Tuesday, 23 May 2023

Skulferatu #97 - High Level Bridge, Newcastle Upon Tyne

 

Newcastle has always been a part of my life.  I used to have a lot of family down there, so visited often.  I still like to head down two or three times a year and have a wander around. 

 

For those unfamiliar with the city of Newcastle, it sits on the north bank of the River Tyne in the north east of England and is considered to be the capital of the area.  It grew up, around and over the Roman settlement of Pons Aellius, flourished and expanded during the fourteenth century as an important site in the wool trade, and then played an important role in the UK’s coal industry.  With the decline of its docks and the coal industry the city suffered like many other northern towns and cities, though through various regeneration projects it now has a diverse and thriving economy.

 

When I’m in Newcastle, one of the walks I like to do takes me over the High level Bridge, a double decker bridge with a railway running over the upper level.  From this bridge there are amazing views over the River Tyne to the iconic Tyne Bridge and several other bridges across the river.  There are also great views of the riverside areas of Newcastle and Gateshead.

 

A photograph showing a view over some rooftops to the High Level Bridge in Newcastle.  There are various chimneys and tiled roofs in the foreground with the bridge in the background.  Photograph by Kevin Nosferatu for The Skulferatu Project.
View over the rooftops to the High Level Bridge

 

View from Gateshead over the Tyne to Newcastle showing the High Level Bridge and the Swing Bridge.  The Swing Bridge is red and white with what looks like a small lighthouse in the centre.  Photograph by Kevin Nosferatu for The Skulferatu Project.
View of the High Level Bridge

 

A view of the High Level Bridge showing the River Tyne in the foreground and a wooden structure with two huts on it by the feet of the bridge.  In the far right hand corner is an old stone building which is Newcastle Castle.  Photograph by Kevin Nosferatu for The Skulferatu Project.
View of the High Level Bridge

 

A view from the High Level Bridge showing the Swing Bridge in the foreground and the Tyne Bridge behind that.  Photograph by Kevin Nosferatu for The Skulferatu Project.
View from the High Level Bridge to the Tyne Bridge and beyond

 

The view over Newcastle from the bridge always reminds me of a story Grandpa Nosferatu told me, probably because it is not that far from the area where he once lived.  Grandpa Nosferatu was born and brought up in the slums of Newcastle in the early part of the Twentieth Century, and as a young boy he lived with his family in a dingy, cramped house in the terraces by the docks.

 

My Grandpa’s father was a brute of a man who ruled his family with extreme violence. A man who terrorised his wife and children and expected them to obey his every word.  Basically, he was a big, nasty, aggressive bully.  As a kid Grandpa Nosferatu had learnt quickly that you never went against what his father said, or there would be dire consequences.  One of the many rules and stipulations that his father had was that his children never played in the docks. However, this was one rule Grandpa Nosferatu couldn’t help breaking, there was just too much fun to be had down there.  The place was a playground heaven for kids, what with all the boxes to climb, reels of rope, and various bits of junk lying around that just cried out to be played with.

 

One evening, a six or seven year old Grandpa Nosferatu headed down to the docks to meet some friends, climb boxes and play at being sailors. However, his friends never turned up. This did not deter my grandpa, who sat on top of one of the many boxes pretending that it was his ship, and he was the captain. He was suddenly disturbed out of his play by the noise of an argument. He shimmied down from the box and sneaked round to see what was going on. From a safe vantage point, he saw three men. Two were arguing with the third.  As the argument escalated the two men began to push and punch the third man. Then one of the men pulled out a knife and stabbed the third man several times.  He collapsed, lifeless, to the ground.  For a while the two other men seemed at a loss as what to do.  After some discussion they dragged the third man’s body to the edge of the dock and rolled him over into the swirling, dark waters of the Tyne.  They then hurried away, looking nervously around as they went.  My grandpa ducked down and hid for what felt like hours, too terrified to move in case the men came back and saw him.  Eventually, when he had plucked up enough courage, he left.  For a while he walked the streets in shock and facing a huge dilemma, did he go and tell the police what he'd seen and risk the wrath of his father, or did he keep quiet? The thought of his father being in a rage was so terrifying that he decided to keep quiet about what he had seen and for many years he never told a soul about the murder he witnessed at the docks.  And he really only ever told the story to highlight just how scared he had been of his father.  A fear that drove him to walk out of the family home at the age of fourteen and never return.

 

Anyway, back to the bridge.  The High Level Bridge was commissioned in 1845 and Robert Stephenson, the renowned engineer and son of the famous inventor George Stephenson, came up with the design for it. The stipulations he was given for the bridge were that it was to carry a railway, roadway, and a pedestrian walkway.  In order to avoid having to build a very wide and very expensive bridge, he designed it to be on two levels.  The lower level consisted of a road and two walkways, one on either side of the road, while the upper level carried the railway.  Work then began on the construction of the bridge with houses on each side of the river being demolished.  Piles were then driven into the riverbed; the approach viaducts were constructed and the ironwork was cast and put in place.  In total over 5,050 tons of iron were used in the building of the bridge and around 1.5 million bricks.  The cost of its construction, including the costs of building the approaches to the bridge and compensation to the families whose houses had to be demolished to make way for it, was estimated to be around £491,000, which translates in today’s money as being around £46 million.

 

The bridge was opened in 1849 by Queen Victoria and was considered to be ‘one of the finest pieces of architectural ironwork in the world.’ 

 

An old colour postcard of a painting showing two of the bridges across the Tyne, one of them being the High Level Bridge.  There are numerous old fashioned boats on the river and Newcastle is covered in a low smog from the many factories.  The postcard is by Tuck and is described as being a scene of The Busy Tyneside.
‘The Busy Tyneside’ – Tuck’s Postcard

 

Over the years, the High Level Bridge has undergone several renovations and upgrades to ensure its continued use and safety. In 2008, the bridge was refurbished at a cost of £40 million, which included strengthening work and the replacement of several components.

 

A view down a cycle path and roadway to the opening of the lower storey of the High Level Bridge.  Next to the bridge stands a stone building of maybe Victorian design and this is the Bridge Hotel.  Photograph by Kevin Nosferatu for The Skulferatu Project.
Newcastle entrance to the High Level Bridge

 

A photo showing iron pillars of the bridge running off into the distance.  They are painted a very pale brown colour.  Photograph by Kevin Nosferatu for The Skulferatu Project.
Iron Pillars

 

A photo of some graffiti on the bridge which consists of a sticker of a skull under which someone has drawn a suit, shirt and tie as if the skull is wearing business clothes.  Photograph by Kevin Nosferatu for The Skulferatu Project.
Graffiti skull and suit on the bridge

 

A photo of a padlock on a metal grill on the High Level Bridge.  The padlock is gold in colour and shaped like a love heart.  In the background is the Tyne Bridge.  Photograph by Kevin Nosferatu for The Skulferatu Project.
My heart belongs to ...

 

A black and white photograph showing the view along the pedestrian walkway of the High Level Bridge.  There are Victorian looking iron pillars stretching off into the distance.  Photograph by Kevin Nosferatu for The Skulferatu Project.
A view along the pedestrian walkway

 

A view of the High Level Bridge from Gateshead showing the bridge curving around across the Tyne to Newcastle.  Photograph by Kevin Nosferatu for The Skulferatu Project.
The High Level Bridge – Gateshead view

 

Today, in the howling wind, I walked over the bridge and took in the views.  I then left the Skulferatu that had accompanied me on my walk in a ledge in the ironwork, high above the Tyne.

 

A photo showing a hand holding up a small ceramic skull (Skulferatu 97) with a view of the metal pillars on the lower level of the High Level Bridge in the background.  Photograph by Kevin Nosferatu for The Skulferatu Project.
Skulferatu #97

 

A photo showing a small ceramic skull (Skulferatu 97) lying on a ledge on a large iron panel in the High Level Bridge.  Photograph by Kevin Nosferatu for The Skulferatu Project.
Skulferatu #97 on a ledge in the ironwork of the bridge

 

A photo showing a small ceramic skull (Skulferatu 97) lying on a ledge in the High Level Bridge.  Photograph by Kevin Nosferatu for The Skulferatu Project.
Skulferatu #97 on a ledge in the ironwork of the bridge

 

 TomTom Map showing the location of Skulferatu #97
Map showing the location of Skulferatu #97

 

The coordinates for the location of the Skulferatu are –

 

Latitude 54.967402

Longitude -1.609099

 

what3words: fact.grab.hotel

 

I used the following sources for information on the High Level Bridge –

 

Tourist Info at Site

 

Network Rail – The History of the High Level Bridge, Newcastle

 

 

Tuesday, 9 May 2023

Skulferatu #96 - Tickleness Point, Burntisland, Fife


Sometimes I go and have a wander around a place just because I’ve seen it named on a map and have liked the name.    And that was the main reason I decided to go for a walk around this bit of the Burntisland coastline, I mean how could I resist a name like ‘Tickleness Point’?  Why it bares that name I have no idea, but it brought back childhood memories of the Mr Men books and Mr Tickle.  Hmmm, do you think in this day and age that particular Mr Man would be written into existence, what with his proclivity for the inappropriate touching, or tickling, of random people?  Probably not.

 

Only a short walk from the railway station, Tickleness Point is part of the Lammerlaws, on a peninsular that sticks out from the coast at Burntisland. 

 

I made my way along a path that curved up and around the hill at Tickleness Point.  Nearing the top, the earth was exposed and crumbling under the charred branches of burnt gorse.  Blackened branches that looked like they had been clawing their way out of the ground in a futile attempt to escape the flames. 

 

A photo of a hill with some rocks in the foreground - a view of Tickleness Point from the rocky seashore.  Photograph by Kevin Nosferatu for the Skulferatu Project.
View up Tickleness Point

 

A photo showing brown, crumbling soil on a slope with the blackened and burnt branches of some gorse bushes sticking out.  Photograph by Kevin Nosferatu for the Skulferatu Project.
Burnt gorse

 

A photo of brown, crumbling soil on a slope, in the centre is a rabbit burrow and all around are burnt gorse branches protruding from the earth.  Photograph by Kevin Nosferatu for the Skulferatu Project.
Burnt gorse and rabbit burrow

 

At the top of the hill were some ditches and mounds which are all that remains of a fort which once stood there.  The fort was believed to have been built by Oliver Cromwell’s men in the early 1650s, during the Third Civil War.  And, given the view over the Forth I could see why they would have built a fort there.

 

A photo showing a very grey scene over the Firth of Forth from Tickleness Point in Fife looking towards Edinburgh.  The hills of Edinburgh can be seen in silhouette.  Photograph by Kevin Nosferatu for the Skulferatu Project.
View over the Forth to Edinburgh from Tickleness Point

 

The military history of Tickleness Point did not end with Cromwell, as during World War II it was in use again, and a concrete pill box from that time still stands above some steep rocks overlooking the sea.

 

A photo showing a grey, concrete building perched above some steep rocks.  The windows of the building have been bricked up.  Photograph by Kevin Nosferatu for the Skulferatu Project.
Pill box on the rocks overlooking the sea

 

Near to where Cromwell’s fort stood are the remains of some lime kilns.  Lime kilns were used in the production of quicklime (Calcium Oxide), a product which had, and still has many uses.  It is used in the manufacture of cement and mortar, as a fertilizer, and was once used to mask the stench of rotting corpses.  Something that would have been quite important in the overcrowded graveyards of old.

 

A photo of an old, stone ruin beside the sea.  There is a curved passageway leading through it.  This is the ruin of the lime kilns at Tickleness Point.  Photograph by Kevin Nosferatu for the Skulferatu Project.
Lime kilns at Tickleness Point

 

A photo showing the lime kilns in the distance.  the sky is grey and ominous and there is a faded rainbow on the right-hand side.  Photograph by Kevin Nosferatu for the Skulferatu Project.
Lime kilns and rainbow

 

A close up shot of the ruins of the lime kilns showing that it is a crumbling stone structure with grass all around and bushes growing up to the left of it.  Photograph by Kevin Nosferatu for the Skulferatu Project.
Lime kilns at Tickleness Point

 

Nothing much is known of the history of the lime kilns, but they do make a nice landmark.

 

I left the Skulferatu that had accompanied me on my walk around Tickleness Point in a gap in the crumbling cement of the lime kilns.

 

A photo of a hand holding up a small, ceramic skull (Skulferatu 96).  In the background are the lime kilns.  Photograph by Kevin Nosferatu for the Skulferatu Project.
Skulferatu #96

 

A photo of a crumbling stone wall.  In the centre, in the crumbling cement, is a small, ceramic skull (Skulferatu 96).  Photograph by Kevin Nosferatu for the Skulferatu Project.
Skulferatu #96 in a gap in the crumbling cement

 

A close-up photo of the crumbling stone wall with a small, ceramic skull (Skulferatu 96) sitting in a hollow in the cement. Photograph by Kevin Nosferatu for the Skulferatu Project.
Skulferatu #96 in a gap in the crumbling cement

 

Google Map showing location of Skulferatu #96
Map showing location of Skulferatu #96

 

The coordinates for the location of the Skulferatu are –

 

Latitude 56.057339

Longitude -3.223469

 

what3words: spray.distracts.fats

 

I used the following sources for information on Tickleness Point –

 

Canmore – Tickleness Point

Canmore - Tickleness Point, Burntisland

 

 

The History of Burntisland

by Andrew Young

1913

 

For anyone unfamiliar with Mr Tickle, a narrated cartoon of the book is available on –

https://youtu.be/gPC3MmdTb-E