Showing posts with label ruins. Show all posts
Showing posts with label ruins. Show all posts

Tuesday 6 December 2022

Skulferatu #87 - Machrie Moor, Arran

  

On Machrie Moor there stand six stone circles, so I headed off there for a wander around an ancient landscape of standing stones and distant hills.

 

From the car park I headed off along a gentle and winding path that led me through fields of sheep, and then out into a land of mystical magic.  There is almost something unreal about the moor, it is sort of Hollywood film set in the way it looks.  All it really needed to finish it off would be some pixies and wizards wandering around, maybe a group or two of druids...or a few hobbits.  But this is no film set, it is real.  It is a landscape of Neolithic ritual and also of everyday domestic activity with the remains of hut circles and ancient farming activity having been discovered there.

 

A photo of what looks like a random collection of boulders lying on a flat piece of land with some trees in the background - the stones form a stone circle known as Fingal's Cauldron Seat.  Photograph by Kevin Nosferatu for the Skulferatu Project.
Fingal’s Cauldron Seat

 

A picture of a ruined building with a tree growing out from where the roof once was - these are the ruins of Moss Farm.  Photograph by Kevin Nosferatu for the Skulferatu Project.
Ruins of Moss Farm

 

Just by the derelict buildings of Moss Farm stands a circle of stones known as Fingal’s Cauldron Seat.  This consists of a ring of inner stones and a ring of outer stones.  Local legend has it that on one of his many journeys through Arran, the warrior giant Fin McCool cooked his tea in a huge cauldron supported by the inner ring of stones and tethered his dog to one of the outer stones.

 

Down from the farm buildings and in a more peaty and mossy area sit, or should that be stand, a whole load more stone circles.  Some of these are made from granite boulders, while others are tall slabs of sandstone.  The stones circles are thought to date from around 4,500 years ago and were places of religious activity for many years, being used as burial sites long after they had been built.

 

A photo taken through the branches of a dead tree showing a standing stone in the distance on a moor with mountains in the background.  Photograph by Kevin Nosferatu for the Skulferatu Project.
Standing stone framed by dead tree

 

A photo of a flat moor landscape with a standing stone in the distance and mountains in the background.  Photograph by Kevin Nosferatu for the Skulferatu Project.
Standing stone on Machrie Moor

 

A photo of a standing stone on Machrie Moor - it is framed by mountains in the distance.  Photograph by Kevin Nosferatu for the Skulferatu Project.
Standing stone on Machrie Moor

 

A photo of a tall and flat standing stone on Machrie Moor.  It sits in short grass with some reed like grass to one side.  Photograph by Kevin Nosferatu for the Skulferatu Project.
Standing stone on Machrie Moor

 

A photo of a tall and flat standing stone on Machrie Moor.  It sits in short grass with some reed like grass to one side.  Photograph by Kevin Nosferatu for the Skulferatu Project.
Standing stone on Machrie Moor

 

A close up of a red sandstone standing stone with mountains in the background.  Photograph by Kevin Nosferatu for the Skulferatu Project.
Standing stone on Machrie Moor

 

A photo showing on one side part of the red sandstone of a standing stone and then a view over the moor to the mountains in the background.  Photograph by Kevin Nosferatu for the Skulferatu Project.
View by one of the standing stones on Machrie Moor

 

A photo of three, tall and grey standing stones on Machrie Moor.  Photograph by Kevin Nosferatu for the Skulferatu Project.
Standing stones on Machrie Moor

 

A photo of three, tall and grey standing stones on Machrie Moor.  Photograph by Kevin Nosferatu for the Skulferatu Project.
Standing stones on Machrie Moor

 

A photo of three, tall standing stones on Machrie Moor - from closer up they have a red brown colour.  Photograph by Kevin Nosferatu for the Skulferatu Project.
Standing stones on Machrie Moor

 

The stone circles on Machrie Moor have long held a fascination for natives and visitors to Arran alike, with Patrick Murray writing in 1883 that – ‘...in the whole Island, I know of no more interesting sight, or one better worth visiting, than the stone circles of the Machrie Moor. As you approach them, the tall upright forms of the standing stones rise up before you, silent and solemn, from the solitary heath.  As we look on them the mind wanders backward over the ages with a strong desire to know something of the people who must have toiled and laboured at their erection. Who were they.? In what age did they live? What was the nature of their religious belief? That the circles have been used at some time as places of burial has been ascertained; but was that their original or their only use? Have they not also been used as places of worship? For answer to all this we can only conjecture, but I think we shall not greatly err if we recognise in them the silent tribute of a people long since passed away to that mysterious Power which governs the universe and overlooks the actions of man.

 

A photo of a red sandstone standing stone on Machrie Moor - it has a slight lightning bolt type shape to it.  Photograph by Kevin Nosferatu for the Skulferatu Project.
Standing stone on Machrie Moor

 

A photo of a standing stone on Machrie Moor - it is of red sandstone and is shaped slightly like a tooth.  Photograph by Kevin Nosferatu for the Skulferatu Project.
Standing stone on Machrie Moor

 

A photo of some circular grey and flat stones on Machrie Moor with a red sandstone standing stone behind them.   Photograph by Kevin Nosferatu for the Skulferatu Project.
Standing stones on Machrie Moor

 

A photo of some circular grey and flat stones on Machrie Moor with a red sandstone standing stone behind them.   Photograph by Kevin Nosferatu for the Skulferatu Project.
Standing stones on Machrie Moor

 

A photo of a stone circle of grey boulders.  Photograph by Kevin Nosferatu for the Skulferatu Project.
Ring of standing stones on Machrie Moor

 

A photo of some of the grey boulders making up the stone circle.  Photograph by Kevin Nosferatu for the Skulferatu Project.
Ring of standing stones on Machrie Moor

 

After a wander around the marshy ground absorbing the atmosphere of the place, and absorbing a lot of water into my rather inadequate footwear, I left the Skulferatu that had accompanied me on my trip, in a hollow, high up in one of the stones.

 

A photo of a hand holding up a small ceramic skull (Skulferatu 87) in front of three standing stones.  Photograph by Kevin Nosferatu for the Skulferatu Project.
Skulferatu #87

 

A photo of a section of a standing stone - a Skulferatu can partially be seen in a hollow in the stone.  Photograph by Kevin Nosferatu for the Skulferatu Project.
Spot the Skulferatu

 

A photo of a small ceramic skull (Skulferatu 87) in a hollow within one of the standing stones.   Photograph by Kevin Nosferatu for the Skulferatu Project.
Skulferatu #87 in a hollow in one of the stones

 

TomTom Map showing location of Skulferatu #87
Map showing location of Skulferatu #87

 

The coordinates for the location of the Skulferatu are –

 

Latitude 55.540656

Longitude -5.312024

 

what3words: vote.weekday.arranger

 

I used the following sources for information on Machrie Moor –

 

Information boards at the site

 

The Book of Arran

Edited by J. A. Balfour

1910

 

Natives of Arran in Glasgow

Ayrshire Weekly News and Galloway Press - Saturday 10 February 1883

 

Tuesday 10 May 2022

Skulferatu #70 - Site of Caldwell's Paper Mill, Inverkeithing, Fife

 

Sometimes when I’m out walking, I end up wandering through the desolate, post demolition sites of old factories and industrial complexes.  These places always have a sort of apocalyptical feel about them with the traces of what was once there being consumed by nature.  In a way I suppose they are like the landscapes in some sci-fi drama set after a devastating nuclear conflict or alien invasion.  There is a sort of eerie emptiness to them.  They feel slightly lawless and forgotten.  The site of Caldwell’s Paper Mill in Inverkeithing is a bit like that with the scrub growing through the remains of concrete floors that seem to stretch on for miles.  Crumbling concrete that is being swallowed back into the earth beneath it.  While wandering around the place I sometimes feel like I’ve drifted into another dimension where humanity has collapsed and society ceased, but rather than bumping into some Mad Max types or some trundling Daleks, I’m usually met by some curious dog bounding through the scrub to bark loudly at me, try to get me to throw its ball, or maybe just attempt to sniff my crotch before being called back by its apologetic owner. 

 

A photo of a flat area of scrubland - the site of Caldwell's Paper Mill in Inverkeithing.  Photo by Kevin Nosferatu for the Skulferatu Project.
The site of Caldwell’s Paper Mill, Inverkeithing

 

Oblique aerial view centred on the paper mill and saltworks, taken from the SSE. https://canmore.org.uk/collection/1043430
An aerial shot from Canmore of the site as it was when the paper mill was in operation

 

Caldwell’s Paper Mill was built in 1914 for Caldwell & Co. Papermakers Ltd.  At the time it was built the mill had four paper machines.  It was bought over by Inveresk in 1928 who added a fifth paper machine.  They ran the company until 2002 when it was purchased by the Scandinavian firm Klippan. About a year after the takeover the mill was closed with the loss of 160 jobs.  The mill then lay derelict until August 2012 when it was demolished.

 

A photo of a brick building that is in ruins,  This once was one of the buildings of Caldwell's Paper Mill.  Photo by Kevin Nosferatu for the Skulferatu Project.
Remains of one of the paper mill buildings

 

A photo of a brick building that is in ruins,  This once was one of the buildings of Caldwell's Paper Mill.  Photo by Kevin Nosferatu for the Skulferatu Project.
Remains of one of the paper mill buildings

 

A photo of part of a brick building that is in ruins.  This once was one of the buildings of Caldwell's Paper Mill.  Photo by Kevin Nosferatu for the Skulferatu Project.
Remains of one of the paper mill buildings

 

A photo of an iron grate in a brick wall inside the ruined building.  Photo by Kevin Nosferatu for the Skulferatu Project.
Grate and bricks inside the building

 

A photo showing a view inside the building.  The walls are covered in graffiti.  Photo by Kevin Nosferatu for the Skulferatu Project.
View inside the building

 

A view of the flat scrubland that makes up the site of where Caldwell's Paper Mill once stood.  There are bricks scattered over the ground.  Photo by Kevin Nosferatu for the Skulferatu Project.
View out over the site from the remains of the paper mill building

 

A photo of a large cartoon graffiti face painted on the wall around the site of the paper mill.  Photo by Kevin Nosferatu for the Skulferatu Project.
Graffiti on the wall around the site of the paper mill

 

A photo of graffiti on the wall around the site of the paper mill.  Photo by Kevin Nosferatu for the Skulferatu Project.
Graffiti on the wall around the site of the paper mill

 

A View over the remains of concrete floors of the paper mill to the wall around the site of the paper mill.  Photo by Kevin Nosferatu for the Skulferatu Project.
View over remains of concrete floors to the wall around the site of the paper mill

 

A photo showing the metal stairs leading up to the bridge over railway tracks at the back of the site.   Photo by Kevin Nosferatu for the Skulferatu Project.
Stairs to the bridge over railway tracks at the back of the site

 

A photo of a brick lying on the ground.  The word ETNA is stamped into it.  Photo by Kevin Nosferatu for the Skulferatu Project.
One of the many bricks scattered around the site

 

A photo of four rusting pipes sticking up out of the ground with a sheet of rusty metal lying nearby.  Photo by Kevin Nosferatu for the Skulferatu Project.
Four pipes and some metal

 

Graffiti on the remains of the concrete floor showing the outline of a person.  Photo by Kevin Nosferatu for the Skulferatu Project.
Graffiti on the remains of the concrete floor

 

After a bit of a jaunt around the site I ended up back at the partial remains of one of the buildings.  There I left the Skulferatu that had accompanied me on my walk, in a pipe hole in the wall of the building. As I walked away, the glass from the thousands of smashed beer bottles covering the ground nearby, glittered and sparkled in the early afternoon sunlight.

 

A photo of a hand holding up a small, ceramic skull (Skulferatu 70).  In the background is the remains of a ruined building that was once part of Caldwell's Paper Mill in Inverkeithing, Fife.  Photo by Kevin Nosferatu for the Skulferatu Project.
Skulferatu #70

 

A photo of a small, ceramic skull (Skulferatu 70) sitting in a pipe hole in a brick wall with a lead pipe protruding out of the hole and curving round.
Skulferatu #70 in a pipe hole in the wall of the building

 

A photo of the ground outside the ruins of the building at Caldwell's Paper Mill.  There is a lot of broken glass on the ground and it glitters in the afternoon sunshine.
Thousands of smashed beer bottles glitter and sparkle in the afternoon sunlight

 

TomTom map showing the location of Skulferatu #70
Map showing the location of Skulferatu #70

 

The coordinates for the location of the Skulferatu are –

 

Latitude 56.028555

Longitude -3.3968700


I used the following sources for information on Caldwell’s Paper Mill -

 

Canmore - Caldwell's Mill, Inverkeithing

 

Daily Record, Monday 13 August 2012

 

For anyone who is interested there is a rather good video by John Davis of the chimneys of the old mill being demolished in a controlled explosion.  I've included the link here –


Demolition of Caldwell paper mill in Inverkeithing



Tuesday 26 April 2022

Skulferatu #68 - Stobsmill Gunpowder Works, Gorebridge

 

It was one of those warm, winter days, when the sun is out, and you feel that spring might come early.  A good day for a walk.  Having recently come across some maps of walks around Gore Glen, by Gorebridge, I decided to follow one and have a nice woodland walk.  So, I took a train from Edinburgh to Gorebridge and set out.  However, my map reading skills and sense of direction are so bad that I ended up doing a bizarre route that took me to the back of some sewage works and then on to a path that looked like it had been made by deer rather than people, which led up a steep embankment and into some grounds I probably wasn’t meant to be in.  Finally I ended up back in Gorebridge and then back on the proper path again.  I followed this and ended up in the woods where I came across the ruins of the Stobsmill Gunpowder Works.

 

A photo of the ruins of one of the buildings from the  Stobsmill Gunpowder Works in Gorebridge.  Photo by Kevin Nosferatu for the Skulferatu Project.
Ruins of one of the gunpowder works buildings

 

A photo of the ruins of one of the buildings from the  Stobsmill Gunpowder Works in Gorebridge.  Photo by Kevin Nosferatu for the Skulferatu Project.
Ruins of one of the gunpowder works buildings

 

I wandered around the crumbling remains of the buildings that once housed a thriving and somewhat dangerous industry.  The stone walls were being subsumed back into nature and were moss covered with ferns growing from the gaps and cracks.  Birds sang in the trees above and water bubbled in the nearby stream.  It was all very different a couple of hundred years ago when there would have been dozens of men at work in and around the buildings, and water wheels would have been churning away to power the whole operation.

 

A photo of a collapsed stone structure in the Stobsmill Gunpowder Works in Gorebridge.  It is covered in ferns and moss.  Photo by Kevin Nosferatu for the Skulferatu Project.
Ruined structure in one of the buildings

 

A photo of a collapsed stone structure in the Stobsmill Gunpowder Works in Gorebridge.  It is covered in ferns and moss.  Photo by Kevin Nosferatu for the Skulferatu Project.
Stones moss covered with ferns growing from the gaps and cracks

 

A photo of a collapsed wall of one of the Stobsmill Gunpowder Works buildings in Gorebridge.  Photo by Kevin Nosferatu for the Skulferatu Project.
Collapsed walls of one of the buildings

 

A photo of the remains of one of the stone walls of the buildings for the Stobsmill Gunpowder Works in Gorebridge.  Photo by Kevin Nosferatu for the Skulferatu Project.
Remains of walls of one of the buildings

 

A photo of a rather battered looking abandoned bicycle lying in the woods in front of the ruins of one of the Stobsmill Gunpowder Works buildings in Gorebridge.Photo by Kevin Nosferatu for the Skulferatu Project.
Abandoned bike by walls of one of the buildings

 

In 1794 the works at Stobsmill were constructed for the Hitchener and Hunter Company to start producing gunpowder.  You might think that this was a company well versed in the production of such an explosive material, but no, it was the venture of William Hitchener, a millwright, and John Hunter, a farmer.  They were both originally from Surrey and had applied there for a licence to produce gunpowder but had been turned down as they lacked the necessary skills or experience to run such a dangerous business. Somehow, they had found their way to Gorebridge where, along with a more experienced partner, John Merrick, they applied for and were successful in gaining a licence to manufacture gunpowder.

 

The works were constructed in an isolated area within the shelter of a valley near to Gorebridge.  The valley was used as a natural barrier in case an explosion occurred, and artificial mounds were created and planted with trees to lessen any explosion that might happen.  The works were built by the Gore Water, with the river being channelled and used to drive the ten waterwheels that powered them. 

 

A photo of a shallow river, the Gore Water, running through woodland by the Stobsmill Gunpowder Works in Gorebridge.  Photo by Kevin Nosferatu for the Skulferatu Project.
The Gore Water running by the gunpowder works buildings

 

The gunpowder produced at the works was exported all around the world and was used by the British Army during the Napoleonic Wars.

 

Advert for gunpowder produced at Stobsmill which reads - New Improved Chemical Gunpowder. HITCHENER and HUNTER, while they gratefully acknowledge the support they have obtained from the Noblemen and Gentlemen who have used their Gunpowder, have again to solicit their attention this article, made on the new improved chemical principle, which combines the properties quickness ignition with cleanness and 'strength.' H. & H having received the unqualified approbation of sportsmen with confidence recommend their gunpowder to the public. J. Carter & Co. of Liverpool, will have a supply for the trade by the beginning of July. Stobs Mills, near Fushie Bridge, N. B. 23rd June, 1829.
Advert for gunpowder produced at Stobsmill from the Chester Chronicle, 17 July 1829

 

As you might expect in an era when health and safety concerns were minimal, there were quite a few accidents at the works and several large explosions.  In 1803 an explosion occurred that killed John Hunter, who was in his garden when a large stone from the blast tore off his arm.  Two of the men working at the mill were also killed in that explosion.

 

On the morning of 18 February 1825 an explosion occurred that was so big it could be heard in Fife, and it rattled the windows of those living in Edinburgh, eight miles away.  It was also reported that the shockwave from the explosion caused the church bells in Dalkeith, some five miles away, to start ringing and that a ploughman working in a field almost a mile away was thrown thirty yards by the force of the blast.  Luckily, he was unharmed.  While in the nearby village of Gorebridge the windows of all the houses were blown in.


Shortly before the explosion, two of the workmen at the mill, Richard Cornwall and Walter Thomson, had been busy loading casks of gunpowder from the ‘Drying Room’ on to a horse drawn waggon.  The casks were then to be taken to a store in another building a short distance away.  Cornwall, at some point went back into the ‘Drying Room’ to retrieve more casks, while Thomson was loading them on to the waggon.  Something then triggered a huge explosion in the ‘Drying Room’, which in turn also caused the store to explode.  These buildings were completely destroyed and both Cornwall and Thomson were blown to pieces.  A report at the time describes how the mangled fragments of the men’s bodies were found scattered around over the distance of a mile and that it was impossible to tell which of the fragments belonged to which man.  Other workers on the site were reported to have been blown to the ground, with some throwing themselves into the river in search of safety.  While the body of the horse that had been with the waggon was found thirty yards from the explosion and the trees all around were shattered and broken.  Some passers-by, who had been on the high road at the time of the explosion described a huge column of black smoke rising up from the valley and large stones being thrown up from it, like a volcano.

 

It was reckoned that about 60 barrels of gunpowder had exploded, each of these containing 112 lbs (51 kg) of powder. So in total over 3000kg of gunpowder.  You would think that given an explosion of that enormity the mills might close down, but no, given a business that lucrative and that vital to war, Empire, etc., they carried on.  Then in 1827 there was another explosion…

 

On Saturday 29 September 1827 at around seven thirty in the morning the residents of Gorebridge were woken by a loud blast when the ‘Corning House’ (the building in which the powder was separated into granules) at the gunpowder works exploded.  The horrific scene that met those who hurried to the ruined building to help was described graphically in a report of the incident by the Caledonian Mercury –

 

‘…the three men who were employed in the premises at the time…were killed by the explosion.  One of the unfortunate men had his legs torn from his body; another his belly torn open, and his entrails hanging out; and the third was blown into the water at a considerable distance from the Mill, where he was found dead about an hour after.  Search was immediately made for the members which were severed from the bodies: but when found, they were so dreadfully mutilated, that it was impossible to know to which the different members belonged.  When looking around the scene of this terrible visitation, it seemed as if some destroying angel had been there, doing his work of desolation and death.  The premises wherein the explosion took place…lay in one heap of ruins; the surrounding trees were stript of their foliage; and the grass was burnt black and bare…’

 

Now, you may be thinking that given the amount of accidents at Stobsmill, those working there were a bit careless, or that the owners were unduly lax over health and safety, and uncaring when it came to their workforce.  However, it seems that explosions at gunpowder factories were not that uncommon, that they were just one of the dangers of working in that trade.  A few days after the explosion at Stobsmill, there was an explosion at the premises of Messrs Pigou & co, a Powder Mill in Dartford, Kent.  Three workmen were also killed in that explosion.

 

Anyway, the buildings at Stobsmill were repaired and work carried on.  Then on Wednesday 21 March 1838, at around six thirty in the morning there was another explosion.  The working day had begun around half an hour earlier and the workforce was spread out throughout the site engaged in their various tasks.  In the ‘Corning House’ two men, Robertson, and West, were busy at work when there was a huge blast that destroyed the building.  Their colleagues ran to the smoking ruins and in the rubble they found Robertson.  He was still breathing but died shortly after from his wounds.  The body of West was then found ‘at some distance’ from the building.  A report of the incident in The Scotsman notes that the damage to the buildings and machinery was significant and that ‘the loss to the proprietor must be considerable – insurance on property of this nature being of course out of the question.’  No shit Sherlock!

 

Again the buildings were repaired, and work carried on until around 1861 when the mills finally closed.  Now all that is left of them are the ruins in the woodland of the Gore Glen.  A place so peaceful that it is hard to imagine that it was once a site of heavy industry and several tragic, fatal, and devastating accidents.

 

I left the Skulferatu that had accompanied me on my walk in a moss and lichen covered hollow in one of the walls.

 

A photo of a small ceramic skull (Skulferatu 68) being held up in front of the ruins of part of the Stobsmill Gunpowder Works in Gorebridge.  Photo by Kevin Nosferatu for the Skulferatu Project.
Skulferatu #68

 

A photo of a small ceramic skull (Skulferatu 68) in the wall of one of the ruined buildings of Stobsmill Gunpowder Works in Gorebridge.  Photo by Kevin Nosferatu for the Skulferatu Project.

 

A photo of a small ceramic skull (Skulferatu 68) in the wall of one of the ruined buildings of Stobsmill Gunpowder Works in Gorebridge.  Photo by Kevin Nosferatu for the Skulferatu Project.
Skulferatu #68 in a moss and lichen covered hollow in one of the walls.

 

Google map showing location of Skulferatu #68
Map showing location of Skulferatu #68

 

The coordinates for the location of the Skulferatu are –

 

Latitude 55.83960

Longitude -3.051440

 

I used the following sources for information on Stobsmill Gunpowder Works -

 

The Statistical Accounts of Scotland 1791-1845, Vol 1

Temple, County of Edinburgh (Page 53)

 

Gorebridge Community Development Trust

https://gorebridge.org.uk/heritage/stobsmill-gunpowder-works-an-introduction/

 

The Scots Magazine

Tuesday, 1 March 1825

 

Caledonian Mercury

Saturday, 19 February 1825

 

Caledonian Mercury

Monday, 1 October 1827

 

The Scotsman

Wednesday, 28 March 1838


Article and photographs are copyright of © Kevin Nosferatu, unless otherwise specified.