

Advert for gunpowder produced at Stobsmill which reads - New Improved Chemical Gunpowder. HITCHENER and HUNTER, while they gratefully acknowledge the support they have obtained from the Noblemen and Gentlemen who have used their Gunpowder, have again to solicit their attention this article, made on the new improved chemical principle, which combines the properties quickness ignition with cleanness and 'strength.' H. & H having received the unqualified approbation of sportsmen with confidence recommend their gunpowder to the public. J. Carter & Co. of Liverpool, will have a supply for the trade by the beginning of July. Stobs Mills, near Fushie Bridge, N. B. 23rd June, 1829.
Advert for gunpowder produced at Stobsmill from the Chester Chronicle, 17 July 1829

 

As you might expect in an era when health and safety concerns were minimal, there were quite a few accidents at the works and several large explosions.  In 1803 an explosion occurred that killed John Hunter, who was in his garden when a large stone from the blast tore off his arm.  Two of the men working at the mill were also killed in that explosion.

 

On the morning of 18 February 1825 an explosion occurred that was so big it could be heard in Fife, and it rattled the windows of those living in Edinburgh, eight miles away.  It was also reported that the shockwave from the explosion caused the church bells in Dalkeith, some five miles away, to start ringing and that a ploughman working in a field almost a mile away was thrown thirty yards by the force of the blast.  Luckily, he was unharmed.  While in the nearby village of Gorebridge the windows of all the houses were blown in.


Shortly before the explosion, two of the workmen at the mill, Richard Cornwall and Walter Thomson, had been busy loading casks of gunpowder from the ‘Drying Room’ on to a horse drawn waggon.  The casks were then to be taken to a store in another building a short distance away.  Cornwall, at some point went back into the ‘Drying Room’ to retrieve more casks, while Thomson was loading them on to the waggon.  Something then triggered a huge explosion in the ‘Drying Room’, which in turn also caused the store to explode.  These buildings were completely destroyed and both Cornwall and Thomson were blown to pieces.  A report at the time describes how the mangled fragments of the men’s bodies were found scattered around over the distance of a mile and that it was impossible to tell which of the fragments belonged to which man.  Other workers on the site were reported to have been blown to the ground, with some throwing themselves into the river in search of safety.  While the body of the horse that had been with the waggon was found thirty yards from the explosion and the trees all around were shattered and broken.  Some passers-by, who had been on the high road at the time of the explosion described a huge column of black smoke rising up from the valley and large stones being thrown up from it, like a volcano.

 

It was reckoned that about 60 barrels of gunpowder had exploded, each of these containing 112 lbs (51 kg) of powder. So in total over 3000kg of gunpowder.  You would think that given an explosion of that enormity the mills might close down, but no, given a business that lucrative and that vital to war, Empire, etc., they carried on.  Then in 1827 there was another explosion…

 

On Saturday 29 September 1827 at around seven thirty in the morning the residents of Gorebridge were woken by a loud blast when the ‘Corning House’ (the building in which the powder was separated into granules) at the gunpowder works exploded.  The horrific scene that met those who hurried to the ruined building to help was described graphically in a report of the incident by the Caledonian Mercury –

 

‘…the three men who were employed in the premises at the time…were killed by the explosion.  One of the unfortunate men had his legs torn from his body; another his belly torn open, and his entrails hanging out; and the third was blown into the water at a considerable distance from the Mill, where he was found dead about an hour after.  Search was immediately made for the members which were severed from the bodies: but when found, they were so dreadfully mutilated, that it was impossible to know to which the different members belonged.  When looking around the scene of this terrible visitation, it seemed as if some destroying angel had been there, doing his work of desolation and death.  The premises wherein the explosion took place…lay in one heap of ruins; the surrounding trees were stript of their foliage; and the grass was burnt black and bare…’

 

Now, you may be thinking that given the amount of accidents at Stobsmill, those working there were a bit careless, or that the owners were unduly lax over health and safety, and uncaring when it came to their workforce.  However, it seems that explosions at gunpowder factories were not that uncommon, that they were just one of the dangers of working in that trade.  A few days after the explosion at Stobsmill, there was an explosion at the premises of Messrs Pigou & co, a Powder Mill in Dartford, Kent.  Three workmen were also killed in that explosion.

 

Anyway, the buildings at Stobsmill were repaired and work carried on.  Then on Wednesday 21 March 1838, at around six thirty in the morning there was another explosion.  The working day had begun around half an hour earlier and the workforce was spread out throughout the site engaged in their various tasks.  In the ‘Corning House’ two men, Robertson, and West, were busy at work when there was a huge blast that destroyed the building.  Their colleagues ran to the smoking ruins and in the rubble they found Robertson.  He was still breathing but died shortly after from his wounds.  The body of West was then found ‘at some distance’ from the building.  A report of the incident in The Scotsman notes that the damage to the buildings and machinery was significant and that ‘the loss to the proprietor must be considerable – insurance on property of this nature being of course out of the question.’  No shit Sherlock!

 

Again the buildings were repaired, and work carried on until around 1861 when the mills finally closed.  Now all that is left of them are the ruins in the woodland of the Gore Glen.  A place so peaceful that it is hard to imagine that it was once a site of heavy industry and several tragic, fatal, and devastating accidents.

 

I left the Skulferatu that had accompanied me on my walk in a moss and lichen covered hollow in one of the walls.

 

A photo of a small ceramic skull (Skulferatu 68) being held up in front of the ruins of part of the Stobsmill Gunpowder Works in Gorebridge.  Photo by Kevin Nosferatu for the Skulferatu Project.
Skulferatu #68

 

A photo of a small ceramic skull (Skulferatu 68) in the wall of one of the ruined buildings of Stobsmill Gunpowder Works in Gorebridge.  Photo by Kevin Nosferatu for the Skulferatu Project.

 

A photo of a small ceramic skull (Skulferatu 68) in the wall of one of the ruined buildings of Stobsmill Gunpowder Works in Gorebridge.  Photo by Kevin Nosferatu for the Skulferatu Project.
Skulferatu #68 in a moss and lichen covered hollow in one of the walls.

 

Google map showing location of Skulferatu #68
Map showing location of Skulferatu #68

 

The coordinates for the location of the Skulferatu are –

 

Latitude 55.83960

Longitude -3.051440

 

I used the following sources for information on Stobsmill Gunpowder Works -

 

The Statistical Accounts of Scotland 1791-1845, Vol 1

Temple, County of Edinburgh (Page 53)

 

Gorebridge Community Development Trust

https://gorebridge.org.uk/heritage/stobsmill-gunpowder-works-an-introduction/

 

The Scots Magazine

Tuesday, 1 March 1825

 

Caledonian Mercury

Saturday, 19 February 1825

 

Caledonian Mercury

Monday, 1 October 1827

 

The Scotsman

Wednesday, 28 March 1838


Article and photographs are copyright of © Kevin Nosferatu, unless otherwise specified.

Tuesday 19 April 2022

Skulferatu #67 - Newbyres Castle, Gorebridge, Midlothian


There are many castles in Scotland that are now not much more than a few stones.  Newbyres Castle is one of these.  There is not much left of it now, and its glory days are long gone.  It is now no more than two sides of a low wall and a bramble covered mound standing in a small wildlife garden by the village of Gorebridge.  However, back in its heyday the castle was a substantial and rather picturesque tower house. 

 

A photo of the ruins of Newbyres Castle - a rather dull looking ruined wall surrounded by rather dull looking plants that have died back in winter.  Photo by Kevin Nosferatu for the Skulferatu Project
The rather unimpressive remains of Newbyres Castle

 

A photo of the ruined walls of Newbyres Castle - they are low and the stones green with moss.  Photo by Kevin Nosferatu for the Skulferatu Project
Part of the outside walls of Newbyres castle

 

A photo of the ruined walls of Newbyres Castle - they are low and the stones green with moss.  Photo by Kevin Nosferatu for the Skulferatu Project
Part of the outside walls of Newbyres Castle

 

A photo of a bramble covered mound in the wildlife park by Gorebridge, that is the site on which Newbyres Castle once stood.  Photo by Kevin Nosferatu for the Skulferatu Project
This bramble covered mound covers the area where the castle once stood

 

Newbyres Castle was built in the mid-16th Century for Michael Borthwick of Glengelt.  He had acquired the land in 1543 from James Haswell, the Abbot of the abbey at Newbattle.  The castle was built as an L shaped tower with a courtyard around it.  It had a vaulted ground floor and numerous gun loops on the upper floors.  From his new, fortified home, Borthwick oversaw his coal mining operations in the area. 

 

In 1624 the castle was sold to Sir James Dundas of Arniston, who was the Governor of Berwick.  After his death, the house became the main residence of his widow Mary Hume, Lady Arniston.  She had a reputation locally as a very hospitable host and on one occasion a guest of hers was prosecuted for drunkenness after being a bit rowdy and potty mouthed while making his way home.  The charge against him was later found ‘Not Proven’.  Nowadays, we might look back at the goings on in Newbyres Castle and see it as a bit of a ‘party house’.  The 17th Century equivalent of the house on the street that at weekends always has music pounding out until the early hours of the morning with lots of inebriated people coming and going.

 

A sketch of Newbyres Castle as it would have looked in its heyday, taken from The Castellated and Domestic Architecture of Scotland from the Twelfth to the Eighteenth Century  Volume Three  By David MacGibbon and Thomas Ross.
A sketch of Newbyres Castle as it would have been in its heyday

 

A sketch of the ruins of Newbyres Castle from The Arniston Memoirs, Three Centuries of a Scottish House, 1571-1838  By George W T Omond.
A sketch of the ruins of Newbyres Castle from The Arniston Memoirs

 

A sketch of the ruins of the castle circa 1879, taken from The Castellated and Domestic Architecture of Scotland from the Twelfth to the Eighteenth Century  Volume Three  By David MacGibbon and Thomas Ross.
A sketch of the ruins of the castle circa 1879

 

At some point the castle was abandoned as a home and was left to decay and crumble away.  A large part of the tower, including the staircase collapsed in 1881.  In 1963 most of the remaining walls were demolished by Midlothian Council due to fears for public safety.

 

On a walk that took me through Gorebridge, I stopped off at the remains of the castle.  I walked to the top of the pile of overgrown rubble and wondered if I zoomed back to a few hundred years ago, what room I’d be standing in, and who would be there?  Maybe I’d bump into Lady Arniston, and she would offer me a nip of something nice to drink.  On a cold day like today, it would be most welcome.

 

I left a Skulferatu in a gap in the remaining chunk of the castle walls.

 

A photo of a small ceramic skull (Skulferatu 67) being held up with the ruins of Newbyres Castle in the background.  Photo by Kevin Nosferatu for the Skulferatu Project
Skulferatu #67

 

A photo of a small ceramic skull (Skulferatu 60) in a gap in the stone walls of Newbyres Castle, Gorebridge.  Photo by Kevin Nosferatu for the Skulferatu Project
Skulferatu #67 in a gap in the castle walls

 

A photo of a small ceramic skull (Skulferatu 60) in a gap in the stone walls of Newbyres Castle, Gorebridge.  Photo by Kevin Nosferatu for the Skulferatu Project
Skulferatu #67 in a gap in the castle walls

 

A photo of a small ceramic skull (Skulferatu 60) in a gap in the stone walls of Newbyres Castle, Gorebridge.  Photo by Kevin Nosferatu for the Skulferatu Project
Skulferatu #67 in a gap in the castle walls

 

TomTom map showing location of Skulferatu #67
Map showing location of Skulferatu #67

 

The coordinates for the location of the Skulferatu are -

 

Latitude 55.84185

Longitude -3.048500

 

I used the following sources for information on the castle –

 

The Castellated and Domestic Architecture of Scotland from the Twelfth to the Eighteenth Century

Volume Three

By David MacGibbon and Thomas Ross

1889

(Sketches – Fig. 477 & Fig. 478)

 

Newbyres Castle: The Story So Far

https://gorebridge.org.uk/heritage/newbyres-castle-the-story-so-far/

 

The Arniston Memoirs, Three Centuries of a Scottish House, 1571-1838

By George W T Omond

1887

(Sketch of Newbyres Tower)

 

Public Information Board at Site

 

Tuesday 6 July 2021

Skulferatu #36 - Crichton Castle, Crichton, Midlothian

 

Today I went for a wander out of Edinburgh and along to the ruins of Crichton Castle.  The ruins sit just outside the village of Crichton, on a terrace that overlooks the picturesque scenery of the valley of the Tyne. 

 

View of Crichton Castle, Midlothian on a hill with gorse bushes flowering in yellow in the foreground.  Photo by Kevin Nosferatu for the Skulferatu Project.
View of Crichton Castle

 

Crichton Castle from hill above.  Photo by Kevin Nosferatu for the Skulferatu Project.
Crichton Castle from hill above

 

The stable block with the castle in background.  Photo by Kevin Nosferatu for the Skulferatu Project.
The stable block with the castle in background

 

The stable block is a very ornate building that stands near to Crichton Castle, Midlothian.  Photo by Kevin Nosferatu for the Skulferatu Project.
The stable block

 

In the Fourteenth Century a keep was built on this spot by the Crichton family.  In the Fifteenth Century the castle building was extended around this by Sir William Crichton and then later by others who had either inherited or were granted the castle and its lands.  Sir Walter Scott wrote of the castle in his narrative poem Marmion and also wrote a history of the castle, informing his readers that – ‘it was built at different times, and with a very differing regard to splendour and accommodation.  The older part of the building is a narrow keep, or tower, such as formed the mansion of a lesser Scottish Baron; but so many additions have been made to it, that there is now a large courtyard, surrounded by buildings of different ages.  The eastern front of the court is raised above a portico, and decorated with entablatures, bearing anchors.  All the stones of this front are cut into diamond facets, the angular projections of which have an uncommonly rich appearance.  The inside of this part of the building appears to have contained a gallery of great length and uncommon elegance.  Access was given to it by a magnificent staircase, now quite destroyed…  Unfortunately, I didn’t get to see the interior of the castle today, as it was closed due to Covid restrictions.  However, I did find a drawing of the courtyard.

 

View of the courtyard - taken from The Castellated and Domestic Architecture of Scotland

 

The first recorded owner, Sir William Crichton, was a man who was remarkable for his time, having risen to prominence through politics rather than through warfare.  He became the Lord Chancellor under King James I and later he also became the guardian of James II.    He was a man involved in various intrigues and his main claim to fame, or infamy, would appear to be that he took part in organising the ‘Black Dinner’.  This was when the Sixth Earl of Douglas and his younger brother were invited to dine with young King James II and as they ate were seized, dragged away and brutally murdered.  Their great uncle, James Douglas, who had also been involved in the plot against them, then inherited their wealth and titles making him one of the most powerful men in Scotland at that time.

 

In the early 1480s the Crichton family fell out of favour and their lands were forfeited with the castle being given to Sir John Ramsay.  He then fell out of favour and in 1488 the castle was given to Patrick Hepburn, who later became the Earl of Bothwell.  The castle stayed with Hepburn’s family for a few generations, but in 1568 they fell out of favour, and it was again forfeited.  It was then handed over to Francis Stewart, the ‘bastard’ grandson of James V.  He carried out extensive work on the castle including having the decorative diamond faced façade added in the courtyard and a rather grand stable building built next to the castle.  However, guess what, he was then accused of witchcraft and plotting against King James VI.  He fled to Naples and in 1592 his properties, including the castle, were forfeited.  The castle was then reinstated to Stewart’s son, and he sold it on to the Hepburn’s of Humbie. It then passed through various owners who all seem to have just left it to crumble and fall into ruin.  The castle is now in the care of Historic Environment Scotland.

 

I left the Skulferatu that accompanied me on today’s walk in a crack in the wall on the outside of the castle.

 

Front entrance door to Crichton Castle.  The heavy, wooden door is closed.  Photo by Kevin Nosferatu for the Skulferatu Project.
Front entrance door to the castle

 

Skulferatu #36 being held up in front of the door to Crichton Castle.  Photo by Kevin Nosferatu for the Skulferatu Project.
Skulferatu #36

 

Skulferatu #36 in crack in wall of Crichton Castle.  Photo by Kevin Nosferatu for the Skulferatu Project.
Skulferatu #36 in crack in wall of castle


Close up of Skulferatu #36 in crack in wall of Crichton Castle.  Photo by Kevin Nosferatu for the Skulferatu Project.
Close up of Skulferatu #36 in crack in wall of castle

 

Map showing location of Skulferatu #36 at Crichton Castle, by Crichton, Midlothian.
Map showing location of Skulferatu #36

 

The coordinates for the location of the Skulferatu are –

 

Latitude 55.839688

Longitude -2.991259

 

I used the following sources for information on the castle –

 

The Castellated and Domestic Architecture of Scotland from the Twelfth to the Eighteenth Century

Volume One

By David MacGibbon and Thomas Ross

1887

 

The Ruined Castles of Midlothian

By John Dickson

1894

 

The Scots Magazine and Edinburgh Literary Miscellany

1st August 1808

 

Wikipedia – Crichton Castle

Wikipedia - Crichton Castle