Showing posts with label The Skulferatu Project. Show all posts
Showing posts with label The Skulferatu Project. Show all posts

Tuesday 20 June 2023

Skulferatu #99 - West Walls, Newcastle upon Tyne

 

When you think of the walled cities in Britain, the ones that most commonly spring to mind are York and Chester, however many of the more ancient cities in the UK, like Newcastle, were at one time protected by a defensive wall.  As the old saying goes – ‘If walls could talk, what tales they would tell’, and at around seven hundred years old the town walls of Newcastle must have quite a bit of gossip for us.

 

A view of a Chinese Arch that is red and gold.  In the background on a piece of lawned ground runs an old wall - the West Walls or town walls of Newcastle.  Photo by Kevin Nosferatu for the Skulferatu Project.
Looking along the wall from the Chinese Arch

 

The town wall around Newcastle was built during the 13th and 14th centuries to defend the town from attack and occupation, during a time of hostilities between England and Scotland.  The wall was around two miles long, varied in height from fourteen feet to twenty three feet and was surrounded by a defensive ditch.  There was a parapet on top of the wall, seventeen towers, six main gates, three side gates and seventeen water gates at the Quayside, allowing access to the riverside. 

 

A view showing a the old town walls with a path running alongside them, just behind then is a row of red brick factory like buildings and in the distance is a tall, modern glass tower building. Photo by Kevin Nosferatu for the Skulferatu Project.
The West Walls


A view along the town walls with the tops of the red brick buildings showing above them.  Towards the end of the photo can be seen a small, stone tower that was one of the many towers that once made up parts of the town wall.  Photo by Kevin Nosferatu for the Skulferatu Project.
The West Walls

 

On several occasions the wall helped repel attacks by Scottish forces, but in 1644, during the Siege of Newcastle by the Scottish Covenanters, the wall was breached, and the Scots army took control of the city and surrounding area.  Once this conflict was over, the walls were repaired and strengthened.  They were further strengthened during the Jacobite Rebellions in 1715 and 1745, as it was feared that the Jacobite troops may invade.  However, they didn’t and in the subsequent peace the walls fell into disrepair with some parts being demolished, and others being scavenged for building material.

 

A view of part of the town wall with one of the towers, Mordern Tower.  Right behind the tower, in the distance, stands the large glass looking modern tower. Photo by Kevin Nosferatu for the Skulferatu Project.
Morden Tower

 

A view along the old stone wall of the West Walls, or Old Town Walls.  Photo by Kevin Nosferatu for the Skulferatu Project.
The West Walls

 

A view of a path that runs at the back of the town wall.  On one side is the old town wall, there is a tarmac path in the middle and then on the other side the red brick walls and air conditioning units of the various industrial buildings.  Photo by Kevin Nosferatu for the Skulferatu Project.
Path running down the back of the walls

 

An abstract view at an angle up the town wall and looking to the sky with the glass office block appearing at one side and the walls of the factory units at the other.  Photo by Kevin Nosferatu for the Skulferatu Project.
The Wall

 

Today, several parts of the wall remain, the best preserved of these can be found in the west of Newcastle, in the Chinatown area.  Several of the wall towers still stand, these being Herber Tower, Morden Tower, Ever Tower and Durham Tower. 

 

A view along the path at the back of the wall showing the entrance to Mordern Tower.  Photo by Kevin Nosferatu for the Skulferatu Project.
Morden Tower

 

Morden Tower was for many years a famous literary hub and was used as a venue where many poets and writers came to give readings of their work.  Those giving readings there included Allen Ginsberg, Seamus Heaney, Carole Anne Duffy, Ted Hughes, Roger McGough, Derek Mahon, Brian Patten, and Stevie Smith.

 

A view of Durham tower, an old stone tower that makes up part of the wall.  It has a barred gate and there are some stone structures sticking out along the roof.  Photo by Kevin Nosferatu for the Skulferatu Project.
Durham Tower

 

A photo of a stone wall.  Photo by Kevin Nosferatu for the Skulferatu Project.
All in all, you’re just another stone in the wall

 

On my walk around the walls, I made my way down to Durham Tower, which is one of the most intact of the original towers.  There, I left the Skulferatu that had accompanied me in a gap in the cement between the stones, underneath one of the windows.

 

A photo of a hand holding up a small ceramic skull (Skulferatu 99) with Durham Tower in the distance.  Photo by Kevin Nosferatu for the Skulferatu Project.
Skulferatu #99

 

A photo of Durham Tower from another angle showing a small, slit window in the building.  Photo by Kevin Nosferatu for the Skulferatu Project.
Durham Tower

 

A photo showing the wall and small slit window of Durham Tower, just underneath in a gap in the stone wall there is a small ceramic skull (Skulferatu 99).  Photo by Kevin Nosferatu for the Skulferatu Project.
Skulferatu #99 in a gap in the tower wall

 

A photo showing the wall of Durham Tower, and in a gap there is a small ceramic skull (Skulferatu 99).  Photo by Kevin Nosferatu for the Skulferatu Project.
Skulferatu #99 in a gap in the tower wall

 

A photo showing the wall of Durham Tower, and in a gap there is a small ceramic skull (Skulferatu 99).  Photo by Kevin Nosferatu for the Skulferatu Project.
Skulferatu #99 in a gap in the tower wall

 

Map showing location of Skulferatu #99
Map showing location of Skulferatu #99

 

The coordinates for the location of the Skulferatu are –

 

Latitude 54.971149

Longitude -1.620655

 

what3words: class.slick.bronze

 

I used the following sources for information on the West Walls –

 

Co-Curate - Newcastle Town Walls

 

Historic England - Town Wall, Newcastle

Tuesday 6 June 2023

Skulferatu #98 - Dog Leap Stairs, Newcastle upon Tyne

 

There is a steep drop from the centre of Newcastle to the riverside area.  This means there are lots of steep roads and steep stairs.  In fact, there seem to be an endless number of stairs taking you up or down.  There is even a set of stairs that starts in the middle of nowhere and ends suddenly, having gone nowhere.  So, if you ever fancy going on a keep fit weekend, don’t waste your money on a gym or spa break, just come to Newcastle and run up and down the stairs.

 

A photograph showing some steps leading up a wall and then ending abruptly against another stone wall.  Photograph by Kevin Nosferatu for the Skulferatu Project.
Set of stairs leading nowhere

 

Dog Leap Stairs are one of the most well known in Newcastle and lead from the Side, near the Quayside, to the Castle Garth, an open area by the Black Gate, which was part of Newcastle Castle.  Though the name of the stairs conjures up images of dogs leaping and made me think there had to be some exciting story of bravery and courage by some scrawny mutt, it appears the origin of the name is not that exciting.  It probably came from the term ‘dog-loup’ which referred to the way the stairs curve around, making them resemble the shape of a dog’s hind leg.

 

A black and white photo showing a street with a wall in the foreground, a set of steps going up and beyond that some brick buildings.  There is a sign on the wall of the building by the steps that reads Dog Leap Stairs.  Photograph by Kevin Nosferatu for the Skulferatu Project.
Entrance to Dog Leap Stairs

 

A photo of a red brick wall with an old fashioned iron type street sign on it - the sign reads Dog Leap Stairs.   Photograph by Kevin Nosferatu for the Skulferatu Project.
Street sign for Dog Leap Stairs

 

A picture showing a steep and narrow set of stone stairs going up with a stone wall on one side and a red brick wall on the other.  Photograph by Kevin Nosferatu for the Skulferatu Project.
Dog Leap Stairs

 

Dog Leap Stairs was once the scene of a dramatic chase.  In the late eighteenth century, Bessie Surtees, the daughter of a wealthy Newcastle banker, met and fell in love with a young trainee cleric called John Scott.  However, Bessie’s father didn’t think much of John, or his prospects, so forbade them from meeting in an effort to kill off their romance.  But of course, love doesn’t work like that, and Bessie and John secretly planned to run off together.  On the night of November 18, 1772, Bessie climbed out of her bedroom window and met John, who was waiting outside.  As they made their escape on horseback, legend has it that they were spotted, and chase was given.  With a bit of encouragement, John managed to persuade their horse that a gallop up Dog Leap Stairs was just what it needed, and up it went, leaving their pursuers behind.  The couple then made their way to Scotland, where they were married.  They later reconciled with Bessie’s family and had a long and happy marriage.  Despite Bessie’s father’s doubts about John and his prospects, John proved him wrong by going on to become the Lord High Chancellor of Great Britain and the Earl of Eldon.

 

A view down Dog Leap Stairs showing buildings on the left hand side and a stone wall and pillars on the other side.  Photograph by Kevin Nosferatu for the Skulferatu Project.
View from halfway up the stairs

 

A view from Dog Leap Staits showing a building on the left hand side, a building below and at the front and an old fashioned looking street lantern on a wall on the right hand side.  Photograph by Kevin Nosferatu for the Skulferatu Project.
View from Dog Leap Stairs

 

A view of a tall and old fashioned looking red brick building of towers with steep roofs - this is the Black Gate at the top of Dog Leap Stairs.  Photograph by Kevin Nosferatu for the Skulferatu Project.
View of the Black Gate from the top of Dog Leap Stairs

 

Unlike John Scott’s horse, I didn’t gallop up the steps, rather, with my old and somewhat knackered knees, I managed to stumble my way up to the top of the stairs.  Then I stumbled my way back down again.  On my way back down, I left a Skulferatu in a conveniently sized hole in the brick wall running up by the steps.

 

A photo of a hand holding up a small ceramic skull (Skulferatu 98) with Dog Leap Stairs in the background.  Photograph by Kevin Nosferatu for the Skulferatu Project.
Skulferatu #98

 

A photo of a small ceramic skull (Skulferatu 98) appearing to be stuck on a brick in a brick wall.  Photograph by Kevin Nosferatu for the Skulferatu Project.
Skulferatu #98 in a conveniently sized hole in the brick wall

 

A photo of a small ceramic skull (Skulferatu 98) appearing to be stuck on a brick in a brick wall.  Photograph by Kevin Nosferatu for the Skulferatu Project.
Skulferatu #98 in a conveniently sized hole in the brick wall

 

Google Map showing location of Skulferatu #98
Map showing location of Skulferatu #98

 

The coordinates for the location of the Skulferatu are –

 

Latitude 54.969343

Longitude -1.610039

 

what3words: gallons.shins.worker

 

I used the following sources for information on Dog Leap Stairs –

 

Sunniside Local History Society - Newcastle Place Names

 

Sitelines - Dog Leap Stairs, Newcastle

 

Wikipedia - John Scott, 1st Earl of Eldon

Tuesday 23 May 2023

Skulferatu #97 - High Level Bridge, Newcastle Upon Tyne

 

Newcastle has always been a part of my life.  I used to have a lot of family down there, so visited often.  I still like to head down two or three times a year and have a wander around. 

 

For those unfamiliar with the city of Newcastle, it sits on the north bank of the River Tyne in the north east of England and is considered to be the capital of the area.  It grew up, around and over the Roman settlement of Pons Aellius, flourished and expanded during the fourteenth century as an important site in the wool trade, and then played an important role in the UK’s coal industry.  With the decline of its docks and the coal industry the city suffered like many other northern towns and cities, though through various regeneration projects it now has a diverse and thriving economy.

 

When I’m in Newcastle, one of the walks I like to do takes me over the High level Bridge, a double decker bridge with a railway running over the upper level.  From this bridge there are amazing views over the River Tyne to the iconic Tyne Bridge and several other bridges across the river.  There are also great views of the riverside areas of Newcastle and Gateshead.

 

A photograph showing a view over some rooftops to the High Level Bridge in Newcastle.  There are various chimneys and tiled roofs in the foreground with the bridge in the background.  Photograph by Kevin Nosferatu for The Skulferatu Project.
View over the rooftops to the High Level Bridge

 

View from Gateshead over the Tyne to Newcastle showing the High Level Bridge and the Swing Bridge.  The Swing Bridge is red and white with what looks like a small lighthouse in the centre.  Photograph by Kevin Nosferatu for The Skulferatu Project.
View of the High Level Bridge

 

A view of the High Level Bridge showing the River Tyne in the foreground and a wooden structure with two huts on it by the feet of the bridge.  In the far right hand corner is an old stone building which is Newcastle Castle.  Photograph by Kevin Nosferatu for The Skulferatu Project.
View of the High Level Bridge

 

A view from the High Level Bridge showing the Swing Bridge in the foreground and the Tyne Bridge behind that.  Photograph by Kevin Nosferatu for The Skulferatu Project.
View from the High Level Bridge to the Tyne Bridge and beyond

 

The view over Newcastle from the bridge always reminds me of a story Grandpa Nosferatu told me, probably because it is not that far from the area where he once lived.  Grandpa Nosferatu was born and brought up in the slums of Newcastle in the early part of the Twentieth Century, and as a young boy he lived with his family in a dingy, cramped house in the terraces by the docks.

 

My Grandpa’s father was a brute of a man who ruled his family with extreme violence. A man who terrorised his wife and children and expected them to obey his every word.  Basically, he was a big, nasty, aggressive bully.  As a kid Grandpa Nosferatu had learnt quickly that you never went against what his father said, or there would be dire consequences.  One of the many rules and stipulations that his father had was that his children never played in the docks. However, this was one rule Grandpa Nosferatu couldn’t help breaking, there was just too much fun to be had down there.  The place was a playground heaven for kids, what with all the boxes to climb, reels of rope, and various bits of junk lying around that just cried out to be played with.

 

One evening, a six or seven year old Grandpa Nosferatu headed down to the docks to meet some friends, climb boxes and play at being sailors. However, his friends never turned up. This did not deter my grandpa, who sat on top of one of the many boxes pretending that it was his ship, and he was the captain. He was suddenly disturbed out of his play by the noise of an argument. He shimmied down from the box and sneaked round to see what was going on. From a safe vantage point, he saw three men. Two were arguing with the third.  As the argument escalated the two men began to push and punch the third man. Then one of the men pulled out a knife and stabbed the third man several times.  He collapsed, lifeless, to the ground.  For a while the two other men seemed at a loss as what to do.  After some discussion they dragged the third man’s body to the edge of the dock and rolled him over into the swirling, dark waters of the Tyne.  They then hurried away, looking nervously around as they went.  My grandpa ducked down and hid for what felt like hours, too terrified to move in case the men came back and saw him.  Eventually, when he had plucked up enough courage, he left.  For a while he walked the streets in shock and facing a huge dilemma, did he go and tell the police what he'd seen and risk the wrath of his father, or did he keep quiet? The thought of his father being in a rage was so terrifying that he decided to keep quiet about what he had seen and for many years he never told a soul about the murder he witnessed at the docks.  And he really only ever told the story to highlight just how scared he had been of his father.  A fear that drove him to walk out of the family home at the age of fourteen and never return.

 

Anyway, back to the bridge.  The High Level Bridge was commissioned in 1845 and Robert Stephenson, the renowned engineer and son of the famous inventor George Stephenson, came up with the design for it. The stipulations he was given for the bridge were that it was to carry a railway, roadway, and a pedestrian walkway.  In order to avoid having to build a very wide and very expensive bridge, he designed it to be on two levels.  The lower level consisted of a road and two walkways, one on either side of the road, while the upper level carried the railway.  Work then began on the construction of the bridge with houses on each side of the river being demolished.  Piles were then driven into the riverbed; the approach viaducts were constructed and the ironwork was cast and put in place.  In total over 5,050 tons of iron were used in the building of the bridge and around 1.5 million bricks.  The cost of its construction, including the costs of building the approaches to the bridge and compensation to the families whose houses had to be demolished to make way for it, was estimated to be around £491,000, which translates in today’s money as being around £46 million.

 

The bridge was opened in 1849 by Queen Victoria and was considered to be ‘one of the finest pieces of architectural ironwork in the world.’ 

 

An old colour postcard of a painting showing two of the bridges across the Tyne, one of them being the High Level Bridge.  There are numerous old fashioned boats on the river and Newcastle is covered in a low smog from the many factories.  The postcard is by Tuck and is described as being a scene of The Busy Tyneside.
‘The Busy Tyneside’ – Tuck’s Postcard

 

Over the years, the High Level Bridge has undergone several renovations and upgrades to ensure its continued use and safety. In 2008, the bridge was refurbished at a cost of £40 million, which included strengthening work and the replacement of several components.

 

A view down a cycle path and roadway to the opening of the lower storey of the High Level Bridge.  Next to the bridge stands a stone building of maybe Victorian design and this is the Bridge Hotel.  Photograph by Kevin Nosferatu for The Skulferatu Project.
Newcastle entrance to the High Level Bridge

 

A photo showing iron pillars of the bridge running off into the distance.  They are painted a very pale brown colour.  Photograph by Kevin Nosferatu for The Skulferatu Project.
Iron Pillars

 

A photo of some graffiti on the bridge which consists of a sticker of a skull under which someone has drawn a suit, shirt and tie as if the skull is wearing business clothes.  Photograph by Kevin Nosferatu for The Skulferatu Project.
Graffiti skull and suit on the bridge

 

A photo of a padlock on a metal grill on the High Level Bridge.  The padlock is gold in colour and shaped like a love heart.  In the background is the Tyne Bridge.  Photograph by Kevin Nosferatu for The Skulferatu Project.
My heart belongs to ...

 

A black and white photograph showing the view along the pedestrian walkway of the High Level Bridge.  There are Victorian looking iron pillars stretching off into the distance.  Photograph by Kevin Nosferatu for The Skulferatu Project.
A view along the pedestrian walkway

 

A view of the High Level Bridge from Gateshead showing the bridge curving around across the Tyne to Newcastle.  Photograph by Kevin Nosferatu for The Skulferatu Project.
The High Level Bridge – Gateshead view

 

Today, in the howling wind, I walked over the bridge and took in the views.  I then left the Skulferatu that had accompanied me on my walk in a ledge in the ironwork, high above the Tyne.

 

A photo showing a hand holding up a small ceramic skull (Skulferatu 97) with a view of the metal pillars on the lower level of the High Level Bridge in the background.  Photograph by Kevin Nosferatu for The Skulferatu Project.
Skulferatu #97

 

A photo showing a small ceramic skull (Skulferatu 97) lying on a ledge on a large iron panel in the High Level Bridge.  Photograph by Kevin Nosferatu for The Skulferatu Project.
Skulferatu #97 on a ledge in the ironwork of the bridge

 

A photo showing a small ceramic skull (Skulferatu 97) lying on a ledge in the High Level Bridge.  Photograph by Kevin Nosferatu for The Skulferatu Project.
Skulferatu #97 on a ledge in the ironwork of the bridge

 

 TomTom Map showing the location of Skulferatu #97
Map showing the location of Skulferatu #97

 

The coordinates for the location of the Skulferatu are –

 

Latitude 54.967402

Longitude -1.609099

 

what3words: fact.grab.hotel

 

I used the following sources for information on the High Level Bridge –

 

Tourist Info at Site

 

Network Rail – The History of the High Level Bridge, Newcastle

 

 

Tuesday 25 April 2023

Skulferatu #95 - Southern Necropolis, Caledonia Road, Glasgow


I journeyed through to Glasgow on a day with clouds so low, stiff, and grey, that it looked almost as if the world had been wrapped in a pauper’s shroud of old.  An oppressive shroud of gloom that seemed to deaden all the colours of everything in the city.  As I left the train station, people rushed on by, heads down, and the snarled traffic beeped and belched along the road.  Heading down the busy streets I made my way across the Clyde and into the Gorbals area of the city, where the streets seemed almost empty.  Walking past block after block of newly built flats and houses, I ended up in an area of run down and tired looking flats and tower blocks.  There, I found the place I was looking for, a place I’d been meaning to have a wander around for a long time, the Southern Necropolis.

 

A photo of a castle like old stone building with towers - the gate house to the Southern Necropolis.  Photograph by Kevin Nosferatu for the Skulferatu Project.
The Necropolis Gatehouse

 

A view down a pathway with trees on one side and gravestones on the other.  In the background is the gate house to the Southern Necropolis and then two blocks of 60s high rise blocks.  Photograph by Kevin Nosferatu for the Skulferatu Project.
A view down towards the entrance to the Southern Necropolis

 

A black and white photograph showing some gravestones standing in front of a bare tree that looks almost skeletal.   Photograph by Kevin Nosferatu for the Skulferatu Project.
Gravestones and skeleton like trees

 

The Southern Necropolis, like its more famous counterpart the Glasgow Necropolis, is a graveyard best described as a ‘city of the dead’.  It was opened in 1840 and over 250,000 people are buried there.  It is the resting place of many of the richest of Glasgow’s inhabitants as well as many of its poorest.  Though most of those interred there are now long forgotten, there is one name that will be familiar to many due to the product that carries his name.  That being Thomas Lipton, the man who brought the world Lipton Tea.  


Thomas Lipton was a Scottish entrepreneur who was born in the Gorbals in 1848 and spent his early life in Glasgow.  After a few years of travelling and working in the USA, he returned to Glasgow and set up a chain of grocery stores there.  By the turn of the century, he had built up a chain of over three hundred stores throughout the UK and was a very rich man.  He then got into the tea trade and conquered the American market, making himself a multi-millionaire in the process.  


Thomas was a great self-publicist who made friends in the highest echelons of society, including both King Edward VII and King George V.   However, he led a life of contradictions, as despite being quite a hard-nosed businessman who was also known for his flamboyant lifestyle, he was also deeply committed to philanthropy and was a vocal advocate for the welfare of working-class people.  He also had a reputation as being a bit of a ladies' man, something he also tended to promote himself as, but it appears likely that he was gay. He lived for nearly thirty years with a long-term male companion, William Love, who had been one of his early shop assistants, and when that relationship ended, his preference was for the company of young men.  


Thomas was a tireless innovator who was always looking for ways to improve his products and business practices.  He was also an important figure in the development of the modern grocery store.  On his death in 1931, he left most of his fortune to the city of Glasgow.

 

A photo of a fallen gravestone.  The inscription has faded away and there is a crumbling carved head of Christ at the top of it.  Photograph by Kevin Nosferatu for the Skulferatu Project.
Fallen gravestone with face of Christ

 

A photo of the crumbling carved head of Christ on the fallen gravestone.  Photograph by Kevin Nosferatu for the Skulferatu Project.
A weather worn and crumbling Jesus

 

A photo of a large, curved gravestone with trees in the background and in the distance a high-rise block of flats.  Photograph by Kevin Nosferatu for the Skulferatu Project.
Gravestone and trees

 

A photo of a large gravestone covered in ivy and looking almost like some cuddly toy.  In front of it lies a fallen gravestone covered in green moss.  Photograph by Kevin Nosferatu for the Skulferatu Project.
Ivy and moss

 

A photo of gravestones stretching off into the distance.  Photograph by Kevin Nosferatu for the Skulferatu Project.
A field of gravestones

 

A photo of several gravestones in a grassy area with bushes and trees.  In the distance are two high-rise blocks.  Photograph by Kevin Nosferatu for the Skulferatu Project.
Gravestones with a background view of the high-rise flats at Caledonia Road

 

In 1954 the graveyard was the scene of a rather bizarre event.  In late September of that year a rumour spread through the local schools that a seven-foot-tall vampire had strangled two little boys in the cemetery and then eaten them.  Now, you may laugh at their gullibility in believing this, but hark back to your own childhood and the wild rumours that would run through the school.  I remember as a child back in the early Seventies, I was at Primary School and the rumour went round that there was a tiger in the boys' toilet. Being five or six we all believed it, so much so, that one of my classmates ended up pissing his pants rather than risking going to the toilet.  When the teacher demanded to know why he hadn’t asked to go to the loo he told her he didn’t want to be eaten by the tiger. Who told you there was a tiger in the toilet?  She demanded to know. John - my classmate blubbered out the culprit's name.  John come here; how dare you tell lies. Whack, whack, whack.  That’s pretty much how schooling went back in Scotland in the Seventies.  A few weeks later there was a rumour that our teacher had killed one of the boys in our class for some minor misdemeanour.  There’s a knife covered in blood on her desk, one of my little chums told me and pointed to a knife on her desk with red smears on it.  When one of the girls burst into tears and asked the teacher not to kill her, it was pointed out by the teacher that her knife was in fact covered in strawberry jam, as she’d been having her breakfast of toast and jam earlier that morning in the classroom.  She then whacked some other unfortunate who she suspected to have spread the story round.

 

Anyway, getting back to 1954 and the rumours about the child eating vampire in the graveyard, the kids in the Gorbals didn’t run away crying, no, they decided to do something about it.  So, hundreds of them armed themselves with penknives, sticks and stones and descended on the graveyard to hunt down the monster.  They searched around the gravestones, behind the trees and bushes and rushed shouting at any shadow they saw.  As the crowds of children grew in number, concerned members of the public began to phone the police.  One of the first officers to arrive on the scene was Constable Alex Deeprose.  He arrived expecting to find some youths causing a bit of trouble and was shocked instead to find hundreds of terrified children who clung to him and told him about the ‘vampire with iron teeth who just had to be killed.’  He soon felt like the Pied Piper of Hamelin there were that many children following close to him and crowding around him.  Concerned parents then started coming up to him and asking if there were any truth to the rumours.  He tried to reassure everyone that there was no vampire and with the help of other officers cleared the cemetery.  However, bands of kids carried on patrolling the streets, only heading home when it began to rain.  For the next two nights, gangs of children found their way into the graveyard to carry on the hunt for the vampire.  Eventually though they tired of this and found something else to do instead. 

 

The vampire was not forgotten so quickly though by those seeking an explanation to how a tale like this could have so quickly gripped the imagination of so many children.  Some academics and politicians quickly latched on to the American ‘horror comics’ that were popular at that time, blamed them for ‘polluting’ the minds of the young and demanded that they be banned.  However, other academics and social commentators pointed out that no monster matching the vampire could be found in these comics, but rather a similar one was mentioned in the Bible, in Daniel 7:7, a ‘dreadful and terrible’ beast that ‘had great iron teeth’, and another was mentioned in a poem taught in local schools – ‘Jenny Wi’ the Airn Teeth’ (Jenny with the iron teeth).  But, at the height of a moral panic no-one tends to listen to the voices of reason and the call for the ban on the comics was taken up by the local MP for the Gorbals, Alice Cullen.  In 1955 legislation was passed, banning the so called ‘horror comics’, the video nasties of their day.

 

On my visit to the graveyard today I saw no signs of anyone approaching seven foot tall and certainly no one with iron teeth.  Apart from one dog walker the place was empty, just me, the birds singing in the trees, and the buried remains of a quarter of a million people.

 

A photo of a curved gravestone with a large stone urn sitting on it.  Photograph by Kevin Nosferatu for the Skulferatu Project.
Urn and gravestone

 

A view through the graveyard showing fallen gravestones in the foreground, with gravestones standing behind and trees and bushes in the distance.   Photograph by Kevin Nosferatu for the Skulferatu Project.
A graveyard view

 

A photo of a gravestone with ivy around it.  The stone has a curved iron guard around it that is a rust orange.  The top part of the gravestone is missing.  Photograph by Kevin Nosferatu for the Skulferatu Project.
Iron and stone – grave of Isabella Wilson and numerous others

 

A black and white photograph showing a tall gravestone with a small tree growing out from it, making it look like the tree is exploding from it.  Photograph by Kevin Nosferatu for the Skulferatu Project.
Tree exploding from old gravestone

 

I left the Skulferatu that had accompanied me on my trip, in a gap in the patterned carving on a faded and crumbling gravestone.

 

A photo of a faded and crumbling gravestone.  The decoration around the top of the stone is the only part that has not faded away.  Photograph by Kevin Nosferatu for the Skulferatu Project.
A faded and crumbling gravestone

 

A close up of the top of the faded gravestone and the carved decoration around it.  Photograph by Kevin Nosferatu for the Skulferatu Project.
Detail of the faded and crumbling gravestone

 

A photo of a small ceramic skull (Skulferatu 95) being held up in front of the crumbling and faded gravestone at the Southern Necropolis.  Photograph by Kevin Nosferatu for the Skulferatu Project.
Skulferatu #95

 

A photo of a small ceramic skull (Skulferatu 95) sitting in the decoration at the top of the faded and crumbling gravestone in the Southern Necropolis.  Photograph by Kevin Nosferatu for the Skulferatu Project.
Skulferatu #95 in hollow a in the outer pattern on the gravestone

 

A photo of a small ceramic skull (Skulferatu 95) sitting in the decoration at the top of the faded and crumbling gravestone in the Southern Necropolis.  Photograph by Kevin Nosferatu for the Skulferatu Project.
Skulferatu #95 in hollow a in the outer pattern on the gravestone

 

TomTom Map showing location of Skulferatu #95
Map showing location of Skulferatu #95

 

The coordinates for the location of the Skulferatu are –

 

Latitude 55.842726

Longitude -4.246083

 

what3words: drain.tests.luxury

 

I used the following sources for information on the Southern Necropolis and the Gorbals Vampire –

 

Southern Necropolis, Gorbals City of the Dead

southernnecropolis.co.uk

 

iNews

Thomas Lipton: from a Glasgow slum to yachting with kings

 

Daily Mirror – Saturday September 25th 1954

 

Edinburgh Evening News - Saturday 25 September 1954

 

Aberdeen Evening Express - Friday 1 October 1954

 

BBC - Child vampire hunters sparked comic crackdown

BBC News - Scotland